Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming.  When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™­ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™­)-all is reconciled in a final Amen!

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.585748 By Neil Young. By Neil Young. Arranged by Jeff Tincher. A Cappella,Rock. Octavo. 7 pages. Jeff Tincher #6400307. Published by Jeff Tincher (A0.585748). This was a big hit in 1974, mainly because a capella music wasn't being released much. In the original key from their Dutch Courage LP in the UK and After The Gold Rush in the U.S., this is a great rendition of the Neil Young hit. I added the bass part to make it a four-part arrangement. Duration = 2:30. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1078272 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Sacred,Spiritual. Octavo. 15 pages. Piacere Music Sheets #682482. Published by Piacere Music Sheets (A0.1078272). Opus/Catalog Number: ICG 213, No. 7, Movement 5 Key/Tone: C Major Movements/Sections: Moderato Year/Date of Composition: 1877 Difficulty: Grade 3/12 (Easy) Obs.: This piece is the fifth and last movement in Gounod's Messe brève no. 7 Aux chapelles. It was originally published in 1877 in a version for two equal voices with organ. In 1890, Gounod rearranged it for soli, four-part mixed choir and organ and added the words Aux chapelles to the title. This piece opens with solo male voices singing a simple yet very lyrical melody. Then the four-part choir enters, repeating and expanding this melody upwards to its summit, after which a descending cascade leads back downwards to the main melody. The Agnus Dei then ends with the pleas for peace uttered in pianissimo chords. This arrangement is for SATB choir with organ accompaniment Included: Full score and separated parts for each voice/instrument.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.585032 Composed by Dave Bainbridge, Frank T. Essen Van, Frank Van Essen, Joanne Heather Hogg, Phil Barker, and Troy Donockley. Arranged by Jeff Tincher. Contemporary. Octavo. 23 pages. Jeff Tincher #6131579. Published by Jeff Tincher (A0.585032). Here is another Contemporary Christian song from the U.K. group IONA. Idea for the song comes from Nehemiah 9:6. In the original key from their Open Sky project, this song has many different tempo changes while interchanging between 6/8 and 7/4 time changes. This arrangement is in four-part harmony throughout. Duration = 6:01. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

(SATB) - Digital Download SKU: HX.451679 Arranged by Kirby Shaw. Pop. Choral. 7 pages. Published by Hal Leonard - Digital (HX.451679).

Choral SATB choir (SATB) - Digital Download SKU: HX.278795 By Frank Sinatra. Arranged by Mac Huff. This edition: scorch. Choral. Concert,Pop. 7 pages. Hal Leonard - Digital #847427. Published by Hal Leonard - Digital (HX.278795).

Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappella,Concert. 7 pages. Pavane Publishing #P1441. Published by Pavane Publishing (HX.319630).

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.719008 By Neil Young. By Neil Young. Arranged by Andrew Emmet. A Cappella,Pop,Rock. 7 pages. Andrew J Emmet #4611501. Published by Andrew J Emmet (A0.719008). SATB A Cappella. Alto has melody in verse 2.

Composed by Faure, Gabriel. Arranged by Ruben Federizon. 20th Century, A Cappella. Octavo. 7 pages. A Major Music Publishing #3603365. Published by A Major Music Publishing

(SATB) - Digital Download SKU: HX.356928 Arranged by Brad Nix. Choral. Sacred. Choral. 7 pages. Published by Hal Leonard - Digital (HX.356928).

Mixed choir a cappella - intermediate - Digital Download For mixed choir a capella. Composed by Gavin Bryars (1943-). This edition: choral score. Choral Music of Our Time. Downloadable. Duration 7 minutes. Schott Music - Digital #Q19037. Published by Schott Music - Digital

Voice, Choir, SATB - Intermediate - Digital Download Arranged by Casper Lai. Score. 7 pages. Published by Casper Lai

Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.

Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, �олнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again �олнце в небе (the sun in the sky).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)