Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.796813

By Allen Stone. By Allen Stone and Matt Wertz. Arranged by Eric Hagmann. A Cappella. Octavo. 7 pages. Eric Hagmann #3909375. Published by Eric Hagmann (A0.796813).

An SATB + male or female solo contemporary a cappella arrangement of Bed I Made by Allen Stone.  This chart takes the R&B stylings of Allen and adds some jazz color to his original harmonies.  The independent bassline has rhythm enough on its own that this tune might not necessarily need a vocal percussionist, though it does add to the overall groove if you have one available.  Choruses are easy to learn as your upper voices are all singing together in three-part harmony along with your soloist.  This piece would fit nicely as an opener or middle tune in an ICCA or ICHSA set.  Great for an advancing high school or college ensemble! .

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download

SKU: A0.725900

By Allen Stone. By Allen Stone and Matt Wertz. Arranged by Bryan Sharpe. A Cappella. 12 pages. Bryan Sharpe (BSharpe Music) #4849351. Published by Bryan Sharpe (BSharpe Music) (A0.725900).

A cappella arrangement of Bed I Made by Allen Stone for Solo + SSAATB

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download

SKU: A0.1297781

Composed by Allen Stone and Matt Wertz. Arranged by Marc Sokolson. Pop. 13 pages. Marc Sokolson #887757. Published by Marc Sokolson (A0.1297781).

SMATBB + lead vocal + vocal percussion of Bed I Made by Allen Stone.

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download

SKU: A0.1460776

By Allen Stone. By Allen Stone, James Ryan Ho (Malay), James Ryan Wuihun Ho, Magnus Tingsek, and Wayne Anthony Hector. Arranged by Peter Cunningham. Contemporary,Pop. 12 pages. Peter Cunningham #1039677. Published by Peter Cunningham (A0.1460776).

Contemporary A Cappella arrangement for Soloist, Trio, SATBr and Bs.

Choral Choir (SATB divisi) - Level 4 - Digital Download By Allen Stone. By Allen Stone and Magnus Tingsek. Arranged by MaryAnne Muglia & Alan Williams. Contemporary. Octavo. 8 pages. MaryAnne Smith #6197747. Published by MaryAnne Smith

Choral Choir,Choral (4-Part) - Level 4 - Digital Download

SKU: A0.725840

Composed by Allen Stone. Arranged by Bryan Sharpe. A Cappella,Contemporary. 11 pages. Bryan Sharpe (BSharpe Music) #4345999. Published by Bryan Sharpe (BSharpe Music) (A0.725840).

A cappella arrangement of Satisfaction by Allen Stone for Solo + SSATTB

Choral Choir,Choral (SATB divisi) - Level 2 - Digital Download

SKU: A0.1377287

Composed by Allen Stone, Andrew William Rose, and Jackie Tohn. Arranged by Rob Dietz. A Cappella,Contemporary,Pop. 15 pages. Rob Dietz #961907. Published by Rob Dietz (A0.1377287).

Contemporary A Cappella arrangement for SSAATBB + Solo and Vocal Percussion. Solo line is not transcribed in the arrangement.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1240133

Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133).

Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.927456

Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456).

Rock - a worship musical.

Full piano score with SATB choir, solo parts and narration.

Starting in Caesarea, Peter's story unfolds in flashback.

From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.

Synopsis
Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU.

For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet.

Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope.

WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep.

Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did!

Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .

Choral SATB choir with optional 16 handbells - Digital Download

SKU: H1.C5534DP

Composed by Allen Pote. Piano with Optional 16 Handbells. Psalms, Gathering, Christmas, General Worship, Joy, Adoration & Praise, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5534DP. Published by Hope Publishing - Digital (H1.C5534DP).

Psalms 34:1 - Psalms 34:2 - Psalms 34:3 - Psalms 34:4 - Psalms 34:5 - Psalms 34:6 - Psalms 34:7 - Psalms 34:8 - Psalms 34:9 - Psalms 34:10 - Psalms 34:11 - Psalms 34:12 - Psalms 34:13 - Psalms 34:14 - Psalms 34:15 - Psalms 34:16 - Ps.

Original anthem Drawing his text from Psalm 34, Allen Pote has artistically crafted this anthem of exaltation and praise to God. The rhapsodic vocal lines are supported with tasteful piano accompaniment and the optional use of 16 handbells. The incorporation of the hymn Holy, Holy, Holy! at the conclusion is the perfect capstone to this exuberant expression of adoration to God.

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1096104

Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #700054. Published by Kevin G. Pace (A0.1096104).

A beautiful sacred hymn of the Savior. Music by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The garden mutely heard His groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.801665

Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 9 pages. Connie Boss #6383851. Published by Connie Boss (A0.801665).

This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. cdboss@cvalley.net
Lyrics Below:

O Come Let Us Adore Him

(Venite Adoremus, Dominum)

 

(Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground

 

In the bleak midwinter, frosty winds made moan

Earth stood hard as iron, water like a stone

Snow had fallen snow on snow, snow on snow.

In the bleak midwinter, long, long, ago.

 

When blossoms flower amid the snow, upon a winter night

Was born the Child, the Christmas Rose, The King of Love and Light.

 

Venite Adoremus, Dominum

Venite Adoremus, Dominum

 

Twas Mary daughter pure of Holy Anne. That brought into this world the God made man

She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.

 

Again the heart with rapture glows, to greet the Holy night.

That gave the world it’s Christmas Rose, it’s King of Love and Light

 

Venite Adoremus, Dominum

Venite Adoremus, Dominum

 

And thus that manger poor became a throne, for He whom Mary bore was God the Son

O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost

 

O come let us adore Him, Christ the Lord

O come let us adore Him, Christ the Lord

 

O come let us adore Him, Christ the Lord

Venite Adoremus, Dominum!

 

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1031266

Composed by Bradley .S. Parker. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Bradley .S. Parker #3360733. Published by Bradley .S. Parker (A0.1031266).

A contemporary setting of 'IN THE BLEAK MIDWINTER' by Christina Rossetti.
The work was written for Bath Spa University's Chamber Choir. It was first performed on the 4th December 2014, as part of a Carol Service in Bath Abbey, England.

In the bleak midwinter, frosty wind made moan
Earth stood hard as iron, water like a stone;
Snow had fallen, snow on snow, snow on snow, 
In the bleak midwinter, long ago. 

Our God, Heaven cannot hold him, nor earth sustain;
Heaven and Earth shall flee away when He comes to reign. 
In the bleak midwinter a stable place sufficed
The Lord God Almighty, Jesus Christ. 

What can I give him poor as I am?
If I were a shepherd I would bring a lamb;
If I were a wise man I would do my part
Yet what I can I give him, give my heart. 

Christina Rossetti (1830-1894)


approx.  3.18.

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1186940

Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Kevin G. Pace #786565. Published by Kevin G. Pace (A0.1186940).

A stunning choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.

Text:
Gethsemane, garden lovely. Moonlight filters through o'erhanging trees,
There revealing our blessed Savior, having fallen down upon His knees.
Pleading May this cup, Father, from me pass. But Thy will be done at last.

Golgotha’s Hill, cold and lonely, whispers still of sacrifice and love,
Where the Savior gave up His life for us and for those who waited up above.
Though He suffered sore, He forgave the more, and thus opened heaven's door.

Hewn from the stone, tomb of sorrow, held the body of The Crucified.
Now His mortal work was completed, and His love for all men satisfied.
Though he died for men, yet He rose again, and repentance justified.

Long, dusty road to Emmaus. Two disciples met the risen Lord.
Sacred scriptures there He expounded, showing Jesus was indeed The Word.
And His holy voice, led them to rejoice, from the promises restored.