Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James Weldon Johnson, John Rosamond Johnson. Arranged by MistressPianist. 20th Century,Spiritual. Octavo. 11 pages. Leah Anteneh #5895423. Published by Leah Anteneh (A0.893896). Lift Every Voice And Sing SATB Choral, with a more classical feel. This piece is meant for mixed voices with divisi in the Alto and Tenor part (although divisi is optional).Comes with Piano Accompaniment as well, no additional charge!Perfect for school choirs/church choirs and other educational purposes. In honor of Black History Month as well as Juneteenth.Duration of the work is roughly 2 minutes and 40 seconds to 3 minutes.Vocal Ranges for each part: (low-high) Soprano: G#3-C#5Alto: G#3 - C#5Tenor: C#3 - E4Bass: E2 - C#4(Can be requested to be in a higher key!)

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575829 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 4 pages. David Warin Solomons #2028493. Published by David Warin Solomons (A0.575829). Setting for three equal voices of a blackly comic poem by Gavin Ewart about the hangover effects of alcohol as compared with advertising's positive angle on the product. The music, in canon form, is descriptive of a hangover, and its effect suggests that the alcohol spirit is also a mocking spirit in the ghostly sense of the word. The pdf file contains versions for three sopranos, three altos, three tenors and three basses The sound sample is performed by the composer in the alto version. Video: https://www.youtube.com/watch?v=r6SF28IoBp0

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.998868 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 8 pages. Robert A. Howard #6348463. Published by Robert A. Howard (A0.998868). This celebratory major-key anthem sets a prayer by Revd Canon Gordon Giles. The vocal lines are catchy and highly singable, based on recurring memorable phrases. It is written for a three-part choir of sopranos, altos and unison lower (male) voices, and is suitable for performance by good (Parish) choirs. The accompaniment can be played on piano or organ and is relatively simple to play. The work is appropriate for most standards of choir, including school, student, community, church and cathedral choirs. This piece is also available in versions for SA choir, and for solo/unison voices, also from Sheet Music Plus.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581). This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575608 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 8 pages. David Warin Solomons #2026283. Published by David Warin Solomons (A0.575608). After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.828298 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Anna Shields. Christian,Gospel. Octavo. 12 pages. Anna Shields of Starling Arts #5290377. Published by Anna Shields of Starling Arts (A0.828298). Choral arrangement of You're the VoiceArranged for 4 parts: Soprano, Alto 1, Alto 2 and Baritone.Perfect for school ensembles and community choirs without large numbers of lower voices.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408392. Published by Sandra Milliken (A0.774738). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,� from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719630 Composed by Curtis Hanson. Contemporary. Octavo. 19 pages. Curtis Hanson #43561. Published by Curtis Hanson (A0.719630). Don't let the title fool you. It might look like a sacred piece on a Latin text, but focus on the last two syllables and you'll have the grounds (pun intended) for this comic piece. All performers can have some fun making this a visual as well as aural delight. This setting is arranged for SATB chorus, piano, and alto and tenor sax, but it is also available for mixed voices alone, mixed voices with one sax, and for treble voices.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719629 Composed by Curtis Hanson. Contemporary. Octavo. 17 pages. Curtis Hanson #41419. Published by Curtis Hanson (A0.719629). Don't let the title fool you. It might look like a sacred piece on a Latin text, but focus on the last two syllables and you'll have the grounds (pun intended) for this comic piece. All performers can have some fun making this a visual as well as aural delight. It is also arranged for mixed voices alone, mixed voices with alto and tenor sax, and for treble voices.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030993 Composed by Lyrics, Music Sheila Gagen, and Teresa OConnell (BMI). Arranged by Teresa OConnell (BMI). Christian,Sacred. Octavo. 16 pages. Teresa O'Connell #5774049. Published by Teresa O'Connell (A0.1030993). Lord, Heal Our Land was inspired by today's worldwide struggles and offers hope. Let today be a day of healing. when so much of it seems torn. Let nothing stand between us no matter the burdens worn. All the good we were sharing before is still where we stand. Let the Comforter come near to us and Lord, heal our land. With thoughtful lyrics by Sheila Gagen and music by Teresa O'Connell (BMI), this S(S)A arrangement will help your women's ensemble shine, while singing the lush harmonies and beautiful lyrics.  Lord, Heal our Land is easy to learn and fun to sing.He has shown you, O mortal, what is good. And what does the Lord require of you? To act justly and to love mercy and to walk humbly with your God. Micah 6:8-NIVCost: $40.00 Digital Sheet Music (make as many copies as needed for your choir).Vocal Range: Soprano I-D4 to F5. Soprano II-D4 to D5. Alto-D4 to Bb4. Tenor G3-E4. Bass D3-B3 

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.865851 Composed by Gabriel Alares, Joakim Bjernberg, and Katrian Noorbergen. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmusic #5020767. Published by charliebmusic (A0.865851). Originally written for the 2015 Eurovision Song contest, where it inished second, this anthemic and inspiring international hit takes as its theme that we are stronger together. Originally sung by Russian pop star Polina Gagarina, it would suit a large group or even a massed chorus, and involves a 'stomp stomp clap' moment similar to that in Queen's 'We Will Rock You'. This arrangement could come at a dramatic moment in a show, or close a high school concert. It starts with an alto solo, which could be sung by a whole section, and builds to a vocally intense climax.