Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.866053 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Aaron Dale. A Cappella,Broadway,Musical/Show,Pop. 10 pages. Aaron Dale #472495. Published by Aaron Dale (A0.866053). Mixed Barbershop/Acappella voicing as sung by Heavy Medal Chorus.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.964270 Composed by Justin Hurwitz. Arranged by Isaac Bartels. Contemporary. Octavo. 17 pages. Isaac Bartels #5722639. Published by Isaac Bartels (A0.964270). 4-part choral arrangement of Another Day of Sun from the 2016 musical La La Land for SATB + piano.Duration: 3'06, 17 pages.Contact me at isaactranscribz@gmail.com to request alternative transcriptions.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.901826 Composed by Justin Hurwitz. Arranged by A.Karabaev. Contemporary. Octavo. 30 pages. KMN Music #5998261. Published by KMN Music (A0.901826). Another Day Of Sun for Voice, SATB + Piano.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1317072 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Roy Rashbrook. 21st Century,Broadway,Contemporary,Film/TV,Jazz,Musical/Show. 37 pages. Silverbright Music #905733. Published by Silverbright Music (A0.1317072). This sparkling and fun song was arranged for my local choral society - but then fleshed out with band parts for bass guitar and drums when the choir of the U.S. Navy aksed to perform this arrangement as part of their tour of the West Coast. For SATB (plus a short Sop. Solo), Piano with optional Bass Guitar and Drums. The pdf includes a vocal score with paino accompaniment, a full score for the conductor, plus parts for piano, bass and drums.

SATB chorus - Digital Download SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA198. Published by Chorister's Guild - Digital (C7.CGA198). UPC: 749193004128.Here we have a practical setting of the familiar hymn tune TRURO that combines children's and adult choirs. The text is based on Psalm 24 and is equally suitable for use during the Advent season or on Palm Sunday when nearly all children's choirs participate in the worship service. Further, it is written so that all ages of choirs could participate. The hymn tune is punctuated by the powerful dialogue from the Psalm: 'Who is the King of Glory' The Lord of hosts, He is the King of Glory!' This ties very well the Psalm ideas to Weissel's paraphrase, and then the closing stanza concludes with a personal response EUR to open the portals of one's heart. Another feature of the anthem s that the entire congregation can join in the singing at the appropriate places by either singing directly from the hymnal or by printing the words in a bulletin (permission is granted). The work can, of course, be used as an anthem, or as an elaborated congregational hymn in addition to another 'anthem' for the day.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1280533 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Nick Schurmann. A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. 12 pages. Nick Schurmann #871942. Published by Nick Schurmann (A0.1280533). Barbershop arrangement for SATB voices. Ranges:Soprano - Bb3-D#5Alto - G3-C#5Tenor - Eb3-F#4Bass - F2-D4.

Composed by Justin Hurwitz. Arranged by Jacob Narverud. Choral. 19 pages. Alfred Music - Digital Sheet Music #00-PO- 0005702. Published by Alfred Music - Digital Sheet Music

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-22779 Incorporating the Passion Chorale O Sacred Head, Now Wounded. Arranged by Gene Grier. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christ the King; Good Friday; Lent; Palm Sunday; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-22779. Published by Jubilate Music Group - Digital (JX.00-22779). English. Psalm 22, Matthew 27:11-54, Mark 15:1-39, Luke 23:1-47, John 18:28?, John 19:37.Filled with emotion! This is an extraordinary pairing of cherished old music (the Passion chorale, O Sacred Head, Now Wounded) with haunting new music that creates an unforgettable picture of our Lord at His crucifixion: The dove was wounded. / O sacred head now wounded. When the two melodies partner, one phrase responding to another, it is simply heartrending! For Holy Week, Lent, Palm/Passion Sunday or Christ the King. Suggested scriptures: Psalm 22, Matthew 27: 11-54, Mark 15: 1-39, Luke 23: 1-47, John 18: 28-19: 37.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting.   The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.