Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.934849 Composed by Traditional. Arranged by Ben Mulholland. Christian,Folk,Praise & Worship,Sacred,Spiritual. Octavo. 26 pages. Benjamin D Mulholland #6138303. Published by Benjamin D Mulholland (A0.934849). Amazing Grace for Brass Quintet.Can be performed as written or with several other options: Prelude can go directly to A or B; A can go directly to 2nd ending of B and vice versa; and 2nd endings can be used for final endings.Choral parts - included for reference - can be used as written. Repeats and verses used are at discretion of director(s). Choir can also sing during A, the same as is printed at BParts for traditional Brass Quintet are Trumpet 1 in Bb, Trumpet 2 in Bb, Horn 3 in F, Trombone 4, and Tuba 5Alternate parts for Horn and Trombones included to permit Low Brass Quintet, Horn Quintet, Trombone Quintet (having bass trombone playing the Tuba part), and allowing slightly nonstandard quintets as well (such as- 1 Trumpet, 3 Horns, and Tuba, etc)(alt 1st & 2nd Horn and alt 1st & 2nd Trombone parts are challenging)Piano reduction, score, Euphonium, and alternative parts available elsewhere

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works.  Re-imagined for double reed choir, it is a challenging and fun setting for this fugue.  The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments.  The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach.  I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ.  This piece would be appropriate for advanced high school students, college students, or professionals.  It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place.  It would also work well as prelude or lobby music.  The duration is just over three minutes (or longer if you prefer to take it slower).  Each measure is numbered individually for convenience during rehearsals.  I hope you will enjoy performing this piece as much as I have enjoyed arranging it!  There are also versions of this piece available for wind and brass quintets.  Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875