Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;     Beneath the sunny treeI lie uncaring slumbering peacefully.       Swift as the light     I flew my faery flight;Ecstatically I moved, and feared no night.       I did not know     That heydays fade and go,But deemed that what was would be always so.       I skipped at morn     Between the yellowing corn,Thinking it good and glorious to be born.       I ran at eves     Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'       Now soon will come     The apple, pear, and plumAnd hinds will sing, and autumn insects hum.       Again you will fare     To cider-makings rare,And junketings; but I shall not be there.       Yet gaily sing     Until the pewter ringThose songs we sang when we went gipsying.       And lightly dance     Some triple-timed romanceIn coupled figures, and forget mischance;       And mourn not me     Beneath the yellowing tree;For I shall mind not, slumbering peacefully.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too.   This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!  

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting  on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today.  And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert,  all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn  music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com  , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic             #holiday                  #fall    #autumn        #season        #flutechoir     #movieflute #autumnmusic

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887080 Composed by Marilena Zlatanou. Contemporary. 136 pages. Marilena Zlatanou #3435187. Published by Marilena Zlatanou (A0.887080). A Secular Oratorio for Mezzo-soprano soloist, SAB soloists/chamber group, SATB choir, Strings and one percussionist. Nine movements. Duration 45 minutes.This pdf file includes the vocal score, the choir score and the piano part, as well as some useful notes at the start.The texts are 7 poems by Norwegian poet Rolf Jakobsen, in authorized English translation, and the message ultimately a declaration of love for our Earth and consequently perfect for concerts with the objective to express concern for our threatened environment.The movements are:1. It is blue2. hush3. fresh water4. impovisation5. Dream-ocean6. Some7. Wait for me8. Your thoughts9. But we liveThe music writing is melodious and tonal (with some contemporary effects!) and this composition is suitable for both youth and other SATB choirs. It has been very well received in Norway where it has been prformed but also received good reviews from USA where a recording of a concert was presented at radio stations.The attached mp3 file (of the last movement) is a converted Sibelius file.Please vist website www.zlatanou.net for more information on the Composer (member of TONO, the Norwegian copyright org.)

SATB choir, horn in F, and piano (Instrumental Parts include: Horn in F, Treble Instrument in C (High or Low) and B-flat) - Moderately Easy - Digital Download SKU: MQ.50-6192-E Composed by Terre Johnson. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-6192-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6192-E). English.In this original music set to the familiar text, the words flow in a wonderfully expressive and natural fashion. The French horn adds a lyrical counterpoint of rising notes to evoke the hope and comfort of the hymn. Treble Instrument in C or B-flat (high or low) may also be used. The accompaniment is intended for piano, but is not so idiomatic that it couldn't be adapted for organ without a lot of stress.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939724 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 12 pages. Richard St. Clair #3002395. Published by Richard St. Clair (A0.939724). This choral setting of Quaker James Nayler's (17th c.) dying statement (c. 1660) is a profoundly spiritual outpouring. Duration: 5 minutes. Lyrics: There Is a SpiritThere is a spirit which I feel that delights to do no evil, nor to revenge any wrong, but delights to endure all things, in hope to enjoy its own in the end. Its hope is to outlive all wrath and contention, and to weary out all exaltation and cruelty, or whatever is of a nature contrary to itself. It sees to the end of all temptations. As it bears no evil in itself, so it conceives none in thoughts to any other. If it be betrayed it bears it for its ground and spring is the mercies and forgiveness of God. Its crown is meekness, its life is everlasting love unfeigned; it takes its kingdom with entreaty and not with contention, and keeps it with lowliness of mind. In God alone it can rejoice though none else regard it or can own its life. It's conceived in sorrow, and brought forth without any to pity it, nor doth it murmur at grief and oppression. When I was weak thou staydest me with thy hand that in thy hand, that in thy time thou mightst present me to the world in thy strength in which I stand, and cannot be moved. Praise the Lord, O my soul.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1388031 By The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by Paul Lorenz. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 15 pages. Paul Lorenz #971626. Published by Paul Lorenz (A0.1388031). Discover the Power of Individuality with This Is Me from The Greatest Showman At Paul Lorenz Music, we are thrilled to present our exclusive collection of This Is Me sheet music, derived from the unforgettable anthem of resilience and self-acceptance featured in The Greatest Showman. This powerful piece has not only captivated audiences worldwide but has also become a beacon of empowerment for many. Whether you're a seasoned musician or a budding pianist, our This Is Me piano sheet music and comprehensive PDF arrangements are designed to inspire and enhance your musical journey. Unleash Your Musical Talent with This Is Me Piano Sheet Music Dive into the heart of The Greatest Showman with our meticulously crafted This Is Me piano sheet music. Perfect for pianists of all levels, this arrangement captures the spirit and dynamism of the original score. Explore our This Is Me piano notes to bring the essence of this powerful song to life right at your fingertips. For those seeking the convenience of digital music sheets, our This Is Me sheet music PDF is just a click away, offering instant access to this inspiring composition. Elevate Your Choir's Performance with This Is Me SATB and Choral Arrangements Transform your choir's repertoire with our This Is Me SATB and choral arrangements. Paul Lorenz Music takes pride in offering This Is Me choir sheet music that resonates with choirs and audiences alike. Our This Is Me choral arrangement is specifically designed to capture the song's uplifting and inclusive message, making it a perfect addition to any concert or event. Experience the Magic of This Is Me Free Sheet Music At Paul Lorenz Music, we believe in the power of music to inspire and unite. That's why we offer This Is Me free sheet music, allowing musicians and educators to access this remarkable piece without barriers. Our commitment to making music accessible to all is reflected in our diverse range of This Is Me the Greatest Showman sheet music, ensuring everyone can experience the joy and empowerment this song provides.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.509233 By Tom Rule. By Martin Luther / Tom Rule. Arranged by Tom Rule. Sacred,Traditional. Octavo. 7 pages. MaconMacMusicGuy #120287. Published by MaconMacMusicGuy (A0.509233). Jesus Loves Me This I know, For the Bible tells me so...Little ones to him belong......I am weak but He is...... A Mighty Fortress Is Our God. Thus begins a new arrangement of the Martin Luther hymn A Mighty Fortress, for SATB choir and Piano. This takes the familiar hymn and adds in sonic surprises at every turn - JUST enough to keep an congregation interested, because the melodies and harmonies are tightly integrated with the text. Works well for Reformation Sunday, or any time this mighty hymn is used. NOTE: The MP3, sadly, is using a synth choir for the vocal parts. Please use your imagination to hear what the piece actually sounds like!

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia #2894557. Published by Pax Multimedia (A0.919010). Love poem by the composer. SSAATTBB with piano for rehearsal only.Text: Ah,  but shall i not long for you? Shall I, in obeisance to your scruples , then banish my love to a dark cell and express not its insistent call?   It is you who have loved me and made me love -- Now I am as Prometheus, who, seeing fire, could never after forget its light and for that, submitted to burning pain for love of fire and love of human kind.   And, captive to its eternally mesmerizing call, consented his liver to be consumed.   And so my heart for you.   Each ray of the setting sun that lures my essence outside its boundaries Each sparkle reflected on my solitary walls, each note that calls the soul to absent itself from form each subtle intimation of immortality -- at each my soul cries out for you, who has captured and entranced, plundered and bound, myself, in love, to you.