Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872680 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 78 pages. Philip Orem #3684821. Published by Philip Orem (A0.872680). Ashira is a Shabbat evening service with 19 prayers. This is perfect for choirs that don't have lots of rehearsal time. The choir parts are entirely unison with the more challenging parts being for the cantor and pianist. Introducing each new piece to your congregation as it is learned over a period of time can build up to the entire service and your congregation joining in! The Oseh Shalom is included in Transcontinental Music Publications' Shabbat Anthology VIII.Here is a youtube link for the first performance with Cantor Vicky Glikin and myself at the piano.  https://www.youtube.com/watch?v=SbPUeQ3kqtM&feature=youtu.beWe're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.773850 Composed by Anthony Giamanco. Christmas,Contemporary,Easter,Sacred. Octavo. 26 pages. Whole Tone Press #5770055. Published by Whole Tone Press (A0.773850). A melodic and beautiful setting of the Catholic Mass based on an ancient Jewish melody. Kyrie, Gloria, Gospel Acclamation, Lenten Gospel Acclamation, Sanctus, Mystery of Faith (A, B & C), Great Amen, and Agnus Dei. Arranged for SATB choir, cantor, assembly and keyboard. FULL SCORE. Guitar and Choir editions available separately. The mp3 includes the Kyrie, Gloria and Gospel Acclamation.  

Choral Choir (Mixed) - Digital Download SKU: A0.904541 Composed by David Cundy. Sacred. Octavo. 6 pages. David Cundy #3077347. Published by David Cundy (A0.904541). Psalm 131 for cantor, choir and organ.

Choral Choir (SATB) - Digital Download SKU: A0.724513 Composed by Josquin Des Prez (1440-1521). Arranged by Renato Tagliabue. Renaissance. Octavo. 3 pages. Renato Tagliabue #4301337. Published by Renato Tagliabue (A0.724513). https://www.youtube.com/watch?v=SyubnX3s0VM

Cantor, SATB choir, assembly, organ, optional harp - Moderately Easy - Digital Download SKU: MQ.80-115-E Composed by Paul M. French. Christmas. 7 pages. MorningStar Music Publishers - Digital Sheet Music #80-115-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-115-E). English. Psalms 96:1-2a, 2b-3, 11-12, 13.

Choral Choir,Choral (SATB Chorus) - Level 5 - Digital Download SKU: A0.1510542 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, Editors. A Cappella,Holiday,Jewish,Praise & Worship,Religious. 228 pages. Ayotte Custom Musical Engravings #1085740. Published by Ayotte Custom Musical Engravings (A0.1510542). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams.Part I: Leil Shabat (Sabbath Evening Service)L’chu N’ran’naKol AdoshemL’cha DodiAdoshem MalachV’sham’ruShalom AleichemPart II: Shacharit L’shabat (Sabbath Morning Service)Shochein AdTitbarachMim’kom’chaAna AvdaSh’ma YisraeilL’cha Adoshem Hag’dulaPart III: Shacharit L’shabat (Cont’d)PreludeY’hi RatzonMi Sheasa NisimUv’nucho YomarPart IV: Musaf L’shabat (Additional Service for the Sabbath)K’dushat MusafNaªritz’chaKadoshMim’komoSh’ma YisraeilYimlochL’dor VadorYism’chuPart V: Motzaë Shabat (The Conclusion of The Sabbath)PreludeHavdalaHamavdilEiliyahu Hanavi.

Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.889697 Composed by William Hawley. Contemporary,Sacred. Octavo. 1 pages. William Hawley #3519379. Published by William Hawley (A0.889697). William Hawley's Preces for Cantor and SATB Choir (or Officiant and Congregation), composed in 2010, is here presented on a single page for distribution and use in liturgical performance. This work sets the standard text from the Book of Common Prayer of the Anglican Communion, as follows:Cantor: O Lord, open thou our lips.Choir: And our mouth shall show forth thy praise.Cantor: O God, make speed to save us.Choir: O Lord, make haste to help us.Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost;Choir: As it was in the beginning, is now, and ever shall be, world without end. Amen.Cantor: Praise ye the Lord.Choir: The Lord's Name be praised.The audio clip is of the full work in the composer's virtual instruments demo. The download includes permission to photocopy the score multiple times, as necessary and  without limit, for distribution to the Music Director, Cantor, Priest, Choir, and Congregation for liturgical performance. Duration 2 minutes. ASCAP  http://williamhawley.net

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1471741 By Cantori - Choral Artists of East Texas. By Cameron Joel Rose. A Cappella,Easter,Lent,Religious,Sacred. 3 pages. Providence Music Publishing Company #1049497. Published by Providence Music Publishing Company (A0.1471741). In this original sacramental motet, we are invited to look upon Him in Gethsemane and Calvary, and are remembered in his hands and feet and side.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881520 Composed by Robert S. Wallace, II. Christian,Romantic Period. Octavo. 13 pages. Robert Wallace, II #2022395. Published by Robert Wallace, II (A0.881520). BLESSING for the NEW YEAR utilizes the blessing of Aaron from the Biblical book of Numbers with cantorial solo and choral amens. Then the prayer changes to English with a strong choral section paraphrased from Psalm 91: He shall give His angels charge over you.... This is perfect for church or synagogue for a Watchnight service or Rosh Hashana.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.516084 Composed by Santino Cara. A Cappella,Christian. Octavo. 4 pages. Santino Cara #2006485. Published by Santino Cara (A0.516084). Motet for Ascension Day - Text extracted from: Florilegium Sacrarum Cantorium Published by Petrius Phalesius (1609).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epístola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notícia da morte de uma íntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.