Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618544 Composed by Stephen DeCesare. Broadway,Christian,Musical/Show,Pop,Rock. Octavo. 105 pages. Exultet Music #10803. Published by Exultet Music (A0.618544). A musical based on the late fifteenth century play. Everyman (or Everywoman) a pop-singer. Everyman tries to convince other characters to accompany him in the hope of improving his account. All the characters are also allegorical, each personifying an abstract idea such as Fellowship, (material) Goods, and Knowledge. The conflict between good and evil is dramatized by the interactions between characters. If you wish to obtain the rights and script for this show, please visit: mtapublishing.com in which there is also available a full accompaniment track version of the show to perform.           Video Review: https://www.youtube.com/watch?v=85yreOWd7eU

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.613418 Composed by VALLETA LANIER, GARY LANIER. Arranged by Gary Lanier. Easter,Praise & Worship. Octavo. 69 pages. The Lanier Company #10649. Published by The Lanier Company (A0.613418). YOU ARE THE LIVING ONE, created by Valleta and Gary Lanier, is a 21 minute musical/cantata for SATB Choir with Piano accompaniment. Included in purchase is the Choir/Piano Score followed by the Choir Part in a SATB format. Ideal for any season, especially Easter. Every song anthem (5) can be used independently from the musical as special music in a worship service or concert setting. Total pages: 69 which includes Cover, Contents page, 42 pages of SATB Choir/Piano Score and 24 pages of CHOIR PARTS. In the book of Revelation, Jesus introduces himself to the Apostle John as, ... Him who is, who was, and who is to come. Jesus says... ...I am the first and the last... the living One; I was dead, and behold, I am alive forevermore.’ This powerful statement comes to life in, YOU ARE THE LIVING ONE. Each song includes a narration, with the Prelude also including the Apostle John as he describes the glorious Jesus. Woven within the musical are songs that tell the story of the Jesus who is, who was, and who is to come. A mp3 orchestra accompaniment track is available on Sheet Music Plus, listed as:

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.915997 Composed by Nonie N. Sorensen. Folk,Musical/Show,Romantic Period,Sacred. Octavo. 2 pages. Nonie N. Sorensen #2165943. Published by Nonie N. Sorensen (A0.915997). A delightful song by the company from the musical show, Nauvoo Adventure, written and  produced by Nonie Sorensen  and performed by the compay in the historical Nauvoo Musical Theatre in the LDS Visitors Center at Nauvoo, Illinois. It is a lively number describing the instructions given by the Mormon Pioneer Leader, Brigham Young about preparing his followers to colonize the Rocky Mountains. circa 1857.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.

SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. Published by E. C. Schirmer Music Company - Digital (MQ.8894-E). English.“Madrigals for the Seasons� was composed especially for Cappella SF, Ragnar Bohlin, conductor. The theme of Longfellow’s great poem “Snow-flakes� is human loss and grief. The poetic structure is reflected in the musical phrase structure, with the resolution withheld until the end of each stanza. The mournful harmonies sung on a wordless syllable often accompany the main melodic line in various sections of the choir, who intone the full text. The mood of the madrigal is intensely sorrowful, as the speaker searches the sky for signs of God’s presence in the face of his grief.

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye ímamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye ímamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,� (В�ех �корб�щих Радо�ть|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye ímamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.

Piano Accompaniment, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, SATB - Intermediate - Digital Download Composed by Helen & Alastair MacCulloch. Musicals, Rock. Sheet Music Single. 12 pages. Published by Optimistic Music Company

Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Musicals, Comedy. Sheet Music Single. 20 pages. Published by Optimistic Music Company

SATB choir and keyboard - Moderately Easy - Digital Download SKU: MQ.5114-E Composed by Carol Nicholeris. 6 pages. Duration 1 minute, 50 seconds. E. C. Schirmer Music Company - Digital #5114-E. Published by E. C. Schirmer Music Company - Digital (MQ.5114-E). English.The text of this work is by the late-Victorian poet T. E. Brown from the Isle of Man, and refers to the magic of a garden, both in terms of nature and in terms of the divine. His writing incorporates rhythms and expressions from Anglo-Manx, the dialect spoken on the Isle of Man which incorporates some Manx Gaelic. The composer harnesses this energy beautifully, musically painting the pulses of the garden and using contrasting tonalities for the theological/philosophical phrases which follow the visual descriptions. Duration: 1:50.

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.7819-E Composed by John David Earnest. Wedding. 16 pages. Duration 7 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7819-E. Published by E. C. Schirmer Music Company - Digital (MQ.7819-E). Italian.This piece is a collaborative project with conductor/poet Robert Bode. A choral work in memory of Dr. Morris J. Beachy based on Monteverdi's O Mirtillo. Bode's text and Earnest's music are an evocation of the experience of singing Monteverdi’s madrigal, and certain fragments of his madrigal have been folded into this work—both textually and musically.Commissioned and premiered by the University of Missouri-Kansas City Conservatory Singers in October 2011 under Robert Bode’s direction. The performance of the Fantasy immediately followed a performance of Monteverdi’s madrigal without pause. Duration: 7:30.

SATB choir, organ - Digital Download SKU: MQ.4272-E Composed by David Conte. Wedding. 12 pages. E. C. Schirmer Music Company - Digital #4272-E. Published by E. C. Schirmer Music Company - Digital (MQ.4272-E). Song of Songs 8; Song of Solomon 8.This work opens with alternating men's and women's unison melodic lines, asking simplyset me as a seal upon thine heart, for love is strong as death. The profound thought is developed both musically and textually to a joyful, then pensive conclusion.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.

SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 20 pages. Duration 6 minutes, 7 seconds. E. C. Schirmer Music Company - Digital #8452-E. Published by E. C. Schirmer Music Company - Digital (MQ.8452-E). English.In the summer of 2011, while I was visiting my friends Don and Sally Roberts in Santa Fe, Sally asked me if I would be interested in writing a new choral work for Don in celebration of his upcoming 75th birthday. The idea appealed to me very much, so I readily agreed to write the piece. Since Don has enjoyed a lifelong interest in the American Southwest Pueblo people and their customs, Sally provided me with several Tewa texts, in English translation, to consider for musical setting. I was particularly drawn to the imagery of Song of the Sky Loom, so that poem became the basis for the new work. The music begins with two baritone soloists singing an introductory 'call-and-response' to which the entire chorus eventually responds. The opening line of text is first presented in fragmented form, as if voices from all areas of nature gradually rise up and then merge into a unified chordal texture. As the text turns to the imagery of weaving, the musical texture, accordingly, becomes contrapuntal: individual melodic lines, sung by solo voices or small groups (the 'weft'), intertwine with each other and also with the main chorus, which provides the overall harmonic structure (the 'warp'). The following chorale section, infused with occasional chromatic inflections, represents the massive 'rainbow' in the text and brings the work to a unified conclusion. Song of the Sky Loom was first performed by the Santa Fe Desert Chorale, under the direction of Joshua Habermann, on July 19, 2016 with three subsequent performances during the following two weeks. -Frank Ferko Duration: 6:07.

SATB choir, organ, optional brass quartet, percussion - Digital Download SKU: MQ.7526-E Composed by Gwyneth W. Walker. 17 pages. E. C. Schirmer Music Company - Digital #7526-E. Published by E. C. Schirmer Music Company - Digital (MQ.7526-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..

SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.