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Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.4077

Composed by J.P. Webster. Absences, Sadness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4077).

Zula Song. Song and Chorus. From Webster's Western Gem. Music by J.P. Webster. Words by C.M. Ballard. Published 1860 by H.M. Higgins, 117 Randolph St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Absenses, Sadness. First line reads I have loved thee, Zula Zong, for thy life was all a song..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Zula Song. Song and Chorus. From Webster's Western Gem
Chorale SATB

$5.99 5.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download

SKU: A0.973048

Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048).

The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well.

If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices.

The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah).

The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.

The Gift to Sing - SATB choir
Chorale SATB

$1.99 1.89 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.912545

Composed by Edgar F Girtain IV. 20th Century,Contemporary,Holiday. 20 pages. Edgar F. Girtain IV #3114117. Published by Edgar F. Girtain IV (A0.912545).

Program Notes
As part of an ongoing artistic collaboration between the conductor Hingrid Kujawinski and composer Edgar Girtain, Every Day isThanksgiving is a choral adaptation of a quotation by Gladys Widdis, elder of theWampanoag Native American tribe. As the Wampanoag are reputed to have been the tribe present at the first thanksgiving feast, Widdis's thoughts on the holiday are particularly apt. Her words of wisdom are worthy of meditation by all people:

Every day [is] a day of thanksgiving to the Wampanoag...[We] give thanks for the dawn of the
new day, at the end of the day, to the sun, to the moon, for rain for helping crops grow...There [is]
always something to be thanksful for...Giving thanks comes naturally for the Wampanoag...

About the Composer
Edgar F Girtain IV is an American composer who work has been hailed as immediatley captivating by the NewYork Times. A commanding poly-stylist, his orchestral, chamber, and vocal work has garnered acclaim for its poetic temperment and dramatic scope, with recent performances at the Imperial College in London, the Conservatories of Helsinki and Seville, Northwestern University, and Carnegie Hall. A native of the New Jersey Pine Barrens, he currently lives and teaches in Puerto Montt, Chile. His scores are available for purchase on JW Pepper, Sheet Music Plus, and through his website, www.EdgarFGirtainIV.com.

Every Day is Thanksgiving
Chorale SATB

$3.00 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1011383

Composed by New England Folksong. Arranged by Derek Larson. A Cappella,Contemporary,Folk,Traditional. Octavo. 7 pages. Derek Larson #3242161. Published by Derek Larson (A0.1011383).

An a cappella setting for SATB chorus with some splits within the parts of allegedly one of the first ballads to come from the Northeastern American colonies. Though the comedic text and music are more common, this public domain tune and story are arranged here to dramatically tell the tragic story of a young man whose life as an adult was just beginning when he was struck by a poisonous serpent as he mowed a field alone. Choirs will love the wistful melody and harmonies found in this rich arrangement of a piece of colonial history.

Springfield Mountain
Chorale SATB

$3.50 3.33 € Chorale SATB PDF SheetMusicPlus

SATB choir (choir divisi) and piano - Moderately Difficult - Digital Download

SKU: MQ.8711-E

Composed by Scott Perkins. 23 pages. E. C. Schirmer Music Company - Digital #8711-E. Published by E. C. Schirmer Music Company - Digital (MQ.8711-E).

English.

Instruments, with texts by Madeleine L’Engle, was commissioned by the American Choral Directors Association, Eastern Division. The piece comprises two contrasting movements. “The Sky Is Strung With Glory†is fiery, energetic, and almost manic as the speaker attempts to describe music’s power and control. “Hold Me Against The Dark†is much more subdued and tranquil, featuring lush harmonies as the speaker describes her relationship to the vastness of music. The piece was premiered in 2018 by the ACDA East Honor Choir under the direction of David Fryling, with pianist Timothy Plambeck. Duration: 7:00.

Instruments (Downloadable)
Chorale SATB

$3.20 3.04 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.976729

Composed by Robert Myers. Christian,Contemporary,Sacred. Octavo. 43 pages. WheatMyer Music #5317821. Published by WheatMyer Music (A0.976729).

There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently motivates me to promote their increase. Thus, THIRTEEN , one member of my first suite of new Psalm settings, is offered as a to help bring the Psalms back into modern worship.

The thirteenth Psalm holds a complaint, a petition, and a confession of faith and the music of THIRTEEN portrays each with text painting appropriate to the psalmist's words. A staggering timpani ostinato buffets away beneath the choir's tripartite how long complaint, followed by a dissonant recitative petition which transitions through  shimmering tonal clusters into a joyful, major-key, confession of faith blended with a NT perspective from Eph. 3:20-21.

THIRTEEN is challenging music, both in music and message, but for the adventurous music department it provides the opportunity to plumb the depths of scripture with artistry worthy of the rich heritage of Psalmody to use music to express the full message of God’s revelation. THIRTEEN is fitting to program liturgically as a musical exposition of the Psalm or in a sacred or secular concert setting. The very light orchestration complements the vocal performance with rich instrumental color without overwhelming the voices.

Thirteen
Chorale SATB

$55.00 52.32 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download

SKU: A0.774722

Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722).

Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.

Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. 

In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. 

The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.

Brisbane Ladies (Augathella Station)
Chorale SATB

$2.20 2.09 € Chorale SATB PDF SheetMusicPlus






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