Composed by James Koerts. Sacred Anthem, Evangelism, General, Missions. Octavo. 8 pages. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4765L). - octavo - Sacred Anthem, Evangelism, General, Missions - Lorenz Publishing - Digital Sheet Music

Choral Choir (SATB divisi) - Level 2 - Digital Download

SKU: A0.943854

By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Evan Ramos. A Cappella,Rock. Octavo. 54 pages. Evan Ramos #6866119. Published by Evan Ramos (A0.943854).

Showcase your entire choral program in an easy-to-learn a cappella arrangement of one of the most iconic Beatles songs ever! Written for soloist and seven choirs, (Chamber Choir, Show Choir, Mixed Choir, Varsity Treble, Non-Varsity Tenor/Bass, Non Varsity Treble (opt.)) each choir has its own distinct part and distinctive character, each part layers on top of the other, then builds to an exciting finale! Originally a created as a closer for a Beatles Pop Show at a high school, this choral arrangement is sure to bring down the house!! Link to YouTube recording: https://www.youtube.com/watch?v=vyWKeYnehYU

Choral Choir (SATB) - Digital Download

SKU: A0.943851

By Little Mix. By Camille Purcell, Edvard Erfjord, Henrik Michelsen, Iain James, Jade Thirlwall, Jessica Nelson, Leigh-Anne Pinnock, and Perrie Edwards. Arranged by Evan Ramos. A Cappella. Octavo. 11 pages. Evan Ramos #4580219. Published by Evan Ramos (A0.943851).

Shout Out To My Ex is a tense, high-energy arrangement for SATB a cappella groups with a female soloist. The arrangement includes some body percussion, but a solid vocal percussionist is also recommended.

Quick and easy to learn, this piece is fantastic for high school or college a cappella groups. It could be used as a strong opener for an a cappella competition set, or a high point in a pop show!

Composer/Arranger website coming soon! Stay tuned!
Check out my YouTube channel: https://www.youtube.com/channel/UCWu_H9kQ9__mQw80JVKzd8Q

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1424788

Composed by Travis Evans. 21st Century,A Cappella,Religious,Sacred. 1 pages. Travis L. Evans #1005861. Published by Travis L. Evans (A0.1424788).

Setting of the benediction using the King James translation.

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535388

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God
Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir.

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535387

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God

Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1508086

By Ephrem Feeley. By Ephrem Feeley. 21st Century,Christmas,Religious,Sacred. 5 pages. Cherrybrook Music #1083374. Published by Cherrybrook Music (A0.1508086).

The Birds is a setting of a poem by Hilaire Belloc for SSATB choir. It is suitable as a short concert item throughout the Christmas season. Its use in liturgy might pose a challenge for some - certainly the apocryphal writings are not found in the liturgy of the Church, although the parents of Mary - Joachim and Anne - firmly placed in Christian hagiography, are not mentioned in the canonical gospels, but instead are named in the apocryphal Protevangelium of James. However, in this poem, the infant Christ gives life to his creation, blesses his followers and assures us of Paradise - there is much to offer the worshipper in this unassuming, yet powerful, text. Feeley sets this for unaccompanied choir using lush harmonies and a reflective, hypnotic melody line.

Choral SATB choir, orchestra - Digital Download

SKU: H1.C5462DP

Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faith & Faithfulness, Guidance, Promise. Octavo. 12 pages. Hope Publishing - Digital #C5462DP. Published by Hope Publishing - Digital (H1.C5462DP).

Thomas O. Chisholm & William M. Runyan; New Words & Music by Sara Groves. Genesis 8:22 - Lamentations 3:22 - Lamentations 3:23 - Lamentations 3:24 - 1 Samuel 15:29 - Hebrews 7:21 - Isaiah 49:7 - James 1:17 - Jeremiah 29:11 - Malachi 3:6 - Psalms 33:4 - Psalms 110:4 - Psalms 111:7 - Psalms 145:13 - Psalms 1.

Original melody with Great Is Thy Faithfulness
This popular new song from Sara Groves combines the hymn Great Is Thy Faithfulness with original contemporary words and music in a seamless blend of old and new that refreshes this beloved classic, and brings new relevance and significance to the timeless message. Orchestration consists of parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, 2 & 3, Horn 1 & 2, Tromtone 1 & 2, Trombone 3/Tuba, Timpani, Percussion 1 & 2, Harp, Rhythm (Piano), Violin 1 & 2, Viola, Cello/Bassoon, and String Bass.