Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.827595 By Fitz and The Tantrums. By Eric Frederic, James King, Jeremy Ruzumna, John Wicks, Joseph Karnes, Michael Fitzpatrick, Noelle Scaggs, and Samuel Hollander. Arranged by Nicholas Wright. A Cappella,Contemporary,Pop,Rock. Octavo. 15 pages. Nicholas Wright #6345129. Published by Nicholas Wright (A0.827595). Voicing: SATB (mixed)Parts: 6 (includes solos/divisi)Pages: 14Range: E2 - E5Key: C# minorArrangement includes clapping

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1351789 By Fitz and The Tantrums. By James Midhi King, Jeremy Ruzumna, John Meredith Wicks, Joseph Karnes, Michael Fitzpatrick, and Noelle Scaggs. Arranged by Tyler Doyle. 21st Century,Contemporary,Pop,Rock. 31 pages. Doyle Dissonance #936619. Published by Doyle Dissonance (A0.1351789).

By Fitz and The Tantrums. By James King, Jeremy Ruzumna, John Wicks, Joseph Karnes, Michael Fitzpatrick, Nicholas Long, and Noelle Scaggs. Arranged by Daniel Bizer-Cox. Pop. Octavo. 11 pages. Daniel Bizer-Cox #710549. Published by Daniel Bizer-Cox

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spirito Music #811946. Published by Con Spirito Music (A0.1215082). O dulcis Virgo Mater (O sweet Virgin mother) is a petition to Mary, the mother of Jesus, that we might know her pain as witness to the passion of her son and thereby understand his pain, his sacrifice, and his love for us. Especially fitting for Holy Week, the text by Rev. Fr. Edward Fitzhugh, an Anglican priest in the Episcopal Diocese of Fort Worth, Texas (ACNA) pleads:O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. (O sweet Virgin Mother, Mary most holy: help us to feel your pain.) Through your tears we will know his pain; through your woe we will know his love. Adiuva! Adiuva! Adiuva nos sciamus. (Help us know.)O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. For a mother to see her son betrayed, scourged, and hung— Adiuva! Adiuva! Adiuva! Adiuva nos sciamus.O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. To know your boundless sorrow is to truly know our Savior. Adiuva! Adiuva! Adiuva nos sciamus. Adiuva! Adiuva! Adiuva nos sciamus. Amen.The tune, also by Fitzhugh, is arranged for unaccompanied SATB voices by Todd Marchand.Text and tune ©2023 Edward Fitzhugh. This arrangement ©2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved by the respective copyright holders. For more original, sacred, patriotic, and folk music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1491210 Composed by Scott Pfitzinger. Arranged by Scott Pfitzinger. A Cappella,Christian,Latin,Religious,Sacred. 4 pages. Pfitzinger Music #1067944. Published by Pfitzinger Music (A0.1491210). The text is from Daniel 3:52-55 and is in Latin, taken from the Vulgate. It is an excerpt from the song attributed to Shadrach, Meshach, and Abednego after they were rescused from the fiery furnace.The setting is for a capella SATB choir with a piano reduction part for rehearsal only. The intended sound will be chantlike.Latin Text:Benedictus es, Domine Deus patrum nostrorum: et laudabilis, et gloriosus, et superexaltatus in saecula. Et benedictum nomen gloriae tuae sanctum: et laudabile, et superexaltatum in omnibus saeculis.Benedictus es in templo sancto gloriae tuae: et superlaudabilis, et supergloriosus in saecula.Benedictus es in throno regni tui: et superlaudabilis, et superexaltatus in saecula.Benedictus es, qui intueris abyssos, et sedes super cherubim: et laudabilis, et superexaltatus in saecula.Translation:Blessed are you, O Lord, God of our ancestors,    and to be praised and highly exalted forever;And blessed is your glorious, holy name,    and to be highly praised and highly exalted forever.Blessed are you in the temple of your holy glory,    and to be extolled and highly glorified forever.Blessed are you who look into the depths from your throne on the cherubim,    and to be praised and highly exalted forever.Blessed are you on the throne of your kingdom,    and to be extolled and highly exalted forever..

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1488709 Composed by Scott Pfitzinger. 21st Century,A Cappella,Christmas,Holiday,Religious. 5 pages. Pfitzinger Music #1065555. Published by Pfitzinger Music (A0.1488709). The Waits is a Christmas carol written for a capella SATB choir. Includes piano reduction part for rehearsal only. This song is appropriate for church choirs, school choirs, and community choirs. It is an effective choice for the holiday season.All four voice parts get a chance at the melody. Transitions use a vocalise-style effect.This poem was written by Margaret Deland and was published in The Old Garden, and Other Verses (Houghton, Mifflin and Company, 1886) and is in the public domain.

Choral Choir (Mixed) - Digital Download SKU: A0.975861 Composed by William Byrd. Arranged by Derrick T. Lewis. Renaissance. Octavo. 11 pages. Derrick Thom. Lewis #3399863. Published by Derrick Thom. Lewis (A0.975861). A calm and solemn piece of Renaissance beauty. Arranged from the Fitzwilliam Virginal Book, a collection of virginal (harpsichord) music, in manuscript, housed in Cambridge University's Fitzwilliam Museum. From the late 16th Century.A cantus firmus top part, with moving lower parts. Will work as a Clarinet Quartet or Clarinet Choir.

By Fitz and The Tantrums. Arranged by Mark A. Brymer. Pop, Rock. Choral. 11 pages. Published by Hal Leonard - Digital

Arranged by Christopher Walker. This edition: scorch. Christmas. Octavo. 11 pages. Fred Bock Music Company #HTFitzSimons_2390. Published by Fred Bock Music Company

Arranged by Lloyd John Ogilvie and Richard Clemmitt. This edition: scorch. Sacred, Traditional. Octavo. 11 pages. Fred Bock Music Company #HTFitzSimons_2387. Published by Fred Bock Music Company

Arranged by Clara Petrelli Carr and Luke Mayernik. This edition: scorch. Christmas, Sacred. Octavo. 11 pages. Fred Bock Music Company #HTFitzSimons_2399. Published by Fred Bock Music Company

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291816 Composed by Desmond Earley. 20th Century. 21 pages. Seolta Music Limited #882398. Published by Seolta Music Limited (A0.1291816). Commissioned by All Classical Portland radio network to mark the occasion of the total solar eclipse in 2017, Body of the Moon was first recorded by Erick Vallé (vocal solo), Nancy Ives (violoncello), and Chris Whyte (percussion) with Resonance Ensemble, directed by Katherine FitzGibbon.The piece was broadcast across the Pacific Northwest of the United States as millions experienced the totality of the solar eclipse. The phenomenon of the eclipse is represented by the lyrical cello line as the choir gives voice to the words of Galileo Galilei (1564- 1642): ‘Vedere il corpo della luna/Behold the body of the moon!’ The bass drum represents the vastness of our solar system, and a lone vocal improvisation speaks to the personal experience of this magical moment. Galileo’s other phrase, ‘we had perpetual twilight and never darkness’, is a poetic description of experiencing the eerie phenomenon of a total solar eclipse. Desmond Earley’s piece captures the sense of awe fostered by witnessing such a galactic occurrence.To explore all choral titles in College Choral Series please click here.

Arranged by Hugh Benham. This edition: scorch. Choral. Concert. Octavo. 5 pages. Fred Bock Music Company #FitzSimons2377. Published by Fred Bock Music Company

Arranged by Marion Lochhead and Robert Kreutz. This edition: scorch. A Cappella, Christmas. Octavo. 3 pages. Fred Bock Music Company #HTFitzSimons_2388. Published by Fred Bock Music Company

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809). Sing in the ancient Andean language of Aymara! Pronunciation guide included!Uma (2023)SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayñoText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023 at 7 PMJester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah� with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!� concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma� written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement.