Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.756868 Composed by Simon Peberdy. Christian,Contemporary,Sacred,Wedding. Octavo. 1 pages. Simon Peberdy #26753. Published by Simon Peberdy (A0.756868). A short SATB setting of the Kyrie for a mass written for Saalfelden church, Austria. Originally a 5 part piece written in 2011, it was re-arranged in 2015 into a new version for SATB. (The flute parts are optional) NB The recording is a computer generated one until I get a new recording - apologies.For more new pieces: www.simonpeberdymusic.com

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756913 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 17 pages. Simon Peberdy #368397. Published by Simon Peberdy (A0.756913). A catchy little theme with an accompaniment that takes the song effortlessly along, embellished by the two sparkly flutes. Very simple to learn (written for a choir in which a lot of singers cannot read music), and possible to do without the men’s voices if necessary.The pdf includes: full score in German & English, choir score, flutes score, & a 1 page version for rehearsal purposes.For more new music: www.simonpeberdymusic.com

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756910 Composed by Simon Peberdy. Christian,Contemporary,Sacred. Octavo. 5 pages. Simon Peberdy #368387. Published by Simon Peberdy (A0.756910). In English and in German.Part of a small rhythmical mass setting written for the village church choir in Maria Alm, Austria. Rhythmical, with energy. Simple to learn and catchy. Video: Can be heard/seen at http://www.youtube.com/watch?v=xS3JYg87QVg&t=5m24s.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756912 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 16 pages. Simon Peberdy #368393. Published by Simon Peberdy (A0.756912). Written for a village church choir in Maria Alm, Austria, many of whom could not read music. Very quick and easy to learn, and catchy too! Guitar/bass can be added if desired. The mp3 is a poor quality live recording.Video: https://www.youtube.com/watch?v=xS3JYg87QVg&t=13m30s where you can hear the village choir giving it an airing.For more new pieces, please visit www.simonpeberdymusic.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation.  Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and Bâ™­ Clarinet. The key signature of the anthem is Bâ™­ Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major).  The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune. 

Choral Choir (SATB) - Digital Download SKU: A0.724081 Composed by Renato Tagliabue - on Preluded Bach. Christian,Contemporary,Sacred,Spiritual. Octavo. 8 pages. Renato Tagliabue #3479655. Published by Renato Tagliabue (A0.724081). SATB Choir adaptation of FANTASIA for Flute, Oboe, Franch Horn, Cello and Piano on Prelude n. 1 of J. S. Bach >>>>>> https://www.sheetmusicplus.com/title/fantasia-for-flute-oboe-franch-horn-cello-and-piano-on-prelude-n-1-of-j-s-bach-lead-sheet-and-set-of-parts-digital-sheet-music/20392650

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming.  When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™­ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™­)-all is reconciled in a final Amen!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clàrsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clàrsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clàrsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.614760 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Octavo. 21 pages. The Lanier Company #2069433. Published by The Lanier Company (A0.614760). CAST YOUR BURDEN ON THE LORD is a worship song composed and arranged by Gary Lanier for Voice, Choir, Flute, and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (21 pages with cover). Two separate mp3 Accompaniments are also available, listed as: (1) CAST YOUR BURDEN ON THE LORD (Flute & Piano Accompaniment for Voice & Choir), or (2) CAST YOUR BURDEN ON THE LORD (Piano Accompaniment for Voice, Choir & Flute).

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.902356 Composed by Darian Krimm. Arranged by J.B. Taylor. Children,Christmas,Sacred. Octavo. 10 pages. J.B. Taylor #6656441. Published by J.B. Taylor (A0.902356). A beautiful setting of this time-honored carol finds a new home in this arrangement for SATB choir, piano, and optional flute.  This beautiful new melody provides a perfect backdrop for the Christmas season.  Quiet and simply elegant, the piano and flute frame the lyrics to help the listener reflect on the meaning of this familiar hymn. Easily learned and played, this accessible arrangement is an excellent choice during Advent, Christmas or could be especially meaningful during a Christmas Eve candlelight service.  Cue notes in the score allow for this solo to be performed with piano accompaniment alone or with optional flute.An accompaniment track is also available separately at S0.897743.  This piece is also available as a solo version (see YouTube link).Duration: 4:40 Appropriate for:  Christmas, Christmas Eve, Advent, Children's Christmas Pageant

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108609 Composed by Melody by Franz Zaver Gruber (1787-1863). Arranged by John Ross. Christian,Christmas,Religious,Sacred. Octavo. 4 pages. John Ross #711256. Published by John Ross (A0.1108609). Silent Night is one of the all-time favourite Christmas carols. Verse 1 of this arrangement uses unison voices with a flute counter-melody. The second verse is scored for SATB, while the third verse features unison voices with descants from sopranos and flute. A version with organ accompaniment is available on this website. Joseph Mohr's words are here translated by John Freeman Young (Silent Night, Holy Night, All is calm, all is bright). A setting using the translation by Stopford Brooke (Silent Night, Holy Night, Sleeps the world, hid from sight) is available on this website - see Related scores.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108605 Composed by Melody by Franz Zaver Gruber (1787-1863). Arranged by John Ross. Christian,Christmas,Religious,Sacred. Octavo. 4 pages. John Ross #711252. Published by John Ross (A0.1108605). Silent Night is one of the all-time favourite Christmas carols. Verse 1 of this arrangement uses unison voices with a flute counter-melody. The second verse is scored for SATB, while the third verse features unison voices with descants from sopranos and flute. A version with piano accompaniment is available on this website. Joseph Mohr's words are here translated by Stopford Brooke (Silent Night, Holy Night, Sleeps the world, hid from sight). A setting using the translation by John Freeman Young (Silent Night, Holy Night, All is calm, all is bright) is available on this website.

Choral Choir (SATB) - Digital Download SKU: A0.793882 Composed by German Traditional. Arranged by Ivana Tuskan. Christmas,Sacred. Octavo. 7 pages. Ivana Tuskan #3911233. Published by Ivana Tuskan (A0.793882). This is an arrangement of traditional melody (German Christmas Carol) for SATB solo voices or 4-part mixed choir, accompanied by piano and flute. First vers is at G major, sung by soprano and alto voices, second verse is at D major, sung by tenor and bass voices, and third voice is at G major, sung by SATB voices. The sound sample is an electronic preview The pdf file contains score (6 pages) and flute part (1 page) Performance Time  approx. 2:00