Jazz Ensemble - Digital Download SKU: AX.00-PC-0016186_VSF Solo Female Vocal. Composed by Richard Rodgers. Arranged by Darmon Meader. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016186_VSF. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016186_VSF). UPC: 038081321936.Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group, New York Voices. I Could Write a Book is scored for SATB and jazz ensemble and includes a solo female/solo male part for added flexibility. The vocal quartet arrangement and the jazz ensemble chart are both superb. Solo vocal ranges: female part---G below middle C to top space E; male---D below middle C to G above treble staff. Check out this outstanding chart! (4:43).

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1489454 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #1066316. Published by Kevin G. Pace (A0.1489454). A beautiful Christmas lullaby hymn.  Music by Kevin G. Pace (ASCAP).  Text by Mary Ann W. Snowball.Text:When I hold my baby, when tiny cries are heard,I can feel God’s message, sent with sacred words.Now blanketed in love and wrapped in newborn light,I will hold my Jesus, born this Christmas night.Lullaby baby, sweet baby of mine, slumber will dry ev’ry tear.Lullaby baby, sweet Jesus so mild, angels will ever be near.When I hold my baby and sense an Infant crown,I can feel God’s purpose, swaddled all around.Now comforted from heav’n and soothed from sacred skies,I will hold my Jesus, born from love on high.Lullaby baby, sweet baby of mine, Father will chase ev’ry fear.Lullaby baby, sweet Jesus so mild, angels will ever be near.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1478464 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1055853. Published by Kevin G. Pace (A0.1478464). A heroic, beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:From mountain grandeur,Deserts in bloom,Endless wide oceans,Flower's perfume,I have known beautyAll through the earth.None can compare withOne precious birth.CHORUSWhere e'er I wander, Where e'er I roam,Nowhere is dearer,Sweeter than home.Travelled bright cities,Places of kings,Marveled at artwork,Man's pretty things.Held gold and silverTorn from the earth.None measure up toLove's treasured worth.Father in Heaven,From Thee I've strayed,Wandering spirit,Tired and afraid.Jesus, my SaviorGathered me in,Offered me refuge,Cleansed me from sin.CHORUS (Last 2 lines)No one is dearer,Thou art my home.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1379122 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #963800. Published by Kevin G. Pace (A0.1379122). A dramatic, beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Behold, I Am the Light“Behold, I am the light; I have set an example for you.� (3 Nephi 18:16)Storms of darkness may descend like a winter sky.Clouds of gloom may dominate; sun may be disguised.Walking step by step with Me through mortalityLessens shadows flawlessly; trusting is my plea:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.I will faithful be . . . trust Me perfectly.Days of trial might seem long like the darkest night.Tests of patience may endure ev’n in Father’s sight.Trusting in each morning sun is a blessed choice,for bright truth will ever shine. Hear my faithful voice:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.God’s light shines through Me, shining endlessly.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1153238 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Octavo. 13 pages. Piacere Music Sheets #753480. Published by Piacere Music Sheets (A0.1153238). Opus/Catalog Number: BWV 248, No. 59Key/Tone: G MajorMovements/Sections: ChoraleYear/Date of Composition: 1734-35Difficulty: Grade 4/12 (Intermediate)Obs.: Also known as Beside Thy Cradle Here I Stand - Chorale from Weihnachtsoratorium, and Ich steh an deiner Krippen hier, this piece is part of Johann Sebastian Bach's Christmas Oratorio.The original lyrics (in German) were written by Paul Gerhardt (1607-1676) and were first published in 1653. The German to English translation was realized by John Troutbeck (1832-1899).This arrangement is made for SATB Choir (Soprano, Alto, Tenor and Bass) and Organ, and contains the complete lyrics in English.This piece is also available with the original German words.Included: Full score and parts for each instrument/voice.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1488937 By N/A. By N/A. Arranged by Mark Jordan Mascarenas. A Cappella,Chamber,Contemporary,Pop. 9 pages. M. Jordan G.Mascareñas #1065788. Published by M. Jordan G.Mascareñas (A0.1488937). An acapella medley of 3 popular filipino songs. Gradual Interpretation from Infatuation to True Love. The three songs are Panalangin(Prayer), Pagtingin(Esteem), Awitin mo at isasayaw ko(Sing it and I will Dance).

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1466400 Composed by Kocher, Elvey, Careless, Pierpoint, Alford. Arranged by Kevin G. Pace (ASCAP). Christian,Holiday,Praise & Worship,Religious,Sacred. 10 pages. Kevin G. Pace #1044983. Published by Kevin G. Pace (A0.1466400). A stirring, choral arrangement of four much-loved Thanksgiving hymns.  Music included: Prayer of Thanksgiving; For the Beauty of the Earth; Come, Ye Thankful People; I Thank Thee, Dear Father.  Arranged for SATB choir by Kevin G. Pace.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.950765 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Christopher M. Monteiro #3377549. Published by Christopher M. Monteiro (A0.950765). I am Yahweh, and there is no one else. Besides me, there is no God. This simple and worshipful SATB hymn in G Major for Piano and Voice has been fashioned to help you internalize God’s Word. The range of the melody is from D above Middle C to the C above Middle C. For electronic keyboard, a right-hand oboe and left-hand bassoon setting is recommended.

Composed by Samuel Medley, William B. Bradbury. Arranged by Kevin G. Pace (ASCAP). Christian, Praise & Worship, Sacred. Octavo. 7 pages. Kevin G. Pace #4625157. Published by Kevin G. Pace

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1205151 Composed by Text - Samuel Medley, Music - Lewis D. Edwards. Arranged by Lynn G. Burton. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 11 pages. Lynn G. Burton #802904. Published by Lynn G. Burton (A0.1205151). This arrangement for piano and SATB choir includes PDF copies of the complete score and a dedicated piano-only part.  You may make as many copies as you wish for performance use only.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1200816 Composed by Charles W. Fry, John G. Foote, and Robert Lowry. Arranged by Alison Turk. Christian,Religious,Sacred,Standards,Traditional. Octavo. 7 pages. ART Publishing #799479. Published by ART Publishing (A0.1200816). Southern gospel arrangement of hymn excerpts for SATB choir with piano accompaniment.  Songs included: Nothing but the Blood, Lily of the Valley/I Have Found a Friend in Jesus, When I See the Blood.

Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1486349 By My Chemical Romance. By Frank Iero, Gerard Way, Matthew Pelissier, Matthew Pellisier, Mikey Way, and Ray Toro. Arranged by Iain Hallam. 21st Century,A Cappella,Rock. 11 pages. Iain Hallam #1063411. Published by Iain Hallam (A0.1486349). My Chemical Romance's lively up-tempo is full of angst and a great performance piece for mixed voices in six parts. In this arrangement, the opening verse is serene, perhaps lulling the audience into a false sense of security, before livening up in the middle verse, and opening up to the full rock version in the last (via an imitation string quartet waltz in the bridge). The expletive in the final chorus can be replaced with the radio edit lyrics, but I prefer to keep to the original where possible and appropriate!Ranges:Soprano = C#4 to F#5, optional B5, average B4Mezzo = D4 to F#5, average G4Alto = A3 to D5, average E4Tenor = E3 to G4, average C#4Baritone = A2 to E4, average F#3Bass = G#2 to B3, average C#3.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)