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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1492434

Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434).

As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. 

Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. 

As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).

The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906).  

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit
www.conspiritomusic.com

Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).

As On the Night — SATB voices, organ Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1288836

Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #879689. Published by Con Spirito Music (A0.1288836).

“Before the day draws near its ending†is an ideal selection for a late afternoon or early evening service of worship such as Evensong (Evening Prayer). A prayer of adoration, it was written by Anglican priest, hymnodist and hymnologist John Ellerton (1826-1893) and first published in the Nantwich (Cheshire, England) Festival Book, 1880, included in the Westminster Abbey Hymn Book in 1883, and re-published in numerous other hymnals. Ellerton is perhaps best known for a similar evening hymn text written a decade earlier, “The day thou gavest, Lord, is ended†(1870).

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Before The Day Draws Near Its Ending — evening hymn for SATB voices Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1367409

Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409).

Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.

Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his
analysis of the text that:

“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). 

“Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:

'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'

In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Ride On! Ride On in Majesty! — SATB voices, organ Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1495196

Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196).

Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.

Above the poem in the publication are words of its author:

Gentlemen,
Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.

R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.

The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. 

Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. 

Voices realized by Cantamus (https://cantamus.app/)

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit
www.conspiritomusic.com

Jesus Christ the Apple Tree — SATB voices Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.726149

Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149).

“God is Love: Let Heav’n Adore Him†pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.

Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race†(v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. 

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

God is Love, Let Heav'n Adore Him - SATB voices, piano Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1283376

Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376).

Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.

Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22.
 
In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Come, Thou Long-Expected Jesus — SATB voices, organ Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1493730

Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730).

Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). 

Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: 

God from God, and Light from Light
God himself comes down from heav'n
One with us in human birth
God with us ... deigns forever now to dwell
born for us that we born again in him may be
with thy Spirit may [we] be ... with the Father and with thee

This joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.

Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit
www.conspiritomusic.com

Sing, O Sing, This Blessed Morn — SATB voices, organ Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1349231

Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231).

Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups.
 
Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.

Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer.
 
Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.

Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Three Evening Canticles — SATB voices, organ Chorale SATB

$3.00 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1365141

Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published by Con Spirito Music (A0.1365141).

Scottish-born James Montgomery (1771-1854) was a poet, writer, and editor, raised and theologically trained in the Moravian Church. As a writer of hymns, his work has been compared favorably to that of Samuel Wesley, Isaac Watts, Philip Doddridge, John Newton, and William Cowper (Cooper). Among his most well-known lyrics are Angels From the Realms of Glory, Go to Dark Gethsemane, and Hail to the Lord's Anointed.

In the Hour of Trial consists of four stanzas of eight lines in 6.5.6.5 meter, written in the first-person voice. Stanzas 1 and 2, presented by unison women's voices, then men's, are pleas for Jesus' presence in times of temptation; stanza 3, in full harmony and unaccompanied, expresses the author's reliance on Christ in times of affliction; stanza 4, with full choir and organ accompaniment, expresses the author's reliance, at time of death, on Jesus' truth and promise of eternal life. This anthem is especially appropriate in Lent and for memorial services, and is fitting for general worship as well.

©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

In the Hour of Trial — SATB voices, organ Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download

SKU: A0.1318475

Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475).

“Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.

In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.â€

Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Softly the Night is Sleeping — SATB voices, organ, solo instrument Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1359972

Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972).

“Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). 

Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. 

In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:

Be mindful, Christ Son of God
who rules on high, of thy servant,
sinful of heart, who wrote these words.
And grant to me release from passions breeding death,
which are inborn in my unclean soul.
But give me to behold, Saviour Jesus,
thy divine brightness, wherein appearing
I shall sing a song,
to the healer of souls,
to the healer of limbs,
with the great Father
and the Holy Spirit.
Amen. 

The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):

Lord Jesus, think on me and purge away my sin; 
from earthborn passions set me free, and make me pure within. 
Lord Jesus, think on me, nor let me go astray; 
through dark-ness and perplexity point Thou the heav'nly way.
Lord Jesus, think on me amid the battle's strife; 
in all my pain and misery be Thou my Health and Life.
Lord Jesus, think on me with many a care oppressed; 
let me Thy loving servant be and taste Thy promised rest.
Lord Jesus, think on me that I may sing above 
to Fa-ther, Spirit, and to Thee the strains of praise and love.

The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. 

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit
www.conspiritomusic.com

Lord Jesus, Think on Me — SATB voices, organ Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1490482

Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482).

“The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.

Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. 

The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”

Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit
www.conspiritomusic.com

The Christ Child's Lullaby — SATB voices and organ Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.4986

Composed by Eduard Holst. Attics, Musical instruments, Nostalgia. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4986).

The Quaint Old Organ. Introducing the Hymn of Old Hundred [Doxology]. By Dockstader's Minstrels by Eduard Holst. Published 1889 by Willis Woodward & Co., 842 & 844 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Attics, Musical instruments, Nostalgia. First line reads I was searching thro' the garret on a dismal rainy day..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

The Quaint Old Organ. Introducing the Hymn of "Old Hundred"
Chorale SATB
Dockstader's Minstrels by Eduard Holst Published 1889 by Willis Woodward & Co
$5.99 5.68 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download

SKU: A0.1474232

Composed by Bernard Sexton. 21st Century,Advent,Celtic,Christian,Irish. 8 pages. Trinity Music Press #1051898. Published by Trinity Music Press (A0.1474232).

This simple hymn for Advent is based on John 1:14, Ps 25 , Is 30 Phil 4, Is 45 

This hymn presents a number of performing possibilities. In its simplest form, the refrain may be repeated ( in Latin and/or in English) as an ostinato with solo instruments added on selected repetitions. This would be particularly appropriate for communion time, where the assembly/ choir could sing while processing to communion. In a more extended form, the verses may be sung by a soloist alternating with the choral refrain. 

Verbum caro factum est
Habitavit in nobis
Alleluia
Word made flesh now drawing near
Come to live among us here

To you, O Lord, I lift up my soul, O Lord, my God I have trusted in you. O God protect me from those who wish me ill, may those who hope in you be never ashamed.

Behold, O people, people of Sion, the Lord will come to save the nations. The Lord will make his glorious voice heard, this voice shall be heard in the joy of your hearts.

Drop down the dew, you heavens above and let the clouds rain down the one who is just. And let the earth be opened wide and let the earth bring forth a Saviour, Christ the Lord .

Verbum Caro Factum Est - Advent Hymn
Chorale SATB

$2.50 2.37 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.730344

Composed by Stephen Adams / Michael Maybrick. Arranged by James Nathaniel Holland. Christian,Contemporary,Easter,Opera. Octavo. 73 pages. James Nathaniel Holland #2919783. Published by James Nathaniel Holland (A0.730344).

The beloved hymn with the words of F. E. Weatherly and music of Stephen Adams (Michael Maybrick). Here arranged for medium voice (Key of Bb, range  D to F), SATB Chorus and Full Orchestral accompaniment. Can be used with any JNH arrangement of The Holy City in the corresponding key.

A few archaic words and harmonies updated to speak more to a contemporary audience without losing the tradition of the piece. Use this emotional and triumphant anthem for a grand finale to Easter Sunday services or funerals, or any time of the year.

Instruments: Pic, Fl12, Ob12, EH, ClarBb12, Bsn12, Hrn F 12,Trpt Bb 12, Trmb 12, Tba, Timp, BassDrm, Hand cym, Snare/chimes, Harp, soloist, SATB choir, strings.

(Duration: 7:13)

Piano vocal score to this arrangement is sold separately.

The Holy City for Medium Voice, SATB Choir and Orchestra Key of Bb
Chorale SATB

$23.95 22.72 € Chorale SATB PDF SheetMusicPlus






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