Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.987032 Composed by Do Bao. Arranged by Do Bao. Gospel,Instructional,World. Octavo. 33 pages. NEWAGE MEDIA #3378959. Published by NEWAGE MEDIA (A0.987032). Tác phẩm vui nhộn v� tình yêu, tình bạn, dành cho dàn hợp xướng và đàn Piano ở nhịp swing rock với âm hưởng gần gũi với âm nhạc dân gian Việt Nam và Pop Rock nói chung. Tác phẩm cũng có thể được dàn dựng cho nhóm Accapella với bè đệm Piano. Ngoài những dòng nhạc chính gồm 4 bè hợp xướng và 1 bè piano, bản nhạc có thêm một dòng Main Melody, đây là dòng nhạc để nhạc sĩ dàn dựng, ngư�i chỉ huy hợp xướng tham khảo trước khi dàn dựng. Khi sử dụng cho mục đích giáo dục hoặc phi thương mại, các bạn có thể sửa l�i hoặc chuyển ngữ tác phẩm này.---

Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883343. Published by Renato Tagliabue (A0.724429). I HAVE RIDDEN THE WINGS OF THE DAWNI have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1209489 Composed by Benjamin James Lusher, Elliott Skinner, James Ryan Wuihun Ho, and Ruth Anne Cunningham. Arranged by Jason Garcia. A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 12 pages. Jason Garcia #807619. Published by Jason Garcia (A0.1209489). I'm Coming 'Round by Thirdstory arranged for SSATB a cappella with soloists.

Choral Choir (SATB divisi) - Level 3 - Digital Download By Thirdstory. By Benjamin James Lusher, Elliott Skinner, James Ryan Wuihun Ho, and Ruth Anne Cunningham. Arranged by MaryAnne Muglia Smith. Contemporary. Octavo. 8 pages. MaryAnne Smith #6364719. Published by MaryAnne Smith

Choral Choir (SATB divisi) - Digital Download Composed by Mark Keali'i Ho'omalu and Alan Silvestri. Arranged by Deke Sharon. A Cappella, Children, Film/TV, Pop, Rock. Octavo. 11 pages. Published by Deke Sharon

Choral Choir,Choral (SATB divisi) - Level 2 - Digital Download SKU: A0.1381091 Composed by Alan Silvestri and Mark Keali'i Ho'omalu. Arranged by Nina Schroeder. 21st Century,A Cappella,Comedy,Film/TV. 9 pages. Nina Schroeder Music #965821. Published by Nina Schroeder Music (A0.1381091). Take your SSATB a cappella choir on a ride with this accessible arrangement based off of the original song from Disney's Lilo & Stitch.  Add your own choreo, props, and more to add a light-hearted piece to your concert.

Composed by King David Kalakaua. Arranged by Megann Sala. This edition: scorch. Concert. Octavo. 7 pages. Pavane Publishing #0. Published by Pavane Publishing

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.

Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes  Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.828726 Composed by Petr Il'ich Chajkovskij, Tchaykovsky. Arranged by Guido Menestrina. Praise & Worship,Romantic Period. Octavo. 3 pages. Guido Menestrina #1818539. Published by Guido Menestrina (A0.828726). Testo liberamente adattato per la notte di Pasqua da Guido Menestrina; musica dalla Heruvimskaja Pesn' (Canto dei Cherubini) all'interno della Lityurgia di S.Giovanni Crisostomo, op. 41, di Petr Ilich Chajkovskij. Nell'adattamento del testo ho voluto ricreare anche con la parole una netta contrapposizione tra la prima parte (lo sconforto di Gesù sulla croce) e la seconda: la gioia della resurrezione. My Italian setting of P.I.Tchaykovsky's Cherubim's song from Liturgy of St. John Chrysostom, Op.41; Italian text tries to express the heavy opposition between Jesus's My God, my God, why hast thou forsaken me? and his (our) strong faith in resurrection (I believe: I will resurrect) Follow the score on youtube: https://youtu.be/08bWBUm_JE8.

Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.