SKU: A0.1044850

This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark R Lewis is arranged for SATB ensemble. All parts get the melody at some point and there are several duets between voices parts throughout the piece. Additionally the accompaniment voices switch between homophonic harmonies and arpeggiating chords several times for increased complexity and interest. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for Vocal Trio w/ Mixed Ensemble and the sound files sampled here are from that arrangement. Vocal Range: d minor Soprano - 1+ octave (D4 to E5) Alto - 1+ octave (A3 to D5) Tenor - 1+ octave (C3 to D4) Bass - 1+ octave (F2 to A3) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).

SKU: A0.958105

This SSATTBB w/VP arrangement is inspired by the instrumental version of David Foster. Hark, listen to the Bells A-gain it Christ-mas-time.  Quick and lively with the same legato inner sections as the instrumental.  Hints of the original are sprinkled into the end this arrangement.  Smartly arranged so that it sounds harder than it is.  It features the whole ensemble as well as both the ladies and the men.  Vocal percussionist has the freedom to create licks leading into various sections.  A real crowd pleaser for an opener or a stunning closer.   ++ ya gotta try it ++.

SKU: A0.1265200

This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!

It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.

This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.

As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!

I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!

A little about me:
My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!

SKU: MQ.45-21102-E

Featured at:

2015 OK Junior High All State Chorus

SKU: LX.10-4802L

ISBN 9780787744113.

This engaging arrangement of the folk song Angel Band centers on the angels' joyous proclamation of Christ's birth to the shepherds in the field. An optional vocal trio and instrumental ensemble add to the mountain folk fun! (From the cantata Go Sing It on the Mountain, SATB--65/2073L).

SKU: LX.10-5308L

ISBN 9780787766368.

A majestic setting of the classic hymn tune LAUDA ANIMA, this anthem is ideal for special, festive occasions but suitable for any Sunday. The optional instrumental ensemble of brass, handbells, and timpani adds extra power, and the congregation can join in on the final stanza for an all-church worship experience.

SKU: LX.10-4775L

ISBN 9780787736293.

Larry Shackley imbues the beloved Irish melody with a delightful personality in this gentle, folk-like arrangement. The optional instrumental ensemble enhances the charm of this singable hymn setting.

SKU: LX.10-5460L

ISBN 9780787770600.

A creative, dreamy use of harmony creates a reflective mood in this prayerful song of thanks from Pepper Choplin. An optional instrumental ensemble beautifully complements the musical approach and enhances the sincere lyrics. For each precious breath You give to me as I breathe in the morning when I rise, for You supply the very gift of life and I thank you, I thank you Lord..

SKU: MQ.7927-E

English.

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading Choral Society, Reading, Pennsylvania, David DeVenney, conductor. The work received its premiere performance on November 13, 1999.
The second movement, a modern translation of the tenth century hymn Veni Creator, is more lyrical in character and gives each section of the chorus a solo verse accompanied by obligato solo lines in the instrumental ensemble. The chosen ensemble of instruments (harp, soprano saxophone, double bass, piano and percussion) gives the work a decidedly American character.
This work can also be performed with piano four-hands alone, or with piano four-hands and any combination of the ensemble instruments, with the two pianists omitting any doublings as indicated by the cues. Duration: 8:00.

SKU: LX.10-5133L

ISBN 9780787761271.

Set in an irresistible, slow gospel groove, Mark Hayes’s version of this classic will give your choir a chance to put some “soul� into their singing. The piano part is a winner on its own, but the optional rhythm and brass ensemble really brings this anthem alive.