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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1237388 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Octavo. 6 pages. Hélder Bento #832901. Published by Hélder Bento (A0.1237388). Carlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major.This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
Mass in G Major - Kyrie
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,Festival,Sacred. Octavo. 17 pages. Jubal's Lyre Music Publishers #6339071. Published by Jubal's Lyre Music Publishers (A0.918883). One of Bach’s most beloved works is offered here in a Piano/Vocal Score for SATB choir with a NEW translation that better captures the meaning of the original German. Two stanzas are provided, which can be sung separately or in succession with a repeat. This work can be performed alone or with any of the Jubal’s Lyre instrumental editions in G major. These are available for solo instruments, duets, or ensembles. For worship, this work can be performed almost any time since it exudes peace and joy, but is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.
Jesu, Joy of Man’s Desiring (SATB with New Translation)
Chorale SATB
Jubal's Lyre Music
$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.903820 Composed by G.F.HANDEL. Arranged by Alan Edgar. Baroque,Patriotic. Octavo. 77 pages. Alan Edgar Ted Moon #6794473. Published by Alan Edgar Ted Moon (A0.903820). This is an arrangement of Handel's Coronation Anthem Let thy hand be strengthened, allowing a bigger variety of instruments and with almost entirely new words to celebrate the Jubilee of Queen Elizabeth II.DURATION 8 minutesINSTRUMENTATION: SAATB, 2 Vns,Va,Vc. Optional Fl, Ob, Cl, Bn, 2 Trpts, 2 Hns,Trb,Tu, Cb,Timps. Keyboard part in vocal score but it is not needed in performance. Handel probaby had over 200 performers, including 160 instrumentalists, so don't be afraid to use everybody!
Platinum Jubilee Anthem
Chorale SATB

$25.00 21.37 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575832 Composed by Johann Sebastian Bach. Arranged by David Warin Solomons. Baroque,Christian,Christmas,Sacred. Octavo. 10 pages. David Warin Solomons #2028515. Published by David Warin Solomons (A0.575832). Arrangement of the Lutheran hymn Nun komm, der Heiden Heiland (Come now, saviour of the heathens) based on the final Chorale of Bach's Cantata by the same name (BWV 62). This arrangement was made specially for a choir whose sopranos prefer to sing relatively low, so it is in the key of G minor. The instrumental parts (oboe, cor anglais and string quartet) also follow the same harmonies as the Bach original. The sound sample is an electronic preview. The pdf file contains the score and separate instrumental parts.
Nun komm, der Heiden Heiland - for choir, oboe, cor anglais and string quartet
Chorale SATB

$12.00 10.26 € Chorale SATB PDF SheetMusicPlus

SATB choir and organ or string quartet - Moderately Easy - Digital Download SKU: MQ.50-3081-E Composed by Charles E. Peery. Christmas, Lessons and Carols, 21st Century. Downloadable choral score. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-3081-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3081-E). UPC: 688670530814. English.For SATB chorus and organ (or optional string quartet), this anthem reflects on the role of angels in our lives. The beautiful and moving text is set to the tune SUO GÂN, a Welsh lullaby. The new edition provides an alternate text for use during Christmastide.If performed with String Quartet, Organ is not used.Reproducible Instrumental Parts include: Violins I and II, Viola, and Cello.
The Gift of Angels (Downloadable Choral Score)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926263 Composed by Dennis Bell. Arranged by Dennis Bell. Jazz,Latin. Octavo. 39 pages. Mark of Aries Music (BMI) #2548809. Published by Mark of Aries Music (BMI) (A0.926263). Kwanzaa is a composition celebrating the seven day observance. An additional word, Harambee which means Let's pull together in Swahili, was added for the ending phrases. For complete information about the meaning and message you might want to navigate to the following URL http://www.officialkwanzaawebsite.org/index.shtml.This particular song was written for the award winning jazz vocalist Lynette Washington's holiday album Long, Long Ago (A Jazz Celebration of Christmas, Chanukah & Kwanzaa (the mp3 is included here). Originally written and arranged for solo vocalist, I re-arranged it for my college/community choir in 2015. It is arranged for SATB Choir with Jazz Combo (Piano, Bass, Drums, Conga). Additional percussion, a 2nd keyboard, for possible jazz soloing, or a possible solo instrumentalist, may be added at the conductor's discretion. The solo parts can also be extended to fit the conductor's interpretation. Moving in half step changes from D to Eb to E to F to F# to G, the improvisations are played using those note's dorian mode.
Kwanzaa
Chorale SATB

$3.99 3.41 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
Missa Solemnis, op. 27 (vocal score)
Chorale SATB

$87.99 75.22 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arranged by Julian Hay. A Cappella,Contemporary,Pop,Soul. Octavo. 7 pages. Julian Hay #6024773. Published by Julian Hay (A0.1032091). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, with an ensemble of 20 voices. It is versatile and catchy, and has also been performed by our Vocal Bands with one voice per part, as well as our Kids A Cappella class.This arrangement has a gospel vibe (complete with a shout chorus), but with the groove of the original track provided by the addition of rhythm and bass.VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).The full arrangement is scored for SATB including clicking, clapping and Vocal Percussion (beatboxing). The song also works as SAT and could be transposed into a higher key to be delivered by a treble ensemble.RHYTHM & BASS:This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section within the Beatboxing score.If your ensemble is without a low bass or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentAlways click and clap on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz
Wonder
Chorale SATB
Naughty Boy Featuring Emeli Sande
$2.49 2.13 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970749. Published by Adrian D Biggs (A0.882270). Agnus dei for SATB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, organist. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SATB and Piano.
Agnus Dei for SATB chorus and Organ
Chorale SATB

$3.00 2.56 € Chorale SATB PDF SheetMusicPlus

Choral SATB choir - Digital Download SKU: H1.C5401DP Composed by Martin Nystrom. Arranged by Buryl Red. Piano with Optional Cello, Double Bass, Violin. Classics, Contemporary, Praise & Worship, General Worship, Devotion, Masterwork, Worship. Octavo. 6 pages. Hope Publishing - Digital #C5401DP. Published by Hope Publishing - Digital (H1.C5401DP). By Martin Nystrom. Genesis 15:1 - Psalms 3:3 - Psalms 28:7 - Psalms 42:1 - Psalms 42:2 - Haggai:2:7 - Luke 23:3 - Psalms 10:17 - Psalms 103:5 - Psalms 107:9 - Psalms 18:1 - Psalms 46:1.Contemporary worship classic by Martin Nystrom Martin Nystrom's contemporary worship classic is presented in an elegant, simple setting by arranger Buryl Red. The theme from J. S. Bach's Air on the G String is the unique starting point for this dignified arrangement. The Instrumental packet includes a Conductor's Score and parts for Violin 1, Violin 2, Viola, Cello, and Double Bass.
As the Deer
Chorale SATB
Martin Nystrom Genesis 15:1 - Psalms 3:3 - Psalms 28:7 - Psalms 42:1 - Psalms 42:2 - Haggai:2:7 - Luke 23:3 - Psalms 10:17 - Psalms 103:5 - Psalms 107:9 - Psalms 18:1 - Psalms 46:1
$3.25 2.78 € Chorale SATB PDF SheetMusicPlus






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