Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1314280 Composed by Goffredo Mameli, Michele Novaro. Arranged by Bacco Baccanels. A Cappella,Classical,Historic,Patriotic,Romantic Period. 6 pages. Bacco Baccanels #903022. Published by Bacco Baccanels (A0.1314280). ItalianUna versione completamente vocale del bellissimo Inno di Mameli.Anche l'accompagnamento è vocale e non richiede il pianoforte, per un'esecuzione completamente corale.EnglishA full vocal version of the beautiful Hymn of Mameli. The accompaniment also is vocal and does not require piano, for a completely choral performance.

Choral Choir (SATB) - Digital Download SKU: A0.724823 Composed by Ludwig van Beethoven. Arranged by Renato Tagliabue. Classical. Octavo. 12 pages. Renato Tagliabue #6201945. Published by Renato Tagliabue (A0.724823). Lyric by Luciana Collovini.

Choral Choir (SATB) - Digital Download SKU: A0.723626 Composed by Franz Schubert. Arranged by Renato Tagliabue. Christian,Classical,Sacred. Octavo. 6 pages. Renato Tagliabue #2907611. Published by Renato Tagliabue (A0.723626). Arrangement for SATB Choir of the famous Ave maria----

Composed by Adam, Adolphe-Charles. Arranged by Renato Tagliabue. Romantic Period, Classical Period, Christian, Christmas. Lead Sheet. 4 pages. Published by Renato Tagliabue (S0.167541). - Lead Sheet - Romantic Period,Classical Period,Christian,Christmas - Renato Tagliabue

Choral Choir (SATB) - Digital Download SKU: A0.978039 Composed by Bacco Baccanels. Arranged by Bacco Baccanels. Contemporary. Octavo. 9 pages. Bacco Baccanels #5989439. Published by Bacco Baccanels (A0.978039). A farewell composition in Italian. Classical arrangement, quite difficult to sing. .

Composed by Santino Cara. A Cappella, Christian, Christmas, Classical, Sacred. Octavo. 96 pages. Santino Cara #481155. Published by Santino Cara

Composed by Santino Cara. A Cappella, Christian, Christmas, Classical. Octavo. 98 pages. Santino Cara #481159. Published by Santino Cara

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir

Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1226407 By Italian Folk Song. By Italian Folk Song. Arranged by Yat Fung Lam. 20th Century,A Cappella,Classical,Country. Octavo. 8 pages. Music Ad Lib #822411. Published by Music Ad Lib (A0.1226407). Bella ciao is an Italian folk song that originated in the late 19th century, but gained popularity during World War II as a symbol of the anti-fascist resistance movement in Italy. The song was sung by partisans who fought against the fascist regime of Benito Mussolini, and it became an anthem of the Italian Resistance during the war.This arrangement is classically and professionally arranged, with SATB standard choir voicing, suitable for intermediate to advanced level choirs.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774764 By Andrea Bocelli. By Chad Vaccarino, Fortunato Zampaglione, Ian Axel, and Matteo Bocelli. Arranged by Sandra Milliken. Contemporary. Octavo. 16 pages. Sandra Milliken #5795915. Published by Sandra Milliken (A0.774764). Fall on Me is a song written by Ian Axel and Chad Vaccarino King, members of the American duo A Great Big World. Following its release, the song became an instant hit with music fans in North America.In September 2018, Italian tenor Andrea Bocelli released a classically flavoured English/Italian version of the song recorded with his son Matteo. Matteo wrote the Italian and additional English lyrics for this recording, in collaboration with Fortunato Zampaglione. This version of the song features in the end credits of the Disney film, The Nutcracker and The Four Realms.In 2019 A Great Big World recorded their own version of Fall on Me in collaboration with American singer/songwriter Christina Aguilera. The song is the duo's second collaboration with Aguilera, following the single Say Something, which peaked at No. 4 on the Hot 100 in 2013Fall on Me (the original version) is a beautifully poignant song that seemingly beckons for the divine influence of a higher spiritual power in the search for love. The Bocelli version incorporates an additional sentiment - the bond between parent and child. Andrea Bocelli said of this version, Anyone who is a parent, anyone who knows the precious responsibility of being a mother or a father, will fully grasp the meaning of this piece. It is his first duet with his son Matteo.This arrangement, for SATB choir with piano accompaniment, is based on the Andrea and Matteo Bocelli version. It may be sung entirely in English or in a combination of English and Italian.It is also available, separately, for SSAA and 2-Part choirs.Also available separately for the SATB version is an instrumental accompaniment (with conductor's score) arranged for string quintet. (H0.937949-SC003661391)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774760 Composed by Chad Vaccarino and Ian Axel. Arranged by Sandra Milliken. A Cappella. Octavo. 10 pages. Sandra Milliken #5785185. Published by Sandra Milliken (A0.774760). Fall on Me is a song written by Ian Axel and Chad Vaccarino King, members of the American duo A Great Big World. Following its release, the song became an instant hit with music fans in North America.In September 2018, Italian tenor Andrea Bocelli released a classically flavoured English/Italian version of the song recorded with his son Matteo. Matteo wrote the Italian and additional English lyrics for this recording, in collaboration with Fortunato Zampaglione. This version of the song features in the end credits of the Disney film, The Nutcracker and The Four Realms.In 2019 A Great Big World recorded their own version of Fall on Me in collaboration with American singer/songwriter Christina Aguilera. The song is the duo's second collaboration with Aguilera, following the single Say Something, which peaked at No. 4 on the Hot 100 in 2013Fall on Me (the original version) is a beautifully poignant song that seemingly beckons for the divine influence of a higher spiritual power in the search for love. The Bocelli version incorporates an additional sentiment - the bond between parent and child. Andrea Bocelli said of this version, Anyone who is a parent, anyone who knows the precious responsibility of being a mother or a father, will fully grasp the meaning of this piece. It is his first duet with his son Matteo.This a cappella arrangement for SATB choir is based on the version by A Great Big World & Christine Aguilera. It is also available, separately, for SSAA choir.