(SATB) - Digital Download By Kenny Loggins. Arranged by Kirby Shaw. Film/TV, Pop, Rock. Choral. 9 pages. Duration 185. Published by Hal Leonard - Digital

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379879 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Holiday,Multicultural,Praise and Worship,Traditional,World. 4 pages. Leon Gray #964588. Published by Leon Gray (A0.1379879). Tupu�nuku recalls the third star in the Matariki (Pleiades) cluster - a star associated with food grown in the ground, and the time after the summer and autumn harvests have ended, when preparations for the cold days of winter undertaken. At this time, it is important to plant leafy winter vegetables and underground foods like potatoes, so that a family (wh�nau) can have food (kai) when the dark of winter settles in. Here presented in a scaled-back (but still exciting) SATB form for smaller choirs, or church groups.This anthem is perfect at community choir concerts, or as part of any Matariki celebration. Like the other works in the series, Tupu�nuku tells its own part of the Matariki story and explores the values of this burgeoning holiday on the Kiwi calendar!

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1350325 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Classical,Folk,Holiday,Multicultural,World. 11 pages. Leon Gray #935115. Published by Leon Gray (A0.1350325). A brand new anthem/carol for Matariki - New Year in Aotearoa/New Zealand by Leon Gray! Tupu�nuku in glorious 4-part harmony. Tupu�nuku recalls the third star in the Matariki (Pleiades) cluster - a star associated with food grown in the ground, and the time after the summer and autumn harvests have ended, when preparations for the cold days of winter undertaken. At this time, it is important to plant leafy winter vegetables and underground foods like potatoes, so that a family (wh�nau) can have food (kai) when the dark of winter settles in. This anthem is perfect at community choir concerts, or as part of any Matariki celebration. Like the other works in the series, Tupu�nuku tells its own part of the Matariki story and explores the values of this burgeoning holiday on the Kiwi calendar!

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801673 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6403321. Published by Connie Boss (A0.801673). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss   Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.   Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child   Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!   It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!   Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams    

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?� Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.� The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.� That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.� “Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.� Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.� Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,� Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.�.

Choral SATB choir - Digital Download SKU: H1.C5387DP Composed by Billy James Foote. Arranged by Larry Shackley. Contemporary, Lent, General Worship, Commitment, Love, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5387DP. Published by Hope Publishing - Digital (H1.C5387DP). By Billy James Foote. Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - Matthew 18:28 - Matthew 18:29 - Matthew 18:30 - Matthew 18:31 - Matthew 18:32 - Matthew 18:33 - Matthew 18:34 - Matthew 1.Contemporary worship song by Billy James Foote Billy James Foote's popular contemporary worship song revisits the familiar territory of Charles Wesley's beloved text And Can It Be? The verse quietly meditates on the contradictions of Christ's sacrifice: I'm forgiven because You were forsaken/I'm accepted, You were condemned. The chorus provides the joyful response: Amazing love! This sensitive yet powerful setting from arranger, Larry Shackley, is suitable for Holy Week or any time of the year.

SATB choir, Narration - Digital Download SKU: LX.15-2014H Composed by Mary Lynn Lightfoot. Educational, Concert, Diversity Programming. Octavo. 12 pages. Heritage Music Press #e15/2014H. Published by Heritage Music Press (LX.15-2014H). UPC: 000308101010.Caring for the earth and our environment is the theme for this distinctive original, exuding a powerful message and possessing great conviction. Narrations quoting Chief Seattle and other traditional Native American wisdom are spoken over the haunting opening and closing accompaniment to frame this profound piece. Creative programming at its finest.

SATB choir, Piano - Digital Download SKU: LX.15-2075H Composed by Mary Lynn Lightfoot. Christmas, Concert. Octavo. 12 pages. Heritage Music Press #e15/2075H. Published by Heritage Music Press (LX.15-2075H). UPC: 000308101652.Rousing clapping, stomping, and spoken patterns spark this exuberant original, clear through to its exhilarating conclusion! Utilizing well-known traditional Latin phrases, (a pronunciation/translation guide is included), this is a creative programming must to ignite excitement in your choirs and add flourish and zest to your performance!

3-part mixed choir - Digital Download SKU: LX.15-1407H Composed by Mary Lynn Lightfoot. Educational. Octavo. 8 pages. Heritage Music Press #e15/1407H. Published by Heritage Music Press (LX.15-1407H). UPC: 000308041996.This bright, charming setting of a work by African American poet Paul Laurence Dunbar overflows with teaching possibilities. It features ample unison, a dynamic accompaniment, and is especially suitable for winter concerts. The middle section provides contrast with whispered spoken lines woven throughout in an attempt to figure out the secret which birds and breezes bear..

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4954 Composed by C. Forman Smith. Dwellings, Stairways, Families, Friendship, Time, Sadness, Nostalgia. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4954). The Old Worn Out Door-Step. Song and Chorus. Words by Frank A. Kent. Music by C. Forman Smith. Published 1886 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Stairways, Families, Friendship, Time, Sadness, Nostalgia. First line reads I am thinking tonight of the old worn outstep, that lies at the foot of the door.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SATB choir and optional keyboard - Medium - Digital Download SKU: MQ.8008-E Composed by Frank Pesci. 21st Century, Communion. Octavo. 7 pages. Duration 4 minutes, 46 seconds. E. C. Schirmer Music Company - Digital #8008-E. Published by E. C. Schirmer Music Company - Digital (MQ.8008-E). English.The text is taken from the ending of The Prayer of St. Bonaventure. The composer combines this contemplative prayer with an a cappella setting, rich with harmonic movement. Duration: 4:46Be Thou alone ever my hope, my entire confidence, my riches, my delight, my pleasure, my joy, my rest and tranquillity, my peace, my sweetness, my food, my refreshment, my refuge, my help, my wisdom, my portion, my possession, my treasure; in Whom may my mind and my heart be ever fixed and firm and rooted immovably. Amen.-St. Bonaventure (Translator unknown).

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.