Mixed choir (SATB) and flute - Digital Download SKU: S9.Q19067 For SATB choir and flute. Composed by John Casken. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 8 minutes. Schott Music - Digital #Q19067. Published by Schott Music - Digital (S9.Q19067). English.Composed for Northern Sinfonia Chorus and Gavin Osborn.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1213449 By Ken Stone, new words & Jan Powell, new music arrangement. By Charles Hubert Hastings Parry. Arranged by Jan Powell. 20th Century,Contemporary,Contest,Festival. Octavo. 6 pages. Jan Powell #810635. Published by Jan Powell (A0.1213449). The immortal choral piece by Hubert Parry with new words, speaking to all people in all times. A call to make peace with all the passion usually reserved for war.

Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.   Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound   Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.   Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.�Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.�Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.� Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.�Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.�.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1194167 By Dave Froman. By Dave Froman. Chamber,Classical,Contemporary. Octavo. 12 pages. Dave Froman #793589. Published by Dave Froman (A0.1194167). 2021. SATB, piano, and violin / 4:30The beautiful and haunting poem Fire and Sleet and Candlelight laments a wasted life. This original piece is reminiscent of the choral standards “Sometimes I Feel Like a Motherless Child� and “Wayfaring Stranger,� evoking what I can hope are similar thrilling feelings of angst and terror for singer, conductor, and listener.  Text by poet Elinor Wylie (1885-1928), born in Somerville, New Jersey. Please reach out if you would like to premiere this piece.  davefroman@gmail.com.Text:For this you’ve striven    Daring, to fail:Your sky is riven    Like a tearing veil.For this, you’ve wasted    Wings of your youth;Divined, and tasted    Bitter springs of truth.From sand unslakèd    Twisted strong cords,And wandered naked    Among trysted swords.There’s a word unspoken,    A knot untied.Whatever is broken    The earth may hide.The road was jagged    Over sharp stones:Your body’s too ragged    To cover your bones.The wind scatters    Tears upon dust;Your soul’s in tatters    Where the spears thrust.Your race is ended—    See, it is run:Nothing is mended    Under the sun. Straight as an arrow    You fall to a sleepNot too narrow    And not too deep.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1374759 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 16 pages. Ken Medema Music #959287. Published by Ken Medema Music (A0.1374759). SATB, Soprano Solo and KeyboardI will lift my eyes to the hillsWhere the temples of the false gods stand so tallWill my help come down from the hills?No, not at all, my help will come from GodUpon this ground, this holy placeWe’ve come together by God’s grace, to lay foundation stonesLet no one fail to understand, that what is built here on this landIs Gods, and God’s alone

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1374666 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 16 pages. Ken Medema Music #959209. Published by Ken Medema Music (A0.1374666). SATB Choir and Soprano Soloist, a cappellaOpening text by John Fawcett (1740-1817) and closing text by Samuel J. Stone (1839-1900  Blest be the Tie that Binds.

Mixed choir (SATB) and organ - intermediate to advanced - Digital Download SKU: S9.Q7137 For SATB choir and organ. Composed by John Casken. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q7137. Published by Schott Music - Digital (S9.Q7137). English.Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.

SATB choir, Piano - Digital Download SKU: LX.15-3781H The Riddle Song. Arranged by Victor C Johnson. General. Octavo. 8 pages. Heritage Music Press #e15/3781H. Published by Heritage Music Press (LX.15-3781H). ISBN 9780787770303.A cherry when it's blooming, it has no stone. A chicken when it’s pipping, it has no bone. The baby when it's sleeping has no cryin'. And when I say I love you, it has no end. The simple beauty of this Appalachian lullaby shines through Victor Johnson's sensitive setting. With lovely choral and piano writing throughout and a brief unaccompanied middle section, this piece features plenty of teaching opportunities for nuanced expression and thoughtful phrasing.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.865859 Composed by Benj Pasek and Justin Paul. Arranged by Charles Beale. Contemporary. Octavo. 12 pages. Charliebmusic #5033453. Published by charliebmusic (A0.865859). 'From Now On' is one of Pasek and Paul's most famous songs, and has taken on a special resonance in minority communities because of its fighting spirit, and message of hope, optimism and inclusion. An upbeat marching finale, it asks the audience to pledge with the singers that 'things will be different' from now on.This SATB arrangement, with short bass/baritone solo at the start, grew from a June 2019 Carnegie Hall massed performance of 25 LGBTIQ+ choirs, celebrating the 50th Anniversary of the Stonewall Uprising. It has been sung across the US and around the world. It would suit a massed high school or college choir, or any large choir committed to community and cause.

Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.

SATB choir a cappella - Difficult - Digital Download SKU: MQ.AHM-12-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-12-E. Published by Aspen Hill Music - Digital (MQ.AHM-12-E). English. Psalm 39.With an opening melody that hearkens to Henry Purcell's touchstone setting, dissonant harmonies and metrical shifts take us in a very different direction. The discord of the piece seeks to emphasize the longing and need of one who feels unimportant, small, and like a stranger to God. The piece slowly builds several times, eventually reaching out with a tremendous crescendo followed by an unresolved plea, hear my cry..

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .