Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.759 Composed by Arthur D. Walbridge. Children praying, Families, Sleepwear, Death, Grief, Mothers & children, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.759). Now I Lay Me Down to Sleep. 80th Edition. Words by Miss Hattie A. Fox. Music by Arthur D. Walbridge. Published 1866 by Wm. A. Pond & Co., 25 Union Square (Broadway Side) in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children praying, Families, Sleepwear, Death, Grief, Mothers & children, Heaven. First line reads Now I lay me down to sleep, and the blue eyes, dark and deep let their snowy curtains down.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.20380 Composed by Stephen Foster. Mothers & children, Death, Funeral rites & ceremonies, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20380). Foster's Melodies. No.20. Bury Me in the Morning, Mother. Written and Composed by Stephen C. Foster. Published 1862 by C.M. Tremaine, No.481 Broadway (Successor to Horace Waters) in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Death, Funeral rites & ceremonies, Religion. First line reads Lay me down where the grass is green, Mother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SATB choir, congregation, organ, optional string quartet, handbells - Moderately Easy - Digital Download SKU: MQ.60-7008A-E Composed by Michael Burkhardt. Confirmation, Education, Graduation. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #60-7008A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7008A-E). This concertato on the tune SO NIMM DENN MEINE HÄNDE is a rather intimate and rich portrayal of Julie van Hausmann's text on hope and confidence in the Lord. Organ may be substituted for strings in stanza 2 if strings are unavailable. The setting is particularly appropriate for rites of passage (Baptism, Confirmation, Graduation, etc.) as well as for times of worship emphasizing trust in the Lord. Organist plays from the Full Score. Reproducible congregation page in the Full Score.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4579 Composed by Henry Clay Work. Portraits, Courtship, Love, Relations between the sexes. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4579). Take Them Away! They'll Drive Me Crazy. Song and Chorus. Words and Music by Henry C. Work. Published 1871 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Relations between the sexes. First line reads Riding in the Park, or down town shopping at the matinee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SATB choir, oboe, and string quartet or piano - Medium - Digital Download SKU: MQ.1.3525-E Composed by Michael John Trotta. Instrument parts. 9 pages. Duration 4 minutes, 44 seconds. Galaxy Music Corporation - Digital #1.3525-E. Published by Galaxy Music Corporation - Digital (MQ.1.3525-E). English.This second movement from For a Breath of Ecstasy, is a cappella except for a short introduction and coda. The texture is SATB with a soprano descant in the first and last sections. The middle section (piu mosso) is underlayed with a rhythmic motive in the men's parts which pulses below the more flowing women's parts. After the middle section builds to a strong emotional declamation (they are all fulfilled in you,) The beginning material returns. Duration: 4:44 Oboe part included.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.685 Composed by C.A. White. Porches, Families, Children reading, Children playing, Dogs, Pets, Children swinging, Domestic life, Nostalgia, Time, Aged persons, Sadness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.685). Mother Take Me Home Again. Revised Edition. 40th Thousand. Song and Chorus by C.A. White. Published 1871 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Porches, Families, Children reading, Children playing, Dogs, Pets, Children swinging, Domestic life, Nostalgia, Time, Aged persons, Sadness. First line reads Mother, all alone tonight, I have sat and thought of thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-18335 Arranged by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18335. Published by Jubilate Music Group - Digital (JX.00-18335). English. Ephesians 5:15-21; John 6:47-57; Psalm 102:1-12; 2 Samuel 18:24-33.Unforgettable! An inspired communion offering that pairs two transcendent melodies, Amazing Grace and the Largo theme from Dvorak's Symphony from the New World The C-Instrument part is may be played by violin, oboe or flute. Appropriate for communion services throughout the year and especially on Maundy Thursday. In two voicings, easily prepared.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583526 By Simon And Garfunkel. By Paul Simon. Arranged by Jeff Tincher. Pop,Rock. Octavo. 35 pages. Jeff Tincher #4282871. Published by Jeff Tincher (A0.583526). One of Paul Simon's biggest hits, this song began his South African rhythm series. In the original key from his Graceland CD, this song is a great example of using melodic leads as a rhythmic conversation. The video of this song that had Paul and Chevy Chase singing and playing different instruments is probably one of the most funniest videos and one of my favorites. Duration = 4:46. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

SATB chorus, Two-part chorus, or unison chorus - Digital Download SKU: C7.CGA229 Composed by Dale Wood. General. With Handbells, brass quartet, and congregational refrain. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA229. Published by Chorister's Guild - Digital (C7.CGA229). UPC: 749193003237.Outside of the Twenty-third Psalm, there is probably no text that is as meaningful to so many people as the beautiful prayer of St. Francis: Make me an instrument of Thy peace. Helen Litz has composed this lyric and expressive setting for unison and two-part voices with a flowing accompaniment that is very effective when played on a harp. Composer: Litz, Helen Text Author: St. Francis of Assisi.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. Octavo. 39 pages. As do Ray meflute studio production #4360225. Published by as do Ray meflute studio production (A0.874254). Https://youtu.be/guvb5Jb31rU  Written by Lester Lee  & Zeke Manners  in 1942, and made popular  by the Andrew sisters, The Pennsylvania over years has been celebrated as one of the most popular polkas of all times and obviously the most famous State titled polka. A polka is  a vivacious couple dance of Bohemian origin in duple time; was a basic pattern of hop-step-close-step; a lively Bohemian dance tune in 2/4 time. The polka was originally a Czech peasant dance, developed in Eastern Bohemia (now part of Czechoslovakia).Growing up in Pennsylvania, nd playing for various local community bands, VFW bands ,Lion's Band ,  etc  we played the Pa Polka for many functions, churches, Seniors, Cake Walks, 4th of July programs, summer and spring concerts, marching bands, parades, and many more events.The Pennsylvania Polka is such a fun, happy song, in a march tempo beat. However, I am so proud of this arrangement as I am of the state I live in. ,  Another interesting fact is that people not familiar with the song informed me this sounds like a carousel  music at an amusement park This arrangement would be great for holidays, church functions, Seniors, July 4th concerts, kid's programs, parades, community concerts, or just any other fun concert. It's a great song for playing and breaking up the typical monotonous flute choir music.  A sure flute players favorite as well as your audiences for years to come.Smartly scored for 2 piccolos, 4 c flutes , 2 altos in G , bass flute , and contra bass flute .** however, a 5th c flute made be played for alto flute 1 .  Arranged in an intermediate to advanced intermediate style ( considering the top / high instrumentation)Also,  please visit my website  @   www.doRaymeflute.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?� Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.� The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.� That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.� “Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.� Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.� Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,� Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.�.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1228242 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century. 4 pages. John Fries #824360. Published by John Fries (A0.1228242). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.   This song began life in 1930 as a nine-bar phrase with the working title There's No Stopping Me Now.  Its title phrase Nice work if you can get it came from an English magazine.  It was one of nine songs the Gershwin brothers wrote for the movie A Damsel in Distress in which it was performed by Fred Astaire with backing vocals by The Stafford Sisters.  The song was published in 1937.  The first jazz recording of the work was by Tommy Dorsey three weeks after the release of the film.  The song was recorded by many jazz singers and adopted by bebop instrumentalists; Jerry Newman recorded pianist Thelonious Monk performing the tune in 1941 at Minton's Playhouse, a nightclub closely connected with early bebop, and he subsequently recorded it several times.