Choral Choir (SATB) - Digital Download

SKU: A0.777014

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Jon Arterton. Contemporary. Octavo. 9 pages. Jon Arterton #4755115. Published by Jon Arterton (A0.777014).

This powerful song has been made universally popular by Matisyahu. It’s about hope for a better world. The arranger says “I’ve got about seventy arrangements available online and this one song has outsold all of my other arrangements COMBINED.� There’s a reason for that – it’s an amazing song that is a perfect concert closer. Its melody causes instant earworms to all who hear it.
Sometimes I lay under the moon and I thank God I'm breathin'. Then I pray don't take me soon 'cause I am here for a reason. Sometimes in my tears I drown, but I never let it get me down. So when negativity surrounds,  I know someday it'll all turn around because All my life I been waitin' for, I been prayin' for, for the people to say; That we don't want to fight no more. They'll be no more wars, and our children will play. One day. One day.

Choral Choir (SATB divisi) - Level 2 - Digital Download

SKU: A0.1174816

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Nina Schroeder. 20th Century,A Cappella. Octavo. 13 pages. Nina Schroeder Music #774946. Published by Nina Schroeder Music (A0.1174816).

Choirs will love this Matisyahu song and message. Very accessible for new a cappella choirs and lots of solo opportunities!

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.827389

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Nicholas Wright. A Cappella,Contemporary,Hip-Hop,Pop,R & B,Rock. Octavo. 16 pages. Nicholas Wright #6319271. Published by Nicholas Wright (A0.827389).

Voicing: SATB (mixed)
Parts: 9 (includes solos/divisi)
Pages: 15
Range: F2 - C5
Key: C major

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.923666

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Julius Teodoro. Contemporary. Octavo. 16 pages. Julius C. Teodoro #5982457. Published by Julius C. Teodoro (A0.923666).

By Matisyahu. Arranged by Jon Arterton. Score. 8 pages. Published by Jon Arterton (H0.435853-SC000012965). - Score - - Jon Arterton

Choral Choir (SATB) - Digital Download

SKU: A0.944230

By Matisyahu. By Allan Peter Grigg, Douglas Alan Konecky, Justin Wilde, Matthew Miller, and Sam Hollander. Arranged by Joe Labozetta. Contemporary. Octavo. 18 pages. Joe Labozetta #6514495. Published by Joe Labozetta (A0.944230).

For mixed voices.

Choral Choir,Choral (SATB) - Level 2 - Digital Download

SKU: A0.959041

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Wendy Nixon Stothert. 21st Century,Pop. 6 pages. Wendy Nixon Stothert #4796001. Published by Wendy Nixon Stothert (A0.959041).

This powerful anthem for change is suitable for all ages. This SATB arrangement has a reggae feel and can be done a cappella or with a band. No band notation - chords provided on the score. Practice Track packages available. Contact choralvalley@gmail.com.

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.914412

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Patricia PE Janssen. Contemporary. 6 pages. Patricia PE Janssen #6530253. Published by Patricia PE Janssen (A0.914412).

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1031660

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Connor Warren Smith. A Cappella. Octavo. 8 pages. CWS Productions #6362819. Published by CWS Productions (A0.1031660).

Written for SATB choir, with some accessible 5-part divisi. A great entry point into contemporary a cappella for a traditional choral program as it combines elements of modern a cappella style and contemporary harmonies without treading too far away from a classic choral sound. Conservative ranges for voice parts make this piece easily achievable by beginning-intermediate groups, while still providing enough ear-candy moments that intermediate-advanced groups will enjoy it.