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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.880288 Composed by Vincent Youmans. Arranged by Matt Falker -- Anchor Music. A Cappella. Octavo. 5 pages. Anchor Music #4791299. Published by Anchor Music (A0.880288). This melancholy a cappella version of the classic ballad will be a special addition to your choral or vocal jazz set! Features one of your female voices (Sop 2 range), not too high for your ladies or low for your basses. Plus just a couple of five-part chords at the highest point! This is the SATB version - SSAA also available.SATB Vocal range: Gb2 – F5. Included: a cappella vocal scoreDemo (SATB) recorded by Frequency Vocal Jazz (MiraCosta College) & the University of North Texas Jazz Singers (Jennifer Barnes, director). YouTube video by the Iowa All-State Jazz Choir.Get all the latest vocal jazz releases at anchormusic.com!facebook.com/anchormusicpub -- soundcloud.com/ampjazz -- vocaljazzacademy.com
More Than You Know
Chorale SATB

$4.99 4.26 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719733 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573041. Published by Curtis Hanson (A0.719733). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together.
Hymns from Childhood - Set 5 (SATB)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Choral SATB choir - Digital Download SKU: H1.C5254DP Composed by Lynn DeShazo and Mark Altrogge. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Contemporary, Hymntune, Praise & Worship, General Worship, God's Attributes/Character. Octavo. 9 pages. Hope Publishing - Digital #C5254DP. Published by Hope Publishing - Digital (H1.C5254DP). By Lynn DeShazo & Mark Altrogge. Acts 2:43 - Ecclesiastes 5:7 - Habakkuk 3:2 - Isaiah 29:23 - Job 25:2 - Luke 7:16 - Psalms 119:120 - Romans 11:33 - Romans 11:34 - Romans 11:35 - Romans 11:36 - Romans 8:37 - Romans 8:38 - Romans 8:39.Medley of two popular praise and worship songs by Lynn DeShazo & Mark Altrogge Two very popular praise and worship choruses - both from the CCLI top 50 - come together in this choral medley of adoration by Lloyd Larson. Easily learned by choirs of all sizes, this seamlessly crafted medley will enhance any worship setting with its inspirational texts and memorable melodies.
More Precious Than Silver with I Stand in Awe
Chorale SATB
Lynn DeShazo & Mark Altrogge Acts 2:43 - Ecclesiastes 5:7 - Habakkuk 3:2 - Isaiah 29:23 - Job 25:2 - Luke 7:16 - Psalms 119:120 - Romans 11:33 - Romans 11:34 - Romans 11:35 - Romans 11:36 - Romans 8:37 - Romans 8:38 - Romans 8:39
$3.25 2.77 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.   
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
La loba (The Wolf) for SATB and flute
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.962311 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Octavo. 5 pages. Sergio Roberto de Oliveira #3042081. Published by Sergio Roberto de Oliveira (A0.962311). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
Cancao de Natal
Chorale SATB

$3.10 2.64 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1503787 By David Jayden Anthony. By David Jayden Anthony. Arranged by David Jayden Anthony. Pop,Praise & Worship,Religious. 5 pages. D'Jam Music #1079241. Published by d'Jam Music (A0.1503787). Title: Something Is A Comin’ – Uplifting SATB Gospel Praise Song by David Jayden Anthony Bring energy and inspiration to your choir with Something Is A Comin', a lively and contemporary SATB gospel piece by David Jayden Anthony. This dynamic song tells the story of the devil tempting us to stay in bed on Sunday morning, but it’s much more than that—it’s a celebration of the strength and faith it takes to rise above life's challenges and make your way to church.Why This Song? Something Is A Comin’ delivers a message that resonates with congregations of all sizes: we all face obstacles, but faith, community, and worship are what pull us through. The song's upbeat melody and engaging harmonies make it a joy to sing, while its lyrics encourage perseverance and spiritual growth. Despite its mention of the devil, this is a charming and uplifting gospel anthem that is simple to perform yet powerful in its impact.For Your Choir & Congregation: With its catchy rhythm and modern gospel sound, Something Is A Comin’ is perfect for building excitement in your church services. Whether you're leading a small choir or a large ensemble, this piece will engage your singers and inspire your audience, leaving them energized and ready to tackle the week ahead. Key Features: Uplifting contemporary gospel style Simple yet powerful message about faith and perseverance Ideal for praise services, special events, or regular Sunday worship Encourages participation and excitement within the congregation This song isn't just about music—it’s about motivation, faith, and the joy of gathering together in worship. Bring this contemporary gospel gem to your choir, and watch as it lifts spirits and energizes your congregation. Get your copy of Something Is A Comin' today and let your choir lead the way in building a stronger, more engaged community.Keywords: SATB choral music, contemporary gospel, David Jayden Anthony, praise song, gospel choir, worship music, church choir, uplifting gospel song, faith and perseverance.
Sunday Is A Comin'
Chorale SATB
David Jayden Anthony
$2.99 2.55 € Chorale SATB PDF SheetMusicPlus


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