Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta  - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original.  The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.770880 Composed by Charles H. Gabriel. Arranged by Glenn Christianson, Jennifer Hall, and Steve Hall. Christian,Holiday,Patriotic. Octavo. 8 pages. Bible Truth Music #3558419. Published by Bible Truth Music (A0.770880). A Patriotic song highlighting the flag, standing for freedom for all in our great country.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1084550 By Vera Lynn & The City Of Prague Philharmonic O. By Nat Burton and Walter Kent. Arranged by Leslie Hewlett. A Cappella,Patriotic,Standards. Octavo. 6 pages. Leslie Hewlett #688737. Published by Leslie Hewlett (A0.1084550). A beautiful a cappella SATB arrangement appropriate for Remembrance Day services and memorials.

Choral Choir (SATB) - Digital Download SKU: A0.992275 Composed by Patricia White. A Cappella. Octavo. 2 pages. Patricia White #3436249. Published by Patricia White (A0.992275). The Silence is an evocative poem written during WW1, specifically Gallipoli. Suitable for any war memorial event. .

Composed by Patricia White. A Cappella, Contemporary. Octavo. 2 pages. Patricia White #3436241. Published by Patricia White

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1500888 Composed by Phil Collins. Arranged by Colby White. A Cappella,Contemporary,Pop,Singer/Songwriter. 8 pages. Colby White #1076914. Published by Colby White (A0.1500888). Originiall arranged for my auditioned pop choir but decided to make it more available to the college age. Arranged with my lovely and caring mother in mind, Patti White.

Piano and voice (SATB chorus) - Digital Download SKU: LV.4139 Composed by C.A. White. Cemeteries, Children, Spouses, Tombs & sepulchral monuments, Soldiers, War casualties, Patriotism, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4139). Decoration Day. The Brave, Noble, and True. Words by Ellen M. Hastings. Music by C.A. White. Published 1875 by White-Smith Music Publishing Co., 32 West Street in Boston. Composition of strophic with chorus with piano and voice (satb chorus) instrumentation. Subject headings for this piece include Cemetaries, Children, Spouses, Tombs & sepulchral monuments, Soldiers, War casualties, Patriotism, Grief. First line reads There's a vacant niche in the heart, in some shady nook a grave.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.1959 Composed by Samuel Lover. Pride, Patriotism. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1959). Oh, Native Music. Correct Edition, of the Vocal Music in the Dramatic Romance of the White Horse of the Peppers. No. 1. Written & Composed by Samuel Lover, Esq. Published [n.d.] by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Pride, Patriotism. First line reads Oh native music beyond comparing, the sweetest far on the ear that falls.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-GCMR9610 Composed by Jack Noble White. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: H. W. Gray Publications. Sacred. Choral Octavo. 36 pages. H. W. Gray #00-GCMR9610. Published by H. W. Gray (JX.00-GCMR9610). English.Since it was first published in 1976, Jack Noble White's FIRST SONG OF ISAIAH has been sung by millions of people worldwide. Now we commemorate the 20th anniversary of this phenomenal anthem with a new FESTIVAL EDITION! Replacing the original piano, bass and drums with organ, brass quartet, timpani and handbells, the FESTIVAL EDITION also adds an extended choral and instrumental introduction, suitable for procession, as well as a Coda. The composer has added notes outlining various performance options. For festival or general use. (Editor's Note: THE FIRST SONG OF ISAIAH (Festival Edition) is compatible with the 1976 edition.).

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255178 Composed by Nicholas White. 21st Century,Classical,Sacred,Traditional. Octavo. 8 pages. Nicholas White Music #848743. Published by Nicholas White Music (A0.1255178). In his O Salutaris, Nicholas White provides us a very expressive and beautiful Eucharistic motet. This traditional Latin text has been set for SATB choir and organ. The text of the O Salutaris Hostia is taken from the last two verses of Verbum Supernum, one of the five Eucharistic Hymns written by St. Thomas Aquinas (1225-1274) at the request of Pope Urban IV (1261-1264) when the Pope first instituted the Feast of Corpus Christi in 1264. This beautiful text is most frequently sung in its liturgical contact at Exposition and Benediction of the Blessed Sacrament or as a Eucharistic motet at Mass. O Salutaris Hostia Quae caeli pandis ostium. Bella premunt hostilia; Da robur, fer auxilium. O Saving Victim opening wide The gate of heaven to all below. Our foes press on from every side; Thine aid supply, Thy strength bestow.Uni trinoque Domino Sit sempiterna gloria: Qui vitam sine termino, Nobis donet in patria. Amen. To Thy great name be endless praise Immortal Godhead, One in Three; Oh, grant us endless length of days, In our true native land with Thee. Amen.This motet is dedicated to the St. Cecilia Choir of Chicago's historic St. John Cantius Church. The composer, Nicholas White, directed the premiere of his new motet, O Salutaris, on Sunday, June 10, 2018 at the Latin High Mass at St. John Cantius Church.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1253786 Composed by Nicholas White. 21st Century,Classical,Patriotic,Romantic Period,Traditional. Octavo. 16 pages. Nicholas White Music #847413. Published by Nicholas White Music (A0.1253786). A setting for choir, soloists, and piano - with optional harp - of Dvorak's famous theme from The New World Symphony.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.969147 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 15 pages. Martha Hill Duncan #5981813. Published by Martha Hill Duncan (A0.969147). Waltz for a Friday EveningFriday evening it's still in the airThere's a soft white moonGlowing through the trees.At the end of the footpathI still carry throughMy thoughts quietly thought through the day...@ 2016 Janet Windeler RyanOriginally written for Open Voices Community Choir with accordionist Jan Le Clair, premiered on December 10, 2016 in Kingston, ON. Also available for SSA and tenor solo. Optional accordion part available upon request from marthahillduncan.com.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him� pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race� (v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com