Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher Brown #4756811. Published by Christopher Brown (A0.747217). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only (available separately), OR with additional band members (rhythm chart included in orchestration), OR with full orchestra (orchestration available separately).Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Included in your Purchase:Vocal Score (Solo & SATB)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality� to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.

Choral Choir,Choral (4-Part) - Level 3 - Digital Download SKU: A0.1281412 Composed by Randall Donald. Arranged by Randall Donald. Christian,Christmas,Early Music. 6 pages. Randall Donald #872756. Published by Randall Donald (A0.1281412). Personent hodie is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones. A melody found in a 1360 German manuscript is highly similar, and it is from this manuscript that the music is usually dated. The carol became more prominent in England after being arranged for unison voices and orchestra in 1916 by Gustav Holst.This arrangement is written for a choir that usually sings SAB music and can split the soprano. Originally notated in D Dorian and sung by male voices, this version is transposed up a whole tone for a better fit for women's voices and harmony   SSAB A Cappella ChoirISMN 979-0-9025253-1-2.

Composed by Paul Cardall. Arranged by Marshall McDonlad. Christian, Sacred, Praise & Worship, Latter-Day Saints, General Worship. 11 pages. Published by Stone Angel Music (S0.149149). - - Christian,Sacred,Praise & Worship,Latter-Day Saints,General Worship - Stone Angel Music

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701458 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125373. Published by Kevin G. Pace (A0.701458). An original hymn about pioneer women. See the text by Kathryn Hales below.YouTube video: https://youtu.be/fHirSHGBR0M The women walked alongside the wagons, The burden on oxen to spare, Wrapped in a shawl or a blanket, Their feet often calloused and bare.   They met at the quarter-master’s wagon, Their own scant rations to receive, Then with culinary skills prepared A meal, a family’s hunger to relieve.   Their prayers arose like incense From the campfires’ spark-filled glow, That the God they believed in from Heaven Would bless their loved ones below.   Left alone to drive the wagons When military duty was the demand, Courageous pioneer women Obeyed the prophet’s commands.   Some lived to complete their journey; Some died by the trail on the way, Yet the trials or hardships encountered, Their faith in God did not sway.   Whether over the rivers or mountains They trudged onward each day, Till they arrived in The Valley, And prayed for more courage to stay.   Praise be to such pioneer women, Who with courage did their part, For the building up of a holy people, With Zion a goal of their hearts.   Valiant men have always needed Virtuous women by their sides, So both can progress together And in God’s eternal home abide.

Composed by Lyra Davidica. Arranged by Christina Harmon. Baroque Period, Christian, Easter. Score, Set of Parts. 21 pages. Published by Christina Harmon . Organ, Trumpet, Trombone, Brass Quartet, Timpani, Soprano Voice, SATB - Intermediate - Digital Download

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1073907. Published by Kevin G. Pace (A0.1497494). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid. Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.CHORUSFalsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone.CHORUS Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUS.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.919481 Composed by Eleace Monet Zachary, Evan Stephens, Sabine Baring-Gould, and Sir Arthur Seymour Sullivan. Arranged by Eleace Monet Zachary. Christian,Praise & Worship,Sacred. Octavo. 9 pages. Eleace Monet Zachary #5985121. Published by Eleace Monet Zachary (A0.919481). SATB Choir with a contemporary piano accompaniment. Carry On is an energetic weaving of Carry On, True to the Faith and Onward, Christian Soldiers with new melodies and harmonies. This piece is sure to enliven both singers and audiences alike!

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.790425 Composed by Maurizio Chiavaroli. Christian,Christmas,Sacred,Standards,World. Octavo. 4 pages. Maurizio Chiavaroli #4265127. Published by Maurizio Chiavaroli (A0.790425). Composizione originale per coro polifonico e pianoforte estratto dall'opera sacra Magnificat di Maurizio Chiavaroli, disponibile anche nella versione per quintetto d'archi e pianoforte oppure per orchestra sinfonicaOriginal composition for choir and piano extracted from the sacred opera Magnificat by Maurizio Chiavaroli, also available in the version for string quintet and piano or symphony orchestra.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.