Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1111955 By Katy Perry. By Ian Kirkpatrick, Jacob Kasher Hindlin, Johan Jens Erik Carlsson, John Henry Ryan, and Katheryn Elizabeth Hudson. Arranged by Matthew Richards. A Cappella,Pop. Octavo. 14 pages. Matthew Richards #714130. Published by Matthew Richards (A0.1111955). A fun spin on Katy Perry's Champagne Problems from the album Smile arranged for an SSAATTBB a cappella group. I'm so honored you're looking at my work! I hope you enjoy it.

SATB, Orff instruments - Advanced Intermediate - Digital Download By Ariana Grande Featuring Iggy Azalea. Arranged by Bryan Sharpe. Octavo, Score. 10 pages. Published by Bsharpe Music

By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Kirsten Duncan. A Cappella,Contemporary,Pop. Octavo. 20 pages. Shrub Creative #863776. Published by Shrub Creative

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.854828 Composed by Daniel Elder. Contemporary. 20 pages. Daniel Elder Music #4983459. Published by Daniel Elder Music (A0.854828). It is undeniable that we humans are, as a species, outgrowing our small planet. As populations boom and technologies diversify, we are increasingly unable to run away from our problems. As a result, violence in civilized society is increasing at an alarming rate. How do we combat those that do harm to others, and more importantly, how do we convince our race as a whole that the problem cannot long be ignored? This original poem and its musical setting seek to pay tribute to the victims of violence in the modern United States. In an age where it seems a new tragedy has occurred somewhere every day, this work is titled 365 to represent each day of the year. The poem is structured in seven stanzas for the days of the week, and there are twelve iterations of Three hundred and sixty-five for the twelve months in the year. The final, introspective stanza parallels the poignant Christian story of Christ's crucifixion at the hands of his brethren, and lends a darker side of thought with the chosen grouping of words (read either no more; God forgive us or no more God; forgive us). This text humbly seeks to draw attention to what exactly is happening among us, among our neighbors, our governors, and our legislators, and the importance of addressing this ever-growing crisis in our society.

Mixed choir (SATB) - intermediate - Digital Download SKU: S9.Q53791 (Our Mountains). Composed by Peteris Vasks. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q53791. Published by Schott Music - Digital (S9.Q53791). Latvian.Peteris Vasks komponierte dieses Werk auf denText des gleichnamigen Gedichtes des 1936 in Riga geborenen Autors Knuts Skujenieks als liebevolle Hommage an die Landschaft seines Heimatlandes Litauen: Wolken, die sich wie Berge am Horizont türmen, Rehkitze, die sich in den Weiden am Wegesrand tummeln. Durch die Aussprachhinweise in der Ausgabe ist es auch für nicht-lettisch-sprachige, gemischte Chöre problemlos möglich, dieses Werk zu singen.

Mixed choir (SATB/SATB) a cappella - Digital Download SKU: S9.Q19099 Motet. Composed by Carl Friedrich Zelter. This edition: choral score. Choral Treasury. Downloadable, Choral score. Schott Music - Digital #Q19099. Published by Schott Music - Digital (S9.Q19099). German.Eine wertvolle Bereicherung für das Repertoire geistlicher A-cappella-Chormusik stellt Carl Friedrich Zelters Motette Der Mensch lebt und bestehet nur eine kleine Zeit dar. Die in der Reihe „Schätze der Chormusik erschienene Motette für achtstimmigen Doppelchor (SATB/SATB) wurde schon zu Lebzeiten hoch gelobt: „Das Ganze zerfällt in drei Teile. Der erste stellt dar: die Hinfälligkeit des Menschen und die Vergänglichkeit aller Welt. Es folgt ein „wahres Meisterstück von musikalischer Architektonik, eine achtstimmige Fuge, wie sie nach Johann Sebastian Bach und Fasch selten in solcher Reinheit und Kunst hervorgegangen sein dürfte. Hierauf folgt ein herrlicher Triumphgesang, der gewaltig mit sich fortreißt, so dass die Hörer selbst mit einstimmen möchten. – Ein in jeder Beziehung lohnendes Werk also, das für ambitionierte Laienchöre problemlos einzustudieren sein dürfte.

Mixed choir (SATB) - Digital Download SKU: S9.Q53700 (Fatherland). Composed by Peteris Vasks. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q53700. Published by Schott Music - Digital (S9.Q53700). Latvian.Peteris Vasks komponierte dieses Werk auf denText des gleichnamigen Gedichtes des 1936 in Riga geborenen Autors Knuts Skujenieks als liebevolle Hommage an sein Vaterland Litauen. Durch die Aussprachhinweise in der Ausgabe ist es auch für nicht-lettisch-sprachige, gemischte Chöre problemlos möglich, dieses ergreifende Werk zu singen.

Choral Choir (SATB) - Digital Download SKU: A0.701660 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3242911. Published by Kevin G. Pace (A0.701660). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/VNBnN3F9N10 When your well is dry, your life seems in a drought, When problems loom large, and nothing works out, When your soul is parched, you’re weary and tired, There’s no spark in the coals that once flowed with fire. Then…Come to the fountain.   (Chorus) The Fountain of Life that never runs dry, The source of all hope wipes all tears from the eye, God’s Living Water, always clean and pure, Will quench your thirst; His promise is sure.   Without Living Water the soul shrivels and withers, Heed the Lord’s call: Come to Me, Hither. Without Living Water problems keep growing, So come to the artesian. It’s peace ever flowing. So…Come to the fountain Repeat chorus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3613-E Composed by Kyle Pederson. Graduation. Instrument part. 10 pages. Galaxy Music Corporation - Digital #1.3613-E. Published by Galaxy Music Corporation - Digital (MQ.1.3613-E). UPC: 600313136139. English.Selected as a �nalist in the 2019 Ithaca College Choral Festival and premiered there as part of the festival. This piece received its Midwest premiere at the ACDA North/North Central regional conference in 2020, performed by Roosevelt High School, directed by Robyn Starks Holcomb. The text of the piece is addressed to anyone facing struggles—and it presents an honest af�rmation that those struggles are real. Rather than deny the existence of problems or pain, the listener is encouraged to “lean into� the hardship, to name it—and to thereby reduce its power. Textually and musically, the listener is presented with the metaphor of a tree—being whipped by the wind—but built to bend in that wind and ultimately withstand the pressure-�lled gales. The power of community is also af�rmed—as the listener is encouraged to walk alongside—to bend along with—their neighbor.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1029621 Composed by Ryan Farrel. Concert,Contemporary. Octavo. 16 pages. Renadeus #5753651. Published by renadeus (A0.1029621). In the Darkness (Di Dalam Kelam) is a poem from one of the collections in Nyanyi Sunyi, a poetry collection by Amir Hamzah, published by 1937 in Poedjangga Baroe magazine. It is assumed the poems inside Nyanyi Sunyi, including Di Dalam Kelam, was written when the poet was forced to marry the daughter of Sultanate of Langkat because he was obligated to do so.Synopsis of the music:Amir Hamzah has confusions in his life, so he seeks a guide to make his life better. The adventure of the exploration drags him into faith problems and life ups and downs, which he also realizes it.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1315764 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #904536. Published by Kevin G. Pace (A0.1315764). A gorgeous, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:1. He is greater than the angels, For He is the Father's Son, He is greater than the prophets, To whom He speaks when day is done. He is greater than the mountains, Yea, He speaks, and they do move, He is greater than the oceans, As all things testify to prove. 2. He is greater than all nature, He created large and small, Almighty Lord is our anchor, Our Savior, the greatest One of all. He is greater than the ancients Who burned offerings for sin. Jesus is the greater who did part the veil to let us in. 3. He has a greater Priesthood, bearing all God's heavn'ly pow'r, Yet He reaches down to comfort And guide me hour by hour. He is greater than my problems, He can answer with His grace. Showing ways to His Promised Land where we may see His loving face.4. He is greater than the devil, who deceives to foster sin,For Jesus overcame death and hell To unite all human kin. He is greater than all suff'ring, For He has borne it all He is greater than our weakness For He has overcome the Fall.Our Savior, our Redeemer, The greatest One of all.

Four to eight part mixed choir a cappella - intermediate - Digital Download SKU: S9.Q8522 (Didache IX, 2, 3, 4; X, 2, 5). Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 57b. Duration 6 minutes. Schott Music - Digital #Q8522. Published by Schott Music - Digital (S9.Q8522). German • English.Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian century was set to powerful music by Hummel, some of it in unison, some of it with imitations or homophonic chord progressions leading to hymnically ascending sounds. An effective a-cappella work that studies without any particular problems and can be performed in churches and at concerts.

Mixed choir (SATB) and organ - Digital Download SKU: S9.Q19044 For SATB choir and organ. Composed by Joe Duddell. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 9 minutes. Schott Music - Digital #Q19044. Published by Schott Music - Digital (S9.Q19044). Latin.Joe Duddell’s Magnificat and Nunc Dimtis was commissioned by Presteigne Festival of Music and the Arts with funding from Kevin Jones and Laura Woodside-Jones and received its first performance by the Choir of Royal Holloway conducted by Rupert Gough at the 2011 Presteigne Festival. Duddell has acknowledged in the past that whilst composing any piece of music, problems arise that require solutions and this new setting of the “Mag and Nunc� is no different. The main challenge for a composer who is openly agnostic is the historical weight behind the liturgical text but taking both musical and philosophical inspiration from composers such as Holst and Tippett, Duddell’s setting is a joyous and uplifting one.Opening with sustained harmonies saturated with open sounding 4ths and 5ths, the music soon leads to faster passages that chase one another. The organ adds syncopation to relatively straight vocal rhythms and at other time emphasises denser rhythmic textures. The work is dedicated to George Vass.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.