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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-182E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Marian, 21st Century. 4 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-182E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-182E). English. Psalms 45, 132.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010.  Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
August 15: Assumption of Mary, Vigil and Day (Downloadable)
Chorale SATB

$2.50 2.13 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Ride On! Ride On in Majesty! — SATB voices, organ
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8730-E Composed by Gwyneth W. Walker. 7 pages. Duration 1 minute, 45 seconds. E. C. Schirmer Music Company - Digital #8730-E. Published by E. C. Schirmer Music Company - Digital (MQ.8730-E). English. Psalms 4:8; Psalms 5:8.This is a prayerful, homophonic setting of texts from three sources: Psalms 4:8, Psalms 5:8, and the final line from John Greenleaf Whittier's Divine Compassion. Set for SATB chorus (divisi) unaccompanied, the music is approachable and sensitive. Moments of reflection give way to moments of grandness, Only by your Grace, not by my merit, no praise be mine. The piece ends quietly, Let me keep a heart that still can feel, and eyes that still can weep. In today's world, a prayer for us to remain sensitive to suffering is never out of place. Duration: 1:45.
A Prayer of Compassion (Downloadable)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-22722 Composed by Gary Hallquist. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Ash Wednesday; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-22722. Published by Jubilate Music Group - Digital (JX.00-22722). English. Psalm 130, Isaiah 41:10-16, Lamentations 3:55-58, Luke 7:36-50, John 11:1-45, Ephesians 2:4-10.An impassioned prayer for mercy and hope. Inspired by Psalm 130, Gary Hallquist has responded with an unforgettable melody, haunting harmonies and beautifully crafted vocals. Easy to prepare, for Ash Wednesday, Lent and general occasions. Suggested scriptures: Psalm 130, Isaiah 41: 10-16, Lamentations 3: 55-58, Luke 7: 36-50, John 11: 1-45, Ephesians 2: 4-10.
Canticle of Hope
Chorale SATB

$1.75 1.49 € Chorale SATB PDF SheetMusicPlus

SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3407-E Composed by James McCullough. Secular, 20th Century, Creation/Nature, Folk Song. 10 pages. Duration 4 minutes, 45 seconds. Galaxy Music Corporation - Digital #1.3407-E. Published by Galaxy Music Corporation - Digital (MQ.1.3407-E). English. Psalms 55:6.This haunting folk tune is classified as Type I, which are hymns sung to settings of traditional ballad tunes. This classification was devised by Phillips Barry (1880–1937), who was a pioneering Early American folk hymn specialist and folk tune collector. The melody of O Tell Me Where the Dove Has Flown is in the Dorian mode. It is repeated five times in this edition, making the design of the entire work strophic in structure. The text authorship of the verses is unknown, rendering them as a traditional text. This setting includes five of the surviving six ABAB rhymed verses.This work was first performed in 1965 by the Boston University Marsh Chapel Choir conducted by Dr. Max Miller in a worship service. Duration: 4:45.
O Tell Me Where the Dove Has Flown (Downloadable)
Chorale SATB

$2.65 2.26 € Chorale SATB PDF SheetMusicPlus






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