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Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1245155

Composed by Music: David Lantz III and Original words: David Lantz III, with public domain words added and adapted. Praise & Worship,Sacred. Octavo. 9 pages. Lantz Choral Publications #840061. Published by Lantz Choral Publications (A0.1245155).

Intended use: General
Themes: Undying love, forgiveness, Sustainer

While adapting some of the text from the traditional Irish hymn, this anthem uses original music and largely original text. The text speaks of the comfort that comes in being a follower and asks the Lord to be our vision by day and by night. The music reaches a dynamic peak with the words, Jesus, my Lord, is all forgiving; for my sins He will atone. Use for general worship throughout the year.

Be My Vision
Chorale SATB

$2.55 2.31 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.719738

Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior.

A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.


Hymns from Childhood - Set 10 (SATB)
Chorale SATB

$2.25 2.04 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download

SKU: A0.1273068

By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068).

Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.

The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.

The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.

During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.

With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.

In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.

Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.

Shosholoza (South African)
Chorale SATB
Public Domain
$1.99 1.8 € Chorale SATB PDF SheetMusicPlus


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