Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583581 By The Pointer Sisters. By Allee Willis and Danny Sembello. Arranged by Jeff Tincher. Contemporary,Dance. Octavo. 39 pages. Jeff Tincher #4353843. Published by Jeff Tincher (A0.583581). I'm just burnin' doing the Neutron Dance. This is one of The Pointer Singers more popular pieces. In the original key from their 'Break Out project, this song was featured in the 1984 blockbuster movie Beverly Hills Cop. This song will have your toes tapping for sure! Duration = 4:10. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

SATB choir, a cappella - Digital Download SKU: LX.15-3540H Composed by Peter J. Durow. Educational. Octavo. 16 pages. Heritage Music Press #e15/3540H. Published by Heritage Music Press (LX.15-3540H). ISBN 9780787760793. Text: Frances Watkins.Let me make the songs for the people, songs for the old and young; songs to stir like a battle-cry whenever they are sung. A cappella with limited divisi and using strong block scoring throughout, this original setting of France Ellen Watkins Harper’s celebration of the power of music is sure to be a vibrant program opener!

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379450 Composed by Tamsin Jones. 21st Century,A Cappella,Christian,Classical,Religious. 11 pages. Merula Music #964135. Published by Merula Music (A0.1379450). This is a collection of blessings set for SATB choir.  An organ may be used to provide a discrete drone for A Harvest Blessing, while an optional short introduction and colla parte accompaniment have been provided for Aaronic Blessing.  All three may, of course, be performed unaccompanied. While united by the theme of benediction, these pieces are distinct in style.  Harvest Blessing refers to the overtone series, while An Irish Blessing makes use of “mitigated planing�, in which parts moving as block chords are offset by contrary motion, holds (non-traditional suspensions) and other devices.  Aaronic Blessing is the longest piece in the collection, and features a variety of contrapuntal textures, although it is essentially highly tuneful in character.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.873020 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3867167. Published by Sally Whitwell (A0.873020). Composer’s Note - She Walks in BeautyIn the summer of 2007, I fell in love. I was living in what she and I now refer to as The Fairy Treehouse, a top floor studio in a shabby chic Art Deco block in Sydney’s Kings Cross. The block was too old to have a door buzzer (!) so she’d phone when she was on her way. With great excitement I would tear down three flights of stairs (the block was also too old to have a lift) and out the front door. Whilst I waited breathlessly on the cool slate doorstep, a frisky midnight breeze would tease the edges of my swishy summer frock and... See? I can’t talk about this time without lapsing into sickeningly sugary, nostalgic language. Forgive me, I was in love. And still am.She Walks in Beauty i​s the first thing I ever composed and is inspired by our nocturnal courtship.-- Sally Whitwell

SATB chorus - Digital Download SKU: C7.CGE37 Composed by Arr. Ruth Elaine Schram. Arranged by Ruth Elaine Schram. Christmas. Sing! With Opt. Percussion. Octavo. 16 pages. Chorister's Guild - Digital #CGE37. Published by Chorister's Guild - Digital (C7.CGE37). UPC: 749193021569.This vibrantly rhythmic and percussive setting of the traditional Spanish tune is all decked out with a new English text and is absolutely infectious. The original Spanish is offered as a performance option, along with a pronunciation guide and translation, although the piece may be performed entirely in English. Percussion parts for Tambourine, Triangle, Finger Cymbals, Jingle Bells and Wood Block are included which will add a festive flair to this exciting multicultural creative programming gem.

SATB chorus - Digital Download SKU: C7.CGA686 Composed by J Nathan Corbitt. General. We Sing the World Round. With Low and High Drums, Iron Gong or Cowbell, Triangle, Shaker (sandblock or beaded gourd), Bongo, Sticks. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA686. Published by Chorister's Guild - Digital (C7.CGA686). UPC: 749193002681.Christmas. An anthem filled with exuberant joy about Jesus' birth. The handbells (2 octaves) are a nice addition, but are not required.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583518 By Lady Gaga. By Aaron Raitiere, Lukas Nelson, Mark Nilan Jr., Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Jeff Tincher. Pop. Octavo. 22 pages. Jeff Tincher #4280667. Published by Jeff Tincher (A0.583518). Here is a real rocker from the 2018 blockbuster movie A Star Is Born. In the original key from the soundtrack CD, this one will have you moving with the music. Duration = 2:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

SATB chorus a cappella - Digital Download SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Forlag - Digital (BJ.1444). 8.27 x 11.7 inches.The single word alleluia is used as the basis for harmonic exploration as the slowly moving pulsed a cappella harmonies build and diminish. Feature a soprano soloist or the section on an ethereal descant that elevates the texture to sublime heights.This piece came about for two different reasons. The initial musical idea evolved while I was working on a short study for piano, so the piece was strictly instrumental.The other idea stemmed from a discussion with my friend and mentor Dr Phillip Cooke, about why the word “Alleluia is so commonly used in choral music. Apart from the obvious reasons – “Alleluia being a significant word in the sacred music tradition, and so on – we discussed the multiple possibilities a composer has with a word like that, in the sense that different syllables can be stressed, such as alleluia, alleluia or alleluia.This was something I used as the other structural building block in the composition, and I added “Alleluia as the only word, but with the emphasis moving to different syllables throughout the piece. For me, the setting of a single word like “Alleluia is far from any texts I usually set. The word, however, has a strong anchorage in musical tradition and composers have always set this word in all kinds of different ways.In this composition, I am interested in the word itself, the build-up of the word, the structure of the music, and adding something to the musical tradition of setting this famous word to music.This piece was premiered by the University of Aberdeen Chapel Choir at King’s College Chapel in Aberdeen, Scotland. The performance was conducted by their Director of Chapel and Ceremonial Music, Stuart Muir. – Henrik Dahlgren.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1268113 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Trần. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #860672. Published by Dylan Trần (A0.1268113). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.