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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB

$19.95 19.06 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB

$25.95 24.8 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot.  The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945),  the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger.  In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth.  The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
Eternal Father, Strong to Save (The United States Navy Hymn)
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.978049 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci, Jr. Arranged by Alex Silverman. Pop,Rock. Octavo. 12 pages. Red Star #5215755. Published by Red Star (A0.978049). Human by The Killers, arranged for Choir (SSAATB) and Piano.  Make a big impact with this arrangement: the detailed vocal writing emulates the pulsing of the original track; it's easy to learn with lots of repeated phrases and singable melodic lines, and really fun to perform - a perfect piece for amateur choirs looking for something upbeat.For more like this, or just to say hello, check out my website - alexsilverman.co.uk - and get in touch by writing to alex@alexsilverman.co.uk.
Human
Chorale SATB
The Killers
$2.59 2.47 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886639 Composed by Aulenbach, Carolyn, Gifford, James C, James G, King George G, Lambert, and Perry C. Michael. Christmas,Sacred,Spiritual. Octavo. 117 pages. Shining Sharon Music #3591289. Published by Shining Sharon Music (A0.886639). Arrangements and Original Compositions byC. Michael PerryJames C. AulenbachJames G. LambertGeorge G. KingCarolyn Gifford18 Joyous Well-known and Original Songs in full arrangements for the Christmas Season.A SAMPLER OF JOYThis 116 page resource volume provides a way to peruse 18 songs, which if purchased individually could cost more than $81.00. The volume is economically priced, and would be a perfect music folio for the pianist to play from, or a Choir Conductor to conduct from. No sharing please.TITLES OF SONGS IN THE COLLECTIONAngels Sang (SATB) – Adaptation of Hark The Herald Angels SingAngels We Have Heard On High (SATB) – TraditionalAway In A Manger (SAB + Congregation) – TraditionalBring A Torch, Jeanette Isabella (SAB) – 14th Century French Carol Christmas Angel (2 Voice Choir) – Adaptation of Silent Night (Mohr/Gruber)Christmas Is Coming (SATB with children’s voices) – OriginalChristmas Star (SATB) – OriginalIn Bethlehem’s Stall (SATB) – OriginalLittle David, Play On Your Harp (SAB) – African American SpiritualA New Star (SATB) – OriginalO Come, O Come, Emmanuel (SATB) – Traditional Gregorian ChantOh Holy Child (SAB) – OriginalSamuel Tells of the Baby Jesus (SATB) – Descant to be used with songA Shining Star (SATB) – OriginalStill! (SATB) – OriginalStille Nacht (Silent Night) – Gruber / MohrWhat Child Is This (SA) – Traditional GreensleevesWhat Child Is This (SAB) – Traditional Greensleeves
Christmas with the Choir -- A Sampler/Resource Manual
Chorale SATB

$18.95 18.11 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1280450 By Boygenius. By Julien Baker, Lucy Dacus, and Phoebe Bridgers. Arranged by Dylan Tran. A Cappella,Contemporary,Pop,Rock,Singer/Songwriter. Octavo. 8 pages. Dylan Trần #871858. Published by Dylan Trần (A0.1280450). Here's why your choir should embrace the enchanting world of boygenius' songs (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Emotional Depth: boygenius' music is known for its emotional depth and vulnerability. Incorporating their songs into your choir's repertoire can provide a unique opportunity for your singers to connect with the music on a personal level, which can result in more powerful and moving performances.Diverse Harmonies: The harmonies and arrangements found in boygenius' music are intricate and rich. These complex harmonies can challenge your choir members and help them grow as musicians, improving their vocal technique and musicality.Modern Appeal: boygenius' music blends elements of indie rock and folk, appealing to a younger and broader audience. By incorporating their songs into your repertoire, your choir can engage with a contemporary audience and potentially attract new listeners to choral music.Storytelling: Many of boygenius' songs tell compelling stories that resonate with various life experiences. This storytelling aspect can help your choir members connect with the lyrics and convey the emotional narrative effectively through their performances.Creative Interpretation: boygenius' music often leaves room for creative interpretation. Your choir can put their unique spin on the arrangements, adding their own dynamics, phrasing, and stylistic touches to make the songs your own.Collaboration: If boygenius' music features both solo and group vocals, it provides an opportunity for your choir to work on collaboration and vocal blending, helping them strengthen their ensemble skills.Connecting with a Younger Audience: boygenius' music resonates strongly with younger generations. By including their songs in your repertoire, your choir can bridge the generation gap and connect with younger listeners who might not typically engage with choral music.Expanding Repertoire: Adding boygenius' music diversifies your choir's repertoire, allowing them to explore new genres and styles. This can keep rehearsals fresh and exciting for your choir members.Performance Variety: The inclusion of boygenius' music can provide a contrast to more traditional choral pieces in your performances, adding variety to your concerts and showcasing the choir's versatility.Incorporating boygenius' music into your choir's repertoire offers a chance for growth, creative expression, and connecting with audiences in new and meaningful ways. It can also help your choir stay relevant and vibrant in the ever-changing musical landscape.
Not Strong Enough
Chorale SATB
Boygenius
$3.00 2.87 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1488204 Composed by Russell Ronnebaum. Christian,Lent,Praise & Worship,Religious,Sacred. 32 pages. Russell Ronnebaum #1065088. Published by Russell Ronnebaum (A0.1488204). Mass of St. Veronica was composed for the Parish of St. Mark the Evangelist Catholic Church in Oro Valley, Arizona. This somber setting is meant to be sung during the season of Lent and can be used for funeral services. Saint Veronica is the woman who, in the Sixth Station of the Cross, wiped the face of a scourged Jesus as he carried his cross to the Golgotha where he was to be crucified. The prayerful intent of this Mass setting is to prepare us to take up our crosses and follow Jesus.  Available scores:Full Score (SATB, Piano, Oboe)Choral Score (SATB, Piano)Guitar, MelodyMore compositions can be found at: www.RRonnebaum.com
Mass of St. Veronica (SATB, Piano)
Chorale SATB

$6.50 6.21 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. 6 pages. Scott S. Stewart #990321. Published by Scott S. Stewart (A0.1407705). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861. Poet and musician came together to give to us the hymn we know today, “Eternal Father, Strong to Saveâ€.   This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for 4-part SATB ensemble (with minor divisi) to be performed a cappella.  It uses only the text of Whiting’s original poem.   Performance time: 3.30+-.
Eternal Father, Strong to Save (The Navy Hymn)
Chorale SATB

$2.99 2.86 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.741920 Composed by Hans G. Nageli. Arranged by M. Ryan Taylor. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Vocal Works #484765. Published by Vocal Works (A0.741920). A simple arrangement of this well-loved hymn. The choral parts are derived wholly from the original hymn, while the piano takes on a more adventurous role. I chose this hymn for the theme repentance, but it would equally compliment themes like commandments, mercy, grace, or faith. How gentle God’s commands! How kind his precepts are! Come, cast your burden on the Lord And trust his constant care. Beneath his watchful eye, His saints securely dwell; That hand which bears all nature up Shall guard his children well. Why should this anxious load Press down your weary mind? Haste to your Heavenly Father’s throne And sweet refresh-ment find. His goodness stands approved, Unchanged from day to day; I’ll drop my burden at his feet And bear a song a-way.
How Gentle God's Commands : SATB and Piano
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1045075 Composed by Traditional Latin. Arranged by Mark R Lewis. Christmas,Classical,Holiday,Sacred,Traditional. Octavo. 8 pages. Mark R Lewis #649637. Published by Mark R Lewis (A0.1045075). O Come, O Come Emmanuel is an ancient Latin hymn associated with the Vespers services leading up to Christmas. This SATB divisi arrangement by Mark R Lewis imitates the tradition of Latin plainsong but is fully modern in conception. While this arrangement is not too extreme in terms of notes and rhythms, it will stretch the limits of many singers' vocal ranges and incorporates some complex harmonies. ​The arrangement incorporates a pedal note drone that can be played on any instrument. There is an optional hand drum part. While this arrangement does work with only the drone accompaniment, Mark has also published string orchestra and woodwind ensemble settings that work wonderfully as accompaniment to the vocal setting. The audio sample for this item is from the vocal trio arrangement of this piece that Mark has published. Vocal Range: Key of d minor Soprano - 1 1/2 octaves (C4 - A5 {opt. Bb5}) Alto - 1 + octaves (A3 - Bb4) Tenor - 1 + octaves (C3 - D4) Bass - 1 1/2 octaves ({opt. D2} F2 - C4).
O Come Emmanuel - SATB Ensemble
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus


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