Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.719530 Composed by Curtis Hanson. Christian,Sacred. Octavo. 8 pages. Curtis Hanson #2033067. Published by Curtis Hanson (A0.719530). Take Up the Cross is based on Christ's admonition from Matthew 16. Here scored for SATB choir with occasional divisi and keyboard (organ or piano), it has a definite Middle Eastern flavor. A strong tenor solo is desired toward the beginning, but it may be sung by a tenor section and augmented with altos if necessary. This piece has many opportunities for dramatic expression and will provide an effectively good challenge in a worship service or on a concert stage.

Choral Choir (SATB divisi) - Level 1 - Digital Download SKU: A0.774785 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. A Cappella. Octavo. 7 pages. Sandra Milliken #6656861. Published by Sandra Milliken (A0.774785). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella

SATB chorus - Digital Download SKU: C7.CGA1430 Composed by Brian L. Hanson. Arranged by Brian L. Hanson. General, Lent, Holy Week. Hymns of Faith. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1430. Published by Chorister's Guild - Digital (C7.CGA1430). UPC: 749193022405.Isaac Watts’ inspirational hymn is beautifully set by Brian Hanson. The emotive piano accompaniment creates a supportive foundation for voices and text to shine. Expert part-writing and text-painting throughout. This anthem makes a striking addition to Good Friday worship.

SATB chorus - Digital Download SKU: BJ.1202 Composed by Clement Janequin. Arranged by Bo Holten. Michaeli Early Music Series. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1202. Published by Bo Ejeby Forlag - Digital (BJ.1202). 8.27 x 11.7 inches.Three renaissance chansons with lyrics in both Swedish and original, old French. Swedish lyrics by Eva Sommestad Holten.Contents: Le chant du rossignol (Min naktergal) Mais que ce fust secretement (Om blott det sker i hemlighet) De ta bouche tant vermeille (Ah! Fran dina roda lappar)Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1506639 Composed by Traditional. Arranged by Jean-Thierry Boisseau. 21st Century,A Cappella,Classical,Multicultural,World. 12 pages. Musik Fabrik Music Publishing #1082007. Published by Musik Fabrik Music Publishing (A0.1506639). Two traditional French songs arranged for SSATB mixed chorus : La complainte du Roi Rénaud and Rossignolet du bois.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719735 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573081. Published by Curtis Hanson (A0.719735). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Make Me a Captive, Lord, Beneath the Cross of Jesus, and Abide with Me.