Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1157993 By The National. By Aaron Brooking Dessner and Matthew D. Berninger. Arranged by Scott Pietrangelo. Contemporary,Pop,Singer/Songwriter. Octavo. 27 pages. Scott Pietrangelo #758291. Published by Scott Pietrangelo (A0.1157993). With a rich, heartfelt solo for a strong bass, Runaway by The National is a beautiful and poignant song about facing relationship struggles.

Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.910446 Composed by Traditional French. Arranged by Tom Potten. Contemporary. Octavo. 3 pages. Tom Potten #5217635. Published by Tom Potten (A0.910446). Two part choir arrangement of the traditional French song 'Sur le Pont D'Avignon'. IT features a fun middle section with drunk monks on the bridge.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.909690 By Justin Moore. By Johnny Marks and Marvin Brodie. Arranged by D. Kim Clayton. A Cappella,Country. Octavo. 11 pages. HarmonyPlus Publications #3865087. Published by HarmonyPlus Publications (A0.909690). SATB - A Cappella music at it's best! Run Run Rudolph, is a classic MUST song for Christmas! This A Cappella arrangement has a twist and style all it's own. It's fun and fast paced! Run, Run Rudolph brings the energy and life of Chuck Berry into a unique A Cappella sound. If your choir revels in the A Cappella , this piece is perfect for you! This song and arrangement are for intermediate to advanced choirs. The available recording we have placed on this site does NOT come from a live performance or in the studio. But we think you will feel the full effect of Christmas Rock and Roll in this arrangement. Also available is The HarmonyPlus Trax CD that is a teaching CD. The CD includes:  version (all parts), Soprano version, Alto version, Tenor version, Bass version. Perfect for all members of the choir to learn his/her individual parts. Duration: 2:36

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.916562 Composed by Deborah Park. Christian,World. Octavo. 7 pages. Deborah Park #4633875. Published by Deborah Park (A0.916562). Anmerkung der Komponistin      Das Vaterunser (Global Version) ist eine zeitgenössische Fassung des Vaterunsers, in der pentatonische Tonleitern und Kombinationen aus traditionellen und nicht-traditionellen Harmonien und Rhythmen verwendet werden. Das Gebet selbst ist ein Plädoyer dafür, dass Gottes Wille in jedem von uns getan wird. Infolgedessen sollte während der gesamten Arbeit eine aufrichtige und ernsthafte Stimmung im Vordergrund stehen. Die meisten Christen kennen das Gebet auswendig in ihrer eigenen Sprache und es wird heute von jeder christlichen Tradition verwendet. Ich habe die globale Version für drei verschiedene Sprachen geschrieben: Englisch, Deutsch und Koreanisch.      Diese Hymne ist im Stil des Responsorial-Gesangs gehalten: Ein Solist singt eine Linie, der der Chor oder die Klavierbegleitung folgen. Jede Passage wird auf ihre eigene Weise entwickelt, aber die übliche Technik, die in dieser Arbeit verwendet wird, ist die systematische Verwendung von Wiederholungen, die dem Vorhandenen neue Texturschichten hinzufügen (z. B. mm.11–18 und mm. 19–33). Diese Technik beginnt mit einer einfachen Figur, die einige Male mit leichten Abweichungen wiederholt wird. Das Klavier mit einer einfachen viertaktigen Passage führt in den neuen Abschnitt und die neue Zeit ein. Dann treten Chor, Solist und Klavier im leicht modifizierten Call-and-Response Stil auf. Die verwendeten Rhythmen in mm. 27–31 sind eine Variation von Gutgeori jang dan, einem der traditionellen koreanischen Rhythmen, die diese globale Version einzigartig machen.      Der letzte Abschnitt, der Gott Ehre macht, ist die Doxologie, in der vertraute Akkorde und Kadenzen plötzlich zu ungewohnter Harmonie führe, um die Ehrfurcht und das Staunen widerzuspiegeln, die zum Ende von „Amen in D-Dur führen. Wenn es richtig ausbalanciert und gemischt ist, schimmert das Lied mit einer Brillanz, die die Ehrfurcht und das Wunder widerspiegelt, das es erschaffen sollte.

Choral Choir (SATB) - Digital Download SKU: A0.989244 Composed by Mary Ann Joyce. 20th Century,Christian,Concert,Jewish. Octavo. 20 pages. Mary Ann Joyce-Walter #6244647. Published by Mary Ann Joyce-Walter (A0.989244). This psalm setting is about one's yearning for G-d.  It is a polyphonic, modal piece about four minutes long.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1286292 Composed by Craig Carnelia. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. 10 pages. Music Arrangement Services Inc. #877366. Published by Music Arrangement Services Inc. (A0.1286292). From the Off-Broadway Production “Diamonds�.  This song is dreaming of being a hero at baseball as a youth.  The song refers to baseball, baseball diamonds, diamonds, ninth inning, man on first, man at bat, being proud, scared, stronger, dad, father, sun, roaring crowd, running for home.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 3:45.

Soloistss (SATB), mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q560929 Eine Lieder-Reihe für Solostimmen und Chor mit Begleitung des Pianoforte. Composed by Friedrich Gernsheim. Downloadable, Score (also performing score). Duration 42 minutes. Schott Music - Digital #Q560929. Published by Schott Music - Digital (S9.Q560929). German.Friedrich Gernsheim (1839–1916) entstammt einer angesehenen jüdischen Familie aus Worms am Rhein und war zu Lebzeiten ein äußerst erfolgreicher und hoch angesehener Komponist, dessen Musik es wiederzuentdecken gilt. Mit dem Gesangverein des Stern’sche Konservatoriums und Wilhelm Berger am Klavier wurde „Hafis – Eine Lieder-Reihe 1891 im Konzertsaal der Berliner Singakademie uraufgeführt. Die Texte der Lieder wählte Gernsheim aus einer 1846 erschienenen und von Georg Friedrich Daumer angefertigten Übersetzung von mehr als 200 Gedichten des persischen Dichters Hafis (eigentlich Mohammed Schemseddin (Kh�wje Shams-od-Dīn Moḥammad Ḥ�feẓ-e Shīr�zī), ca. 1325–1390) aus. Er vertonte 17 Texte, hauptsächlich zu den Themen Liebe, Wein und dem sich stets wandelnden, aber dennoch kreisenden Menschsein, und verteilt sie auf 13 Nummern unterschiedlicher Form und Besetzung. Ähnlich wie die Liebesliederwalzer seines guten Freundes Johannes Brahms enthält Gernsheims Zyklus einige solistische Lieder, Duette und Quartette. Der Hauptunterschied und letztlich auch das Ungewöhnliche an der Reihe ist die grundsätzliche Konzeption für (wahrscheinlich groß besetzten) Chor und Solisten, die teils getrennt, in einzelnen Nummern aber auch gemeinsam und im Wechsel auftreten. Strophenlieder sind ebenso enthalten wie durchkomponierte und offene Formen. Ein groß angelegtes Finale schließt die Liederreihe ab, die tatsächlich als zusammenhängender Zyklus konzipiert ist, was aber die Aufführung einer Auswahl an Liedern nicht grundsätzlich ausschließt. Musikalisch ist die chorische Anlage deutlich zu erkennen, was Hafis auch im Gegensatz zu den Brahms’schen Quartetten für einen Amateurchor deutlich leichter aufführbar macht und nicht zuletzt auf Gernsheims eigene Chorleitungspraxis zurückzuführen sein dürfte. Der Klavierpart hingegen zeugt von einer technisch versierten Beschäftigung mit dem Instrument und auch die Soli sind merklich anspruchsvoller angelegt. Im Gesamten stellt die Liederreihe eine äußerst gelungene und in sich schlüssige Komposition dar. Sie leistet somit ihren Beitrag zur Wiederentdeckung der (nach jahrelanger Nicht-Beachtung während und nach der NS-Zeit) bisher nur dürftig erschlossenen Chorwerke des Wormser Komponisten Friedrich Gernsheim. Die zeitgleich zur Edition erschienene CD-Einspielung des Kammerchors Vox Quadrata ermöglicht einen leichteren Zugang zur Musik Friedrich Gernsheims.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC!  THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright.  Please do not use without purchase!

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1371450 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Leonhard Stampler. 21st Century,A Cappella,Pop,Romantic Period,Wedding. 17 pages. Leonhard Stampler #955669. Published by Leonhard Stampler (A0.1371450). Whenever it is time for wedding, that's the most wanted song. Here you have a SATB-Arrangement od Bruno Mars' hit starting with Pachelbels Canon in D-Major. Optionally use a Water Glass Xylophone or tuned Bells and a Flute for the Intro.Have fun!

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.983534 Composed by Traditional. Arranged by Alec D Jackson. Christian,Easter,Folk,Spiritual,World. Octavo. 3 pages. Alec D. Jackson #4737089. Published by Alec D. Jackson (A0.983534). Sustained singing and flowing chromatic lines contrasting with crunchy chords and unresolved cadences....SATB.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1457145 Composed by Donovan D. Klotzbeacher. 20th Century,Christian,Classical,Religious,Sacred. 49 pages. Donovan Klotzbeacher #1036186. Published by Donovan Klotzbeacher (A0.1457145). This work runs about a half-hour.  It is composed for SATB Chorus, Soprano & Baritone Soloists, and string orchestra with timpani.  The text is largely based on passages from the prophet Joel and the Acts of the Apostles.This is the vocal score which choir and vocalists may use for performance.  A piano reduction is included for practice purposes.The string orchestra will consist of 1st & 2nd violins, viola, cello, and double bass.  Instrumental parts available separately.This work is intended to be performed on Pentecost Sunday, but it is also suitable for concert use.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1254712 Composed by Nicholas White. 21st Century,A Cappella,Chamber,Christian. Octavo. 12 pages. Nicholas White Music #846851. Published by Nicholas White Music (A0.1254712). A choral setting of Malcolm Guite's exquisite sonnettBeginning here we glimpse the Three-in-one; The river runs, the clouds are torn apart,The Father speaks, the Spirit and the Son Reveal to us the single loving heartThat beats behind the being of all thingsAnd calls and keeps and kindles us to light. The dove descends, the spirit soars and sings ‘You are belovèd, you are my delight!’In that quick light and life, as water spills And streams around the Man like quickening rain, The voice that made the universe revealsThe God in Man who makes it new again.He calls us too, to step into that riverTo die and rise and live and love forever.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #5044269. Published by G. M. Morley (A0.500704). This fun little love song comes from Vampire Weekend's fourth album, Father of the Bride, released in early 2019. The original is a duet featuring the female vocals of Danielle Haim.Writer, Ezra Koenig has said of the song I always wanted to do a song that was insanely simple, that was just listing things that go together... It's probably the most wholesome Vampire Weekend song.Although the simplicity of the original song remains, there are some challenging arpeggio's and runs for soprano and alto parts in the latter half of the piece.This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.