Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.516690 Composed by Santino Cara. A Cappella,Christian,Easter. Octavo. 6 pages. Santino Cara #513295. Published by Santino Cara (A0.516690). Easter hymn for childrens and choir ATB a cappella composed in Rome in 2012 by Santino Cara on the text of the 5th century, attributed to St. Ambrose. Hymn of morning prayer during the Easter period. == Inno di Pasqua per coro di bambini e coro di voci miste a cappella composto da Santino Cara a roma nel 2012 sul testo del 5° secolo attribuito a S.Ambrogio. Inno di Preghiera del mattino durante il periodo pasquale.

Choral Choir (SATB) - Digital Download SKU: A0.1015047 Composed by Carl Orff. Arranged by Engelhardt Unaeb. Contemporary. Octavo. 2 pages. Engelhardt Unaeb #4775391. Published by Engelhardt Unaeb (A0.1015047). Beautiful love song from Carl Orff's Carmina Burana.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516708 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #540247. Published by Santino Cara (A0.516708). Sacred madrigal no.5, for choir of mixed voices a cappella composed in Rome in 1998 by Santino Cara on the italian text of the: Laude, Book II Venetiis, Octavianum Petrutium of Marco Cara said Marchetto (1475 - 1525). == Madrigale sacro no.5, per coro di voci miste a cappella composto a Roma nel 1998 da Santino Cara sul testo italiano delle; Laude, Libro II Venetiis, Octavianum Petrutium di Marco Cara detto; Marchetto (1475 - 1525.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493757 By Coldplay Feat. John Metcalfe. By Apple Martin, Chris Martin, Guy Berryman, Jon Buckland, Jon Hopkins, Max Martin, Tim Rutili, and Will Champion. Arranged by MaryAnne Muglia & Rob Dietz. A Cappella,Pop. 15 pages. MaryAnne Muglia #1070420. Published by MaryAnne Muglia (A0.1493757).

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1399648 By Luis Laguna. By Luis Laguna. Arranged by Dr. Ricardo José Romero Núñez. Pop. 6 pages. Ricardo José Romero Núñez #982922. Published by Ricardo José Romero Núñez (A0.1399648). Este tema es un merengue Venezolano que describe la rutina diaria de un vendendor de helados muy educado y amable , y por tal razón es muy querido por su clientela.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1109208 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Stephen DeCesare. Broadway,Contest,Festival,Film/TV,Musical/Show,Standards. Octavo. 5 pages. Exultet Music #711757. Published by Exultet Music (A0.1109208). Featured song in the Broadway musical South Pacific that received scrutiny for its commentary regarding relationship between different races and ethnic groups has been freshly arranged for SATB with Piano accompaniment. True to the original source material.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Thomas Oboe Lee #31009. Published by Thomas Oboe Lee (A0.869218). Program note.The greatest challenge of the Stabat Mater text is to figure out how to set twenty stanzas of pain and suffering without making it all sound too depressing. So, before I began composing, I looked at a number of scores and recordings of Stabat Mater by various composers: DesPrez, Palestrina, Pergolesi, Boccherini, Vivaldi, Haydn, Dvorak, Rossini, Poulenc, Szymanowski, Penderecki, et al. It was fascinating to see what each composer did with regard to text setting: the variety of musical textures from movement to movement, different approaches to the use of fast or allegro music to offset the mood of the text, solo versus choral sections, etc. Each composer took a very personal and creative approach to the task. It was a fascinating study! After weeks of listening and scrutinizing, I decided to divide the twenty-stanza text into six sections. It is my hope that the end result is formally coherent and emotionally affecting.I. Lento Stabat Mater dolorosa â?¦II. Allegro Cuius animam gementem â?¦    O quam tristis et afflicta â?¦    Quae moerebat et dolebat â?¦III. Recitativo Quis est homo qui non fleret â?¦      Quis non posset contristari â?¦     Pro peccatis suae gentis â?¦     Vidit suum dulcem natum â?¦IV. ModeratoEia Mater, fons amoris â?¦     Fac, ut ardeat cor meum â?¦     Sancta Mater, istud agas â?¦     Tui nati vulnerati â?¦     Fac me vere tecum flere â?¦     Iuxta cruce tecum stare â?¦     Virgo virginum praeclara â?¦     Fac, ut portem Christi mortem â?¦V. Prestissimo Fac me plagis vulnerari â?¦     Inflammatus et accensus â?¦     Fac me cruce custodiri â?¦VI. Moderato Quando corpus morietur â?¦     Amen.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/stabat-mater-2002Video link: https://youtu.be/_ApUlmSb4Ho

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1485394 By Coldplay Feat. John Metcalfe. By Apple Martin, Chris Martin, Guy Berryman, Jon Buckland, Jon Hopkins, Max Martin, Tim Rutili, and Will Champion. Arranged by Budaful Music. A Cappella,Contest,Festival,Jazz,Pop,Rock. 23 pages. Budaful music #1062436. Published by budaful music (A0.1485394). Coldplay's, Feelslikeimfallinginlove from thier 2024 album 'Moon Music' has been adapted into an a cappella SATB choir rendition, meticulously crafted for the vocal ranges of high school & college choirs. Envision a captivating performance promising a crescendo of applause, weaving a harmonious spell that captivates the audience, enchanting them and leaving them longing for more! It's in C, the same key as the recording. There is a choral reduction part with fewer pages included. There are more details on the 'notes to the conductor' sample page. This arrangement attempts to stay true to the style of the song with a few caveates. The ending differs from that of the recording opting for a repeated chorus instead of a Bridge/postchorus vamp. The repeated chorus is more practical in a live performance setting.Check out other ColdPlay tunes for choir: Human Heart (SMD) The Scientist (requires accomp)(SMD)