SKU: A0.965286

This contemplative setting of this familiar text will be a favorite of your choir and congregation. A lot of attention has been given to the text so that the music helps to bring meaning to this special prayer.

SKU: A0.1170370

While this setting pays homage to Handel's setting of this text from Messiah it does so with a modern sound. The form closely aligns with Handel's and there is even a short direct quote but is well hidden because of the harmonization.

SKU: A0.965276

This setting of John 3:16 17 gives a new treatment to a favorite text. The bass line forms an ostinato like the unchanging character of God's love. Your choir should enjoy the modal harmonies that produced by the melodic treatment of each voice and the use of the very familiar hymn tune Jesus Loves Me.

SKU: A0.965304

This is a fresh look at a very familiar song. Every part has musical lines designed to bring more meaning to the text. There is also a descant on the verse that says, Someone's singing Lord. The descant uses the chorus with a new tune to His Eye Is on the Sparrow, I sing because I' m happy. Your choir and audience will enjoy this arrangement.

SKU: A0.1349490

Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.

This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). 

Additional Details:

• Key: B major
• 16 Pages
• Length: 2m 50s
• Ranges:
  • Solos 1/2: F#3-G#5
  • Soprano: C#4-D#5
  • Alto: A#3-F#4
  • Tenor: F#3-C#4
  • Bass: F#2-F#3 (optional notes between B1 and E#2)

SKU: A0.866693

Wilfrid Wilson Gibson's humorous poem set for quartet and piano is full of delight for singers and audience alike.

SKU: A0.1438884

One of 2 pieces commisioned by Hereford Chamber Choir as part of The Dymock Poets Project in 2023. Premiered in a concert (mp3 live recording) as part of Ledbury Poetry Festival. Also performed in 2024 at The Hay Festival and The Three Choirs Festival.

SKU: A0.940787

Sight-readable and fun arrangement of George Ezra's new classic, Shotgun. SATB, male and female solos, and vocal percussion notation. High school age vocal range.

SKU: A0.1088496

Contemporary a cappella arrangement of Ed Sheeran's Bad Habits turned into a power-ballad duet. The arrangement starts stripped back with only body percussion and continues to built to a climax in the final chorus, before coming back down at the end, the same way it started. This arrangement is best for mixed voice groups with intermediate to advanced skill levels.