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Choral Choir,Choral (SATB) - Digital Download SKU: A0.1393144 Composed by Samuel Wernain. 21st Century,A Cappella,Singer/Songwriter. 2 pages. Samuel Wernain #976638. Published by Samuel Wernain (A0.1393144). Choral work for 4 mixed voices a cappella on a poem by Victor Hugo.Lorsque l'enfant paraîtLorsque l'enfant paraît, le cercle de familleApplaudit à grands cris. Son doux regard qui brilleFait briller tous les yeux,Et les plus tristes fronts, les plus souillés peut-être,Se dérident soudain à voir l'enfant paraître,Innocent et joyeux.Enfant, vous êtes l'aube et mon âme est la plaineQui des plus douces fleurs embaume son haleineQuand vous la respirez ;Mon âme est la forêt dont les sombres ramuresS'emplissent pour vous seul de suaves murmuresEt de rayons dorés !Il est si beau, l'enfant, avec son doux sourire,Sa douce bonne foi, sa voix qui veut tout dire,Ses pleurs vite apaisés,Laissant errer sa vue étonnée et ravie,Offrant de toutes parts sa jeune âme à la vieEt sa bouche aux baisers !Victor Hugo (1802-1885).
Lorsque l'enfant paraît
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1397404 Composed by Madeleine Ferrand. Arranged by Ed. David Burkhard. 20th Century,Contemporary,Latin,Religious,Sacred. 4 pages. David Burkhard #980728. Published by David Burkhard (A0.1397404). This is probably the 1st edition of Maria Mater Gratiae by french composer Madeleine Ferrand's Maria Mater Gratiae. It was composed in 1913, presumedly for the Concours Samuel-Rousseau de la Société des Compositeurs de Musique. Madeleine Ferrand was born in the 19th century and probably died in the early 20th century. Though almost nothing is known about her life, she published two melodies in 1909 (La Belle au Bois and Les Colombes). https://www.presencecompositrices.com/compositrice/ferrand-madeleine/
Maria Mater Gratiae
Chorale SATB

$2.00 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1276535 By Sam Smith Feat. Kim Petras. By Blake Slatkin, Henry Walter, Ilya Salmanzadeh, James Napier, Kim Petras, Omar Fedi, and Samuel Smith. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Pop. 19 pages. Jacob Klingsten #868253. Published by Jacob Klingsten (A0.1276535). Unholy by Sam Smith ft. Kim Petras is a catchy, lusty, and unusual-sounding song about revealing truths. This arrangement is for SATB Acapella groups and is split into 5-part divisi harmony (SATBB). While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one.In addition, the dissonance, varied articulation, and syncopated rhythms throughout the piece make for a difficult, but highly rewarding performance. Any slash before text (such as /ah) notifies the performer to sing that note with a glottal strike.This arrangement was commissioned for UpTempo Acapella at Luther College. Additional Details:Key: C# minor19 PagesLength: 2m 36sRange (All Parts): D2-F#5.
Unholy
Chorale SATB
Sam Smith Feat Kim Petras
$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Smith, and Steve Mac. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Singer/Songwriter. 16 pages. Jacob Klingsten #934182. Published by Jacob Klingsten (A0.1349490). Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). Additional Details: Key: B major 16 Pages Length: 2m 50s Ranges: Solos 1/2: F#3-G#5 Soprano: C#4-D#5 Alto: A#3-F#4 Tenor: F#3-C#4 Bass: F#2-F#3 (optional notes between B1 and E#2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
Who We Love
Chorale SATB
Sam Smith
$2.49 2.12 € Chorale SATB PDF SheetMusicPlus






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