SATB choir, soloist (a cappella) - Moderately Easy to Medium - Digital Download SKU: MQ.50-8830-E Composed by Marilyn Biery. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-8830-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8830-E). Text proclaims longing of soul for God's kingdom and triumphant passage into Canaan. Choir answers soloist's acclamations with plaintive petitions ofCouldn't hear nobody pray. Spiritual setting.

SATB choir, horn in F, and piano (Instrumental Parts include: Horn in F, Treble Instrument in C (High or Low) and B-flat) - Moderately Easy - Digital Download SKU: MQ.50-6192-E Composed by Terre Johnson. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-6192-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6192-E). English.In this original music set to the familiar text, the words flow in a wonderfully expressive and natural fashion. The French horn adds a lyrical counterpoint of rising notes to evoke the hope and comfort of the hymn. Treble Instrument in C or B-flat (high or low) may also be used. The accompaniment is intended for piano, but is not so idiomatic that it couldn't be adapted for organ without a lot of stress.

SATB choir/Solo with optional Full Orchestra (With Optional Full Orchestra) - Intermediate - Digital Download SKU: LX.10-1904M Composed by Kenn Mann. Sacred Anthem. Octavo. 12 pages. Monarch Music #e10/1904M. Published by Monarch Music (LX.10-1904M). UPC: 000308041187.Instruments: Flute, Clarinet, Oboe, Bassoon, 3 Trumpets, 2 horns, 2 Trombones, tuba, violin 1 & 2, viola, cello, contrabass, Timpani, Percussion, harp & string reduction Perf/Accp Ct:99/1207M Rich choral harmonies fill this tender ballad in an expression of ChristAEs love for all.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.829361 By Cee Lo Green. By Ari Levine, Bruno Mars, Philip Lawrence, and Thomas Calloway. Arranged by Lyndell Leatherman. Contemporary. Octavo. 14 pages. Leatherman Music Services #5824923. Published by Leatherman Music Services (A0.829361). Sorry I'm a little late to the party, but from 2010 here is a transcription of the epic Gwyneth Paltrow performance on Glee, arranged here for choir and piano plus optional rhythm section. (At the back of the octavo is a separate rhythm chart.) The mp3 is a quick computer-generated demo since I couldn't access the mp3 of the cast recording. But you can watch and listen here: https://www.youtube.com/watch?v=EIBPmkgbJQI

Choral Choir (Mixed) - Digital Download SKU: A0.1007047 Composed by Johnson Gao. Concert,Contemporary,Film/TV,World. Octavo. 12 pages. Johnson Gao #6411899. Published by Johnson Gao (A0.1007047). Li Bai (A.D.701-762) of Tang Dynasty has written a poem of 20 Chinese characters called as �夜�, or, Quiet Night Thoughts (Nostalgia) in English. The poem is very famous in China and in Japan. Up to date 1314 years have passed. But, very few composers had ever made the song for that poem. Then, Johnson Gao composed a song for it on May 16, 2016. He further enlarged it to 8 voices and made the Karaoke (�拉OK) for you to try. �夜� �白 (公元701~762) 床�明月光, 疑是地上霜。 舉首望明月, (抬頭望明月,) 低頭�故鄉。 Quiet Night Thoughts by Li Bai (A. D. 701~762) Translated by Johnson Gao (English translation by Johnson K. Gao) The bright moonlight is casting over the floor before my bed. It seems to me as like as the frost spreading on the ground. When I raise my head and stare at the bright moon, Bowing my face, I couldn't help thinking of my hometown.

SATB chorus - Digital Download SKU: C7.CGE216 Composed by Traditional Spiritual. Arranged by arr. Victor C. Johnson Traditional Spiritual. General, Spiritual. Sing! With Optional solos. Octavo. 8 pages. Chorister's Guild - Digital #CGE216. Published by Chorister's Guild - Digital (C7.CGE216). Schram's tender, captivating pairing of the traditional English carol, The Coventry Carol and the traditional Polish carol, Infant Holy, Infant Lowly presents a picturesque lullaby to the Child of Christmas. Whether performed in a school or church setting, this beautiful piece will provide a welcome moment of quiet reflection and introspection.

Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1133980 By John Martyn. By John Martyn. Arranged by Edward Randell. A Cappella,Folk,Pop,Singer/Songwriter,Wedding. 9 pages. Edward Randell #734095. Published by Edward Randell (A0.1133980). A beautiful downtempo soul interpretation of John Martyn's classic love song, adapted from an arrangement originally written for The Swingles. This version is for SSAATTBB a cappella voices, with the optional addition of vocal percussion.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702244 Composed by Kevin G. Pace, Edgar A. Guest. Folk,Traditional. Octavo. 10 pages. Kevin G. Pace #5985423. Published by Kevin G. Pace (A0.702244). A really fun choral work for SATB choir and three pianos.  The text is the classic poem by Edgar A. Guest. 

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.965295 Composed by African American Spirtual. Arranged by Boyd E. Gibson. Christian,Sacred,Spiritual. Octavo. 9 pages. Boyd Eugene Gibson #4755999. Published by Boyd Eugene Gibson (A0.965295). This arrangement pays homage to some of the earlier styles of arranging spirituals while incorporating some newer styles as well. I will be a favorite for your choir and audiences.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1011001 Composed by Timothy Lopez. Baroque,Contemporary,Romantic Period. Octavo. 1 pages. Timothy Lopez #2951497. Published by Timothy Lopez (A0.1011001). It's time for the annual purge and this is the year to stop it. A group of freedom fighters collect those against the purge and make a run for it. The freedom fighters do everything possible to protect their followers. They withstand a night in the middle of nowhere fighting off the wilderness and the few purgers who slipped into the group. When they arrive back to civilization they are heartbroken to see that their runaway wasn't enough to prevent the city from falling along with the innocent lives who couldn't make it out. This is a hymn for the fallen, this is a hymn for the collapse of civilization.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.

Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1517275 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Andrew Montano. A Cappella,Pop. 14 pages. Andrew Montano #1091453. Published by Andrew Montano (A0.1517275). 9-Part DivisiSolo 1 (Alto/Mezzo)Solo 2 (Mezzo/Soprano)SSA (3-Part split)TenorBaritone Bass (2-Part Split)On May 22, 2017, in Manchester, England, Ariana Grande performed at the Manchester Arena with an estimated gathering of 14,000 people. At 10:31 p.m., as fans began leaving the concert through the City Room, an explosion detonated leaving thousands injured and twenty-three dead, including the suicide bomber.Grande was devastated from the trauma and took a hiatus from performing. She felt responsible protecting her fans and was ashamed she couldn't prevent the attack.Upon breaking her silence, Grande announced her new single, No Tears Left to Cry, accompanied with album art of Grande's side profile, upside-down text, and a streak of rainbow across her eye. If there are stormy skies, then there's a chance a rainbow will appear. Rainbows symbolize hope and optimism, which explains why the rainbow can be found near her eye.In the music video, Grande travels around locations in various camera angles, which disorients the viewer and gives no indication where the solid ground is. Video director Dave Meyers explains, We sort of explore the ambiguity of whether we need to find the ground or the ground is just what you make of it. It relates to the optimism in her song.This song is a reflection of the past and coming out stronger than before. Throughout life, there are many moments we may experience such as grief, trauma, abuse, neglect, etc. We all have our own personal struggles, and No Tears Left to Cry promotes a self-uplift that things do and will get better.