Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.828298 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Anna Shields. Christian,Gospel. Octavo. 12 pages. Anna Shields of Starling Arts #5290377. Published by Anna Shields of Starling Arts (A0.828298). Choral arrangement of You're the VoiceArranged for 4 parts: Soprano, Alto 1, Alto 2 and Baritone.Perfect for school ensembles and community choirs without large numbers of lower voices.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516501 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501). Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Digital Download SKU: A0.828300 Composed by Emily Garsin, Anna Shields. Arranged by Anna Shields. Children,Graduation,Holiday,Musical/Show,Pop. Octavo. 25 pages. Anna Shields of Starling Arts #5354447. Published by Anna Shields of Starling Arts (A0.828300). Choral arrangement of The Voice Inside, written for the Starling Arts choirs by Emily Garsin & Anna Shields.Arranged for 5 parts: Soprano 1, Soprano 2, Alto 1, Alto 2 and Tenor/Bass.Perfect for school ensembles and community choirs without large numbers of lower voices.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408392. Published by Sandra Milliken (A0.774738). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,� from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

SATB Chorus - Digital Download SKU: C6.831094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Celebrating Grace - Digital #831094. Published by Celebrating Grace - Digital (C6.831094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.721548 Composed by Thomas Bateman. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Octavo. 4 pages. Music-Scores.com #4762529. Published by Music-Scores.com (A0.721548). If Love be Blind, an old English Madrigal: Quartet arranged for Voice (Soprano, Alto, Tenor and Bass).Playing Time 1 minute 20 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com

Vocal Solo,Voice - Digital Download SKU: A0.724005 Composed by Georges Bizet. Arranged by Renato Tagliabue. Opera,Romantic Period. 1 pages. Renato Tagliabue #3422689. Published by Renato Tagliabue (A0.724005). Listen to the MP3 on the product page----

Alto Voice,Vocal Solo - Digital Download SKU: A0.724004 Composed by Georges Bizet. Arranged by Renato Tagliabue. Opera,Romantic Period. 1 pages. Renato Tagliabue #3422687. Published by Renato Tagliabue (A0.724004). Listen to the MP3 on the product page----

Composed by Paul John Rudoi. Spiritual. National Collegiate Choral Organization Choral Series. General. 17 pages. Duration 3 minutes, 30 seconds. Published by E.C. Schirmer Publishing (MQ.1.3465-E). - - General - E.C. Schirmer Publishing