Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.991638 Composed by Margaret Woodley. A Cappella,Concert,Contemporary. Octavo. 7 pages. Margaret Woodley #4634177. Published by Margaret Woodley (A0.991638). My setting for 6 men's voices (2x countertenors, 2x tenors, baritone, bass) of the poem Listening by Amy Lowell (1874-1925). A capella. Length: 4mins.

Tenor Voice - Level 1 - Digital Download SKU: A0.1310356 By Renato Tagliabue. By Anton Bruckner. Arranged by Renato Tagliabue. Christian. Full Performance. Duration 122. Renato Tagliabue #899413. Published by Renato Tagliabue (A0.1310356). .

Choir,Tenor Voice - Digital Download SKU: A0.1066215 Composed by Michelangelo Grancini 1605 - 1669. Christian,Renaissance,Sacred,Spiritual. Full Performance. Duration 115. Renato Tagliabue #3629573. Published by Renato Tagliabue (A0.1066215).

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.575822 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 8 pages. David Warin Solomons #2028477. Published by David Warin Solomons (A0.575822). Setting for four equal voices in close harmony of a black humour poem by Gavin Ewart describing the distress of the brain as the cells die out under the influence of alcohol. The pdf file contains 4 versions: - the original in treble clef for low altos, - the original in tenor clef for high tenors - a version up a fifth for high voices (tenors or sopranos) - a version up a second for altos/mezzos or baritones The sound sample is the composer's own performance of the low alto version.

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516502 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 15 pages. Santino Cara #11373. Published by Santino Cara (A0.516502). Act 2, Scene I., for solo Bass voices, Male chorus of Tenors and Basses, and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the Bass voice and the part for chorus Scenes: Scene I. Chorus of Ambassador E' dunque vero? Roles of the characters: Acciano, tyrant of Antioch (Bass) Chorus of Ambassadors (Tenors and Basses).

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516501 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501). Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575829 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 4 pages. David Warin Solomons #2028493. Published by David Warin Solomons (A0.575829). Setting for three equal voices of a blackly comic poem by Gavin Ewart about the hangover effects of alcohol as compared with advertising's positive angle on the product. The music, in canon form, is descriptive of a hangover, and its effect suggests that the alcohol spirit is also a mocking spirit in the ghostly sense of the word. The pdf file contains versions for three sopranos, three altos, three tenors and three basses The sound sample is performed by the composer in the alto version. Video: https://www.youtube.com/watch?v=r6SF28IoBp0

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581). This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575608 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 8 pages. David Warin Solomons #2026283. Published by David Warin Solomons (A0.575608). After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779512 Composed by Kim Kirkman. Pop. Octavo. 11 pages. Kim Kirkman #5022741. Published by Kim Kirkman (A0.779512). The Colour of Your Voice originally sung by The Ten Tenors. Composed by Kim Kirkman.Here arranged for SATB choir and piano. The soprano parts sometimes splits into S1 and S2Ranges standardA beautiful song about how even though the features of our loved ones change through the years the colour of their voice stays the same.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James Weldon Johnson, John Rosamond Johnson. Arranged by MistressPianist. 20th Century,Spiritual. Octavo. 11 pages. Leah Anteneh #5895423. Published by Leah Anteneh (A0.893896). Lift Every Voice And Sing SATB Choral, with a more classical feel. This piece is meant for mixed voices with divisi in the Alto and Tenor part (although divisi is optional).Comes with Piano Accompaniment as well, no additional charge!Perfect for school choirs/church choirs and other educational purposes. In honor of Black History Month as well as Juneteenth.Duration of the work is roughly 2 minutes and 40 seconds to 3 minutes.Vocal Ranges for each part: (low-high) Soprano: G#3-C#5Alto: G#3 - C#5Tenor: C#3 - E4Bass: E2 - C#4(Can be requested to be in a higher key!)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719630 Composed by Curtis Hanson. Contemporary. Octavo. 19 pages. Curtis Hanson #43561. Published by Curtis Hanson (A0.719630). Don't let the title fool you. It might look like a sacred piece on a Latin text, but focus on the last two syllables and you'll have the grounds (pun intended) for this comic piece. All performers can have some fun making this a visual as well as aural delight. This setting is arranged for SATB chorus, piano, and alto and tenor sax, but it is also available for mixed voices alone, mixed voices with one sax, and for treble voices.

Choral Choir (SATB) - Digital Download SKU: A0.828300 Composed by Emily Garsin, Anna Shields. Arranged by Anna Shields. Children,Graduation,Holiday,Musical/Show,Pop. Octavo. 25 pages. Anna Shields of Starling Arts #5354447. Published by Anna Shields of Starling Arts (A0.828300). Choral arrangement of The Voice Inside, written for the Starling Arts choirs by Emily Garsin & Anna Shields.Arranged for 5 parts: Soprano 1, Soprano 2, Alto 1, Alto 2 and Tenor/Bass.Perfect for school ensembles and community choirs without large numbers of lower voices.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,� from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com