Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1294465 Composed by Lucy Simon and Marsha Norman. Arranged by Julie Hinton. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show,Praise & Worship. 9 pages. Red Tape Productions #884829. Published by Red Tape Productions (A0.1294465). SATB with piano accompaniment.  This lush arrangement features a rotating melody line throughout all four parts, though the altos get featured more than the others.  The other parts give a variety of rhythmic backings while the piano keeps a dense pulse steady.  Everyone comes together in more traditional choral harmonies for the final verse.  Great for theatrical groups, show choirs and community choruses.  Also available in 8-part mixed acapella.

By Greg Gilpin. For SATB choir divisi (a cappella) (with optional solos for all parts). Concert. Choral score. Published by Heritage Music Press

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1031089 Composed by Composed by DeWayne Adcock. A Cappella,Christian,Sacred. Octavo. 7 pages. Hold Steady Print Publishing #2949797. Published by Hold Steady Print Publishing (A0.1031089). A reverent a capella SATBB that can be used for sacred or school choir, Ora Sancta Trinitas combines a simple prayer with complex dissonances and chord structures that will challenge the singer and move the listener.  Intermediate to difficult.

Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.