Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.943136 Composed by Reis Luke Aquino. Christian,Contemporary,Easter,Sacred. Octavo. 23 pages. Reis Luke Aquino #4320921. Published by Reis Luke Aquino (A0.943136). This piece was conceptualized for the Holy Innocents Episcopal Church (Baguio City, Philippines) for the Good Friday service. The text comes from a set of short poems by Ms. Nava Faith Bawayan evoking short personal impressions and reflections on each of the traditional last seven words of Christ. The music are short musical impressions in a semi-contemporary (avant-garde) style, scored for an SATB choir, Tenor and Soprano Soloists and Piano. It features call and response passages between the soloists and the choir, short canons, and easy chord clusters for certain effects. The composer has considered these especially for choirs who are immersed in the Hymn singing tradition but are expanding into a more contemporary style of music.1. Father Forgive them2. You will be with me in Paradise.3. Woman, Behold your son!4. My God, my God, Why have you forsaken me?5. I Thirst6. It is Finished7. Father into your handsVideos here:https://www.facebook.com/hiecchoir/videos/1866208853398362/https://www.facebook.com/hiecchoir/videos/1866283680057546/https://www.facebook.com/watch/?v=1866289593390288https://www.facebook.com/watch/?v=1866294370056477

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1513010 By Marianas Trench. By Anami Vakil and Josh Ramsay. Arranged by Andrew Montano. A Cappella,Pop. 18 pages. Andrew Montano #1087895. Published by Andrew Montano (A0.1513010). 7-Part DivisiTenor (Solo)SopranoAlto 1Alto 2Tenor 1BaritoneBassPop 101 is a culmination of tropes and cliché trends taken from modern pop music. Other inspired genres include EDM, Folk, Hip Hop, & Pop Rock.Throughout the piece, every page contains a reference to modern pop fundamentals such as patterned chord progressions, utilizing 808 percussion, celebrity impressions (Kesha, Lil' Jon, DJ Khaled, etc.), referencing song styles, (Justin Timberlake's SexyBack or Imogen Heap), generic lyricism, and so on. The last couple pages are open for experimentation. Encourage sections to create their own dialogue, onomatopoeia, or musical ideas before and after the bass drop. The main goal of this song is to have fun and embrace its satirical nature.