Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.976122 Composed by Christine Malone Kline. Christian,Christmas,Holiday,Sacred. Octavo. 4 pages. Kline Studios #4915. Published by Kline Studios (A0.976122). Mary Said Yes to God is a beautifully simple piece that honors the story of Mary the Mother of Jesus, and her constant devotion to God. Written as a unison choral work with an optional harmony, this piece is appropriate for choirs of any age group. This arrangement is presented in the key of G Major, or High Voice. Mary Said Yes to God is perfect for the months of December and May, for May Processions or for any Mary celebration during any time of year. Whether in a church, school or secular setting Mary Said Yes to God speaks to everyone. Mary Said Yes to God is also available as a choral anthem in the keys of F Major (Medium Voice), D Major (Low Voice) and as a solo arrangement in the keys of G, F and D Major.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.998729 Composed by Robert A. Howard. 21st Century,Christian,Praise & Worship,Sacred,Wedding. 8 pages. Robert A. Howard #5310911. Published by Robert A. Howard (A0.998729). This is a joyous verse anthem in a melodic folk-like idiom for general use in worship, weddings and concerts. It begins with a solo voice verse, before developing through a series of imitative choral variations. The piece passes through a sequence of distantly-related keys that represent Mary's challenging journey and culminates in an affirmative final verse with quasi descant, extended into a rapturous coda. The text is in English, by John Raphael Peacey. This work is appropriate for virtually any standard and size of 4-part choir, including school, student, community, church and cathedral choirs. The accompaniment can be on organ or piano. Versions of this piece for SA choir, and for solo/unison voices, are also available via Sheet Music Plus.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1304530 Composed by Lloyd Buck. Advent,Christmas,Early Music,Latin,Sacred. 3 pages. Lloyd Buck #893998. Published by Lloyd Buck (A0.1304530). Dixit Maria was written for Portishead Summer Singers in 2006 to be premiered in a service of Nine Lessons and Carols. The Latin text translates as:Mary said to the Angel: Behold, I am the handmaid of the Lord, let it be done to me, according to your word.The work is written in four parts, but splits into eight for a short section. It is based around the key of F# major, but modulates to other keys, some of which are unexpected. There are two big climaxes, and the music dies away at the end as Mary understands the meaning of the angel's words. Dixit Maria takes inspiration from the intricate and rich textures of the Renaissance era, while infusing it with the harmonic depth and complexity of more contemporary music.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1047326 Composed by M. Durham, Samuel Stennett, and The Sacred Harmony. Arranged by Mark R Lewis. A Cappella,Folk,Praise & Worship,Sacred,Spiritual. Octavo. 12 pages. Mark R Lewis #651883. Published by Mark R Lewis (A0.1047326). Bound for the Promised Land was a very popular revivalist spiritual in 19th century America. The text was written by Samuel Stennett in 1787 and the tune, popularized by the hymnbook The Sacred Harmony, was written by M. Durham in 1835. The text focuses on the singer's desire to get to the Promised Land. This version was arranged for a cappella SATB Ensemble by Mark R Lewis. All parts get a chance at the melody and there are several interesting key changes. Also available for TTBB Ensemble. The available sound samples come from this arrangement Vocal Range: Keys of D minor, Eb minor, and E minor Soprano - 1+ octave (C4 to Eb5) Alto - 1+ octave (Bb3 to D5) Tenor - 1+ octave (C3 to E4) Bass - 1 1/2 octaves ([opt. E2] A2 to E4).

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1347097 Composed by Carrie Wickens. Arranged by Carrie Wickens. Advent,Christian,Christmas,Praise & Worship,Sacred. 7 pages. Carrie Wickens #931879. Published by Carrie Wickens (A0.1347097). The Promised Son is an original Christmas SATB piece by Martin and Carrie Wickens. The text references Jesus as Son of Abram, David, Mary, Son of man and Son of God.Range: Bass F to treble D, using a moderate range for a volunteer choir. Keys: C and D.

SATB chorus and piano/chamber orchestra - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193535855. Published by Oxford University Press Digital

Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download SKU: A0.1512147 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham, Joseph Smith. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1087188. Published by Kevin G. Pace (A0.1512147). An epic, inspiring sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham, Kevin Pace and Joseph Smith.  Inspired by the verses in Doctrine and Covenants 128:19-24.Text:What do we hear in the gospel received?Voices of gladness, returned from the grave,Voices of prophets restoring all keys.Rejoice all ye mountains, ye valleys and trees!Cry out all ye deserts and sing all ye seas!Hope is confirmed through the priesthood of pow'r,Blessed by God's servants in this final hour.Let all the dead sing forth anthems of praise,Redeemed from their prisons, redeemed from malaise.A House of The Lord once again has been raised!Heavenly voices resound in our ears:Glory, salvation, and unending years!All of creation forever shall tellOf Jesus, the Savior, King Immanuel.One day, He'll return and with Him we shall dwell.Until that day, shall we not give our all,Aiding the work that redeems from The Fall?Paving the way to a covenant path,Our dead saved from darkness; our dead saved from wrath.We'll then share the joy that our dear Father hath.

Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.828711 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque. Octavo. 28 pages. Guido Menestrina #432023. Published by Guido Menestrina (A0.828711). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=Xjqhsbh9lzs or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-1-kyrie Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #443117. Published by Guido Menestrina (A0.828712). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=pfVI-p4AhUk or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-2-gloria Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass. Info: info@guidomenestrina.it.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774768 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #6021497. Published by Sandra Milliken (A0.774768). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1403575 Composed by Cameron Keys. Arranged by Mark Hayes. 21st Century,Celtic,Irish,Multicultural,World. 14 pages. Cameron Keys #986297. Published by Cameron Keys (A0.1403575). This is a choral arrangement with an Irish flair. Describes the atmosphere in Irish/Sottish pubs. The whole family goes and meet their neighbors and friends.  The lyrics are also perfect for many choirs coming out of Covid where they couldn't meet and share with their friends.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.918908 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christmas,Holiday. 18 pages. Jubal's Lyre Music Publishers #6623465. Published by Jubal's Lyre Music Publishers (A0.918908). Your choir will enjoy this inventive and stirring setting of the great Latin Advent/Christmas hymn Veni, Veni Emmanuel (O Come, O Come Emmanuel). The complete Latin text is set to music. Besides the choral score, notes and a separate keyboard part are included. An English edition is also available. Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed acapella, with keyboard, or with instruments. The instrumental parts are published separately as Fantasia on O Come, O Come Emmanuel in the following editions: String Quartet, String Ensemble, and Woodwind Quintet. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), both available in English or Latin. For more music and information visit

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.918907 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. A Cappella,Advent,Christian,Christmas,Holiday. 18 pages. Jubal's Lyre Music Publishers #6623403. Published by Jubal's Lyre Music Publishers (A0.918907). Your choir will enjoy this inventive and stirring setting of the great Advent/Christmas hymn O Come, O Come Emmanuel (VENI EMMANUEL). Besides the choral score, notes and a separate keyboard part are included. A Latin edition is also available. Composed in a Neo-Renaissance style, it sets all seven verses modulating into four keys while passing the melody from voice to voice before concluding with sudden and surprising key changes that lead to a powerful cadence on the altered note of the Picardy third. It may be performed acapella, with keyboard, or with instruments. The instrumental parts are published separately as Fantasia on O Come, O Come Emmanuel in the following editions: String Quartet, String Ensemble, and Woodwind Quintet. This motet is the first of Three Motets on Latin Christmas Hymns. The other two motets are Of the Father’s Love Begotten (CORDE NATUS EX PARENTIS) and O Come, All Ye Faithful (ADESTE FIDELIS), both available in English or Latin. For more music and information visit www.jubalslyre.com/music.