Choral SATB Chorus - Digital Download SKU: H1.C5367DP Arranged by Mark Kellner. Piano Accompaniment. Hymntune, Hymn Arrangements, General Worship, Commitment, Devotion, Love, Adoration & Praise. Octavo. 8 pages. Hope Publishing - Digital #C5367DP. Published by Hope Publishing - Digital (H1.C5367DP). Joshua:22:5 - Psalms 18:1 - Deuteronomy:11:1 - Deuteronomy:11:13 - Deuteronomy:11:22 - Deuteronomy:19:9.Tune from Christian Harmony Arranger Mark Kellner looks back to the Sacred Harp tradition with this setting of a tune from Christian Harmony, a compilation of shaped-note songs from 1805. This arrangement approximates the flavor of this unique style, emphasizing that all parts be sung with gusto and a fairly stright tone. The overall effect is a strong, bracing declaration of praise.

Harp SKU: LO.30-1858S A Christmas Cantata for SATB and Narrator with Harp and Organ. Composed by Robert Hebble. Choral, cantatas. Christmas, Sacred. Harp part. Duration 35 minutes. Sacred Music Press #30/1858S. Published by Sacred Music Press (LO.30-1858S). UPC: 000308072365.We proudly offer a dramatic, appealing and accessible cantata celebrating the birth of Christ, as seen through the eyes of the elderly patriarch, Simon. The work opens with a gentle and ravishing prelude based on Joseph Dearest, Joseph Mine, performed by organ and harp alone. The narration by Jason Doyle Fairbanks is highly original, but firmly based in scripture reference. The score is filled with well-crafted and exciting arrangements of hymns and carols, climaxing with a joyous, sweeping setting of Adolphe Adam's famous O Holy Night. Other carols include The Snow Lay on the Ground, Coventry Carol, Silent Night, From Heaven Above to Earth I Come and He Is Born. Performance time: approximately 35 minutes.

Choral SATB choir with optional Flute & Harp - Digital Download SKU: H1.C5571DP Composed by Vicki Tucker Courtney. Piano with Optional Flute & Harp. Lent, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5571DP. Published by Hope Publishing - Digital (H1.C5571DP). J. Paul Williams. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthwe:26:41 - Matthew 26:42 - Mark 14:32 - Mark 14:33 - Mark 14:34 - Mark 14:35 - Mark 14:36 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke.Original Anthem Perfect for Maundy Thursday, this stirring anthem depicts the events from Matthew 26 as Jesus prayed in the garden with his friends at his side. J. Paul Williams' words and Vicki Tucker Courtney's original music combine to portray this familiar story in a passion-filled musical setting, as Jesus accepted his Father's will and was betrayed even in the midst of what was a peaceful scene. The last line of the piece speaks of the Garden not as a place of struggle, which it was, but also as a place of victory. The optional harp part adds an element of beautiful serenity and power, building throughout. The reproducible flute part is included in the anthem.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.749821 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Sacred. Octavo. 8 pages. Evelyn R Larter #3450247. Published by Evelyn R Larter (A0.749821). This is an arrangement of the familiar hymn to Cleburne, a lively tune from the Sacred Harp tradition. The middle verses are set as a round, and it eventually transitions to the usual tune, Coronation, for the last verse. The optional trumpet part and the triumphant conclusion make this anthem suitable for services of celebration, as well as general worship services. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music.

SATB choir, Piano (With Optional Trumpet) - Digital Download SKU: LX.10-5190L Arranged by Mark Hayes. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5190L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5190L). ISBN 9780787762384.This traditional American hymn from The Sacred Harp is filled with joy and confidence in the return of Christ. Mark Hayes has crafted a lively, multi-faceted arrangement with strong choral parts, a sparkling accompaniment for piano, and of course, trumpet!

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #2027759. Published by Paul A. Jorg (A0.522294). The following scriptures support the fact that God is a musician. He not only composes, but He SINGS! God composed a song which He gave to Moses to teach the children of Israel - The Song of Moses. Deut. 31:19 Now write down for yourselves this song and teach it to the Israelites and have them sing it....... The first lines of the song go like this: Deut. 32:1-4 Listen, O heavens, and I will speak; hear, O earth, the words of my mouth. Let my teaching fall like rain and my words descend like dew, like showers on new grass, like abundant rain on tender plants. I will proclaim the name of the LORD. Oh, praise the greatness of our God! He is the Rock, His works are perfect, and all His ways are just. A faithful God who does no wrong, upright and just is He. This song will be sung by the redeemed in heaven! Revelation 15:2,3 And I saw what looked like a sea of glass mixed with fire and, standing beside the sea, those who had been victorious over the beast and his image and over the number of his name. They held harps given them by God and sang the song of Moses the servant of God and the song of the Lamb: Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages. AND GOD SINGS! Zephaniah 3:17: The LORD your God is with you, He is mighty to save. He will take great delight in you, he will quiet you with his love, He will rejoice over you with SINGING. I WANT TO BE THERE TO HEAR GOD SINGING UP IN GLORY!

Composed by Sacred Harp Hymn. Arranged by Michael Ware. Christian, Sacred, Praise & Worship, General Worship, Americana. Octavo. 16 pages. Published by MusicWare Press

Choral Choir (SATB) - Digital Download SKU: A0.749826 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Octavo. 7 pages. Evelyn R Larter #3543723. Published by Evelyn R Larter (A0.749826). This is a setting of a text and tune from the Early American hymnbook The Sacred Harp (1815) which powerfully describes the incident of the thief on the cross to whom Jesus promised a home in Paradise. For SATB, flute or violin and piano, it is suitable for Communion services and during Lent. More information on my music may be found on my website, www.evelynlartermusic.com or on my Facebook page for Evelyn Larter Music

Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.980870 Composed by Richard N. Shorten. Christian,Gospel,Praise & Worship,Sacred. Octavo. 5 pages. Shorten Studio Utah #4767601. Published by Shorten Studio Utah (A0.980870). Get up and sing! Celebrate the Father, Son, and Holy Ghost with this rousing number.for SATB choir and piano. With the piano playing,the congregation could join in singing the melody. This work has a bit of an Americana feeling to it like Sacred Harp music.

By The Sacred Harp and J.P. Reese. Arranged by Stan Pethel. SATB. Sacred. Choral. 5 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clàrsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clàrsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clàrsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.