Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #5025913. Published by envangeli (A0.909976). Sing Glory Hallelujah - Anthem - Score (A3)A universal praise anthem for most denominations and for all times of the year.To be performed by a full orchestra and two choirs. The larger, the better.In section A almost a marching rhythm is started by the contrabasses and cellos with an underlying drone sound from the synthesizer.In section B one alto flute begins with the verse.In section C the altos of the SATB 1 choir sing the verse.In section D the bass pattern changes slightly and the sopranos and altos sing together with an echo by the tenors+basses, then the SATB 1 choir sings in unison.4 Bars before section E the bass pattern changes completely, the SATB 2 choir and more instruments join in and in section E the SATB 1 choir sings the chorus of the piece.In section F more instruments join in and finish in a magnificant chord that plays 4 bars and reverb afterwards in another 4 bars rest.In section G the bass line returns to the first theme and the verse is sung again by the SATB 1 choir with the alto flutes playing a counter melody.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779512 Composed by Kim Kirkman. Pop. Octavo. 11 pages. Kim Kirkman #5022741. Published by Kim Kirkman (A0.779512). The Colour of Your Voice originally sung by The Ten Tenors. Composed by Kim Kirkman.Here arranged for SATB choir and piano. The soprano parts sometimes splits into S1 and S2Ranges standardA beautiful song about how even though the features of our loved ones change through the years the colour of their voice stays the same.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1008093 Composed by Connie Pwll Walck Tyler. Concert,Contemporary,New Age,Sacred,World. Octavo. 19 pages. Connie Tyler #4884389. Published by Connie Tyler (A0.1008093). This work for SATB, Marimba, French Horn and drums can be performed substituting a piano for the Marimba, or using an electronic keyboard, if the instrumentation is hard to come by. In the attached .mp3 it is sung by Matthew Curtis to an electronic recording of the instruments. Contact connie@deephum.com to obtain an electronic recording of the instrumentals. The song is one of many found in the novel, The Earth Woman Tree Woman Quartet, also written by Connie Pwll Walck Tyler. It is a call for people to see themselves as part of the whole earth, to join the Dance of Life, the central metaphor of the novel. It opens with a haunting call by the French Horn, and then the tenors, before the drums, marimba, and the other voices join. There is a soprano descant at measure 71 that can be sung as a solo. Peace, peace, laughter and dance, joy and life for us all. Sing your tears, sing your fears.... The piece is about four minutes long. The words are:Arise! Arise!Open up your heart.Open up your heart to the Dance of Life!Arise! Arise!Open up your eyes. Open up your eyes,Arise! Arise!See the world in the Dance of Life.Beat your feet to the beat of your heart.Dance the Dance of Life.Peace, peace, laughter and dance,Joy and life for us all.Sing your fears, sing your tears,Sing oppression through the years,Peace and justice for us all.Peace, peace, laughter and dance,Joy and life for us all.Joy and life for us all.Wake up and open up your heart to life.Wake up and see the world with compassionate eyes.Sing out and open up your heart.Sing out and open up your lives! Join the Dance of Life!Dance the Dance of Life!Arise! Arise!Open up your heart to the Dance of Life!Dance the Dance of Life! See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Octavo. 14 pages. Sophia Transistor #6626617. Published by Sophia Transistor (A0.851142). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Leise rieselt der Schnee = The Snow Falls Quietly / Softly falls the snow offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 3 verses- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/LSERuO8KMsUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Leise rieselt der Schnee beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); 4 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!#LeiseRieseltDerSchnee#Weihnachtsmusic#smppressmusic

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.851304). Starting with bars of 11 beats might raise a few eyebrows. However, this short setting of anonymous C15th words (as with many of my pieces) is intended to support the text, rather than be a nice tune with words shoehorned in.  What turns out to be a flowing opening line for the Sopranos (/ solo) leads into a simple refrain. Altos join for the second verse, still in unison, with a slightly elaborated 2-part refrain including duplets against 3/4. So on with the Tenors added in verse three and the Basses in verse four.  By verse five, some harmony is forthcoming, as is a brief division for the Sops. Although the nominal key rests in C minor and the refrains so far have resolved on a G major chord, the final chorus ends on a triumphant 8-part C major chord.A definite showpiece for an (at least) reasonably competent choir.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1382803 By Blur. By Damon Albarn, Dave Rowntree, Graham Coxon, and Steven James. Arranged by Abi Moore. A Cappella,Pop,Rock,Soul. 12 pages. Abi Moore #967230. Published by Abi Moore (A0.1382803). British arranger, Abi Moore, has given a sensitive acappella treatment to Blur's 1999 blues/gospel-drenched prayer for love- Tender.This version is for SSAATTB, with the tenors and basses taking the majority of the main tune. There is so much opportunity for light and shade and beautiful dynamics, from the gentlest, prayer-ful verses to the gut-wrenching, spirit-raising choruses and refrains. By the end, all seven parts are giving in to the anthemic longing, with the Sopranos adding some stunning, harmonised heal me adlibs in the final reprise. Drenched in a warm, rich, gospel tone and stylistic, scooped harmonies, this version is ideal for an intermediate challenge for mixed voice groups. To add another layer of challenge, see if your singers can attempt the body percussion in the video and Learning Tracks!http://www.acapellawithabi.comhttp://www.facebook.com/acapellawithabihttp://www.instagram.com/acapellawithabi.com.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1023073 Composed by Pauline Boston. Christian,Christmas,Sacred. Octavo. 8 pages. Pauline Boston #4643365. Published by Pauline Boston (A0.1023073). Part of the Christmas Story is the shepherds tending their flocks by night.  This interesting composition creates the impression that the tenors and basses are the shepherds and the sopranos and altos are the angels as it describes the shepherds' journey to find the Christ Child.  Full of meaning and beautiful chording, it can easily be performed as a tenor/bass duet using soloists, with other tenors and basses joining in on the tutti sections.  The song has several key changes and is mostly in a minor key, except for one section when the angels sing.  It can be a real show piece for your tenors and basses, and lends itself to the dramatic acting out of the scenarios.  Performance time is @ 5-6 minutes.

Choral Choir (SATB divisi) - Digital Download SKU: A0.881169 Composed by Public domain melody. Arranged by Boo Lewis. A Cappella. Octavo. 4 pages. Rebecca de Bruin #6503837. Published by Rebecca de Bruin (A0.881169). This eight part choral arrangement of 'The water is wide' (to the tune O waly waly) was written in August 2013 for a university a cappella group. The melody is mainly in the soprano part, apart from verse 2 where it is taken by the tenors. The arrangement moves from a melody line (which could be sung by a soloist rather than all the sopranos) over 'do do' backing, to a polyphonic second verse, before moving into a homophonic structure with minor splits in the alto and tenor parts and finally full eight part harmony in the fourth verse. The ranges and voice leading do not make this particularly challenging (although there is one high A in the soprano 1 part and the tenor 1 part and 1 low E in the bass part).Vocal ranges:Soprano 1: C#4 - A5 (C# above middle C to A above high C)Soprano 2: C#4 - E5 (C# above middle C to E above high C) Alto 1 and 2: A3 - C#5 (A below middle C to C# above high C)Tenor 1: C#3 - A4 (C# below middle C to A above middle C)Tenor 2: C#3 - F#4 (C# below middle C to F# above middle C)Bass 1: A2 - A3 (A below low C to A below middle C)Bass 2: E2 - A3 (E below low C to A below middle C)

SATB choir, cello, and piano - Moderately Easy - Digital Download SKU: MQ.50-3104-E Composed by Terre Johnson. Lent. Instrument parts. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-3104-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3104-E). English.This text from an old Southern folk hymn is given new original music in this anthem setting for SATB, cello, and piano. The piano part can easily be adapted to organ. The voice parts are accessible. The tenors and basses do sing a verse alone, but in unison to two parts. The sum total makes a sort of contemplative tapestry in which the cello moves in and out of the foreground and so do the voices. Set mostly in C minor, there is a middle section where the chorus sings wordlessly against the cello line and the emphasis shifts to E-flat major. Despite the despair in the text, there is also comfort and reassurance here.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1499965 Composed by Eric Idle and John Du Prez. Arranged by K Hingee. 21st Century,A Cappella,Broadway,Comedy,Contemporary,Musical/Show. 4 pages. Katrin Hingee #1076030. Published by Katrin Hingee (A0.1499965). From Monty Python's Spamalot, this song is just as ridiculous as you'd expect. Usually it's the soloists who get all the fun, but this a cappella arrangement has opportunities for the whole choir to join in on the joke, including altos getting picky about the key, tenors getting snarky about the Sir Galahad's high notes, and everyone being taken by surprise by the existence of a fourth page of music.Originally arranged for Away From Keyboard - a geek-themed choir based in Canberra, Australia.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1122872 By Matthew M Tang. By Matthew M Tang. Arranged by Matthew M Tang. A Cappella,Chamber. Octavo. 8 pages. Matthew M Tang #723836. Published by Matthew M Tang (A0.1122872). Here is my arrangement of Down by the Salley Gardens. It is arranged in a way so that everyone of all skill levels should be able to perform this piece. It starts with a Baritone Solo and expands to the full choir by the end of the first verse. The voices then travel through a journey of different keys through the use of mode mixture before slipping into D Major. The second verse starts in a similar way with the sopranos getting the melody and the altos with a harmony. It then proceeds to slowly adding in the tenors and basses. It then goes back to the Baritone Solo for the end of the song.

Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund.  The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows:     First sopranos: C4 through Bb5 (possibly G5);     Second sopranos: C4 through E5;     All altos: G3 through D5;     All tenors: C3 through G#4(possibly F#4);     First basses: F2 through D4;     Second basses: D2 through B3

SATB chorus divisi and soloist a cappella - Easy - Digital Download SKU: MQ.AHM-16-E Composed by Christopher Aspaas. 4 pages. Aspen Hill Music - Digital #AHM-16-E. Published by Aspen Hill Music - Digital (MQ.AHM-16-E). English.This introit drawn from the Byzantine tradition sets a text in Church Slavonic over a simple drone. A solo voice and aleatoric verse provide a unique set of textures to open any concert or worship and music event.This setting makes for an excellent introit or processional with the choristers either in performance position or in the round. Begin with the tenors and basses in drone on the given pitches on either a hum or pure vowel such as [u] or [É‘]. All sopranos and altos should sing the melody in unison once through, followed by a male soloist who should sing the melody from the back of the performance space and move forward as he sings. The third and final iteration of the melody should be the sopranos and altos singing through each phrase in an aleatoric style. After the final release, one could move directly into an anthem such as Tebye poyem of Rachmaninoff. The key of this piece should be adjusted to fit the needs of the ensemble and program.

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1514721 By Air Supply. By Candy Derouge, Gunther Mende, Jennifer Rush, and Mary Susan Applegate. Arranged by PACIS EUSEBE NDOLI NDAHIRO. A Cappella,Contemporary,Pop. 11 pages. PACIS EUSEBE NDOLI NDAHIRO #1089212. Published by PACIS EUSEBE NDOLI NDAHIRO (A0.1514721). This particular SATTBB arrangement for A Capella choir holds a special place in my Arranging journey. I still think to this day it's one of my personal favorites: It's creatively emulating the instruments on the original Jennifer Rush audio, plays with counterpoint in the middle voices (Tenors 1 and 2), recalls a few melodies from Harry Styles' As we were, and around the end, it's interesting to hear how the basses and the tenors re-create that vintage 80's ballad drum beats.I hope you find it fun as much as I did writing it.