Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Light�) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn� and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.� The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.� The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful  has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.

Choral Choir (SATB) - Digital Download SKU: A0.1003359 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3535885. Published by CantemusDomino.Net (A0.1003359). A setting of an antiphon text for the Common of two or more martyrs by Floriano Canali (c.1550–c.1630), transposed for SATB choir.A setting in the original key for STTB/ATTB choir is available.Total length: ~2:05Key: G majorMode: Mode VIRange requirements (middle C = C4):· Cantus [Soprano]: D4–D5· Altus [Alto]: F♯3–A4· Tenor: D3–G4· Bassus [Bass]: G2–C4Pages: 2 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation:The souls of the Saints rejoice in heavenwho followed the footsteps of Christ;and, because for his lovethey shed their blood,therefore they reign forever with Christ.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1003362 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 3 pages. CantemusDomino.Net #3535905. Published by CantemusDomino.Net (A0.1003362). A motet for the Common of Virgins and Martyrs for SATB choir by Floriano Canali (c.1550–c.1630).Total length: ~2:45Key: D DorianMode: Mode IRange requirements (middle C = C4):· Cantus [Soprano]: C4–D5· Altus [Alto]: F3–A4· Tenor: C3–F4· Bassus [Bass]: A2–C4Pages: 3 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation:After her shall virgins be brought to the king:her neighbours shall be brought to thee.They shall be brought with gladness and rejoicing.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1003376 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3536155. Published by CantemusDomino.Net (A0.1003376). A setting of the seasonal Marian antiphon traditionally sung from Feb. 2 until Wednesday of Holy Week by Floriano Canali (c.1550–c.1630), transposed for SATB choir.This setting is available in the originally notated key for STTB or ATTB choir.Total length: ~1:55Key: G majorMode: Mode VIRange requirements (middle C = C4):· Cantus [Soprano]: D4–E5· Altus [Alto]: F3–A4· Tenor [Tenor]: D3–E4· Bassus [Bass]: G2–C4Pages: two 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation:Hail, O Queen of Heaven enthroned.Hail, by angels mistress owned.Root of Jesse, Gate of MornWhence the world's true light was born:Glorious Virgin, Joy to thee,Loveliest whom in heaven they see;Fairest thou, where all are fair,Plead with Christ our souls to spare.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3579 Composed by G. Friedrich Wurzel. African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3579). They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus. Composed by G. Friedrich Wurzel. Published 1853 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. First line reads They've sold me down the river, and I must parted be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.762511 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Pop. 22 pages. Rowena Harper #6600135. Published by Rowena Harper (A0.762511). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Purchasing allows printing of one copy, and one copy per singer is required.Key = BbThis is a per copy price with a minimum order of 10 copies.  Tenors have been written in treble clef as per barbershop convention - this can be changed on request.Contact: acappellatenor@gmail.com.

They Can't Take That Away from Me - SATB. Composed by George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO- 0002304. Published by Alfred Music - Digital Sheet Music

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207403 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805569. Published by Márcio Silva (A0.1207403). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB voices a cappella and piano.With chords in the key of Ab.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207414 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805581. Published by Márcio Silva (A0.1207414). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords, in the key of Db.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207418 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805585. Published by Márcio Silva (A0.1207418). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords, in the key of F#.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207411 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805578. Published by Márcio Silva (A0.1207411). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords in the key of Cb.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207415 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805582. Published by Márcio Silva (A0.1207415). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords, in the key of E.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207406 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805572. Published by Márcio Silva (A0.1207406). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords in the key of Bb.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207417 Composed by Anonymous. Arranged by Márcio Silva. 19th Century,Easter,Religious,Sacred,Spiritual. Octavo. 8 pages. Márcio Silva #805584. Published by Márcio Silva (A0.1207417). Were You There (When They Crucified My Lord) is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.SATB choir, voices a cappella and piano.With chords, in the key of Eb.