Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1417980 By Dave Mason Cass Elliot. By David Mason. Arranged by Jeff Tincher. Contemporary,Folk,Pop,Rock,Singer/Songwriter. 9 pages. Jeff Tincher #999531. Published by Jeff Tincher (A0.1417980). This song takes me back to a time when music was simple, light, and enjoyable to listen to. In the original key from the self-titled Dave Mason & Cass Elliott lp. this was one of the first superstar duet teams to become popular. Why they didn't do a follow-up lp is beyond me. Duration = 2:16. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.585966 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Contemporary. Octavo. 11 pages. Jeff Tincher #6518317. Published by Jeff Tincher (A0.585966). Why they didn't release this song as a single is beyond me. This is a beautiful love song. In the original key from Steve Perry's For The Love Of Strange Medicine CD, this is one of Steve Perry's hottest love songs. Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1113306 Composed by Colin G Dance. Christian,Religious. Octavo. 12 pages. Dance is With Music #715245. Published by Dance is With Music (A0.1113306). This is the original choral version of this work – with piano accompaniment. I think it’s a very effective work, but sadly the Musical Director of the choir for whom it was written thought ‘the parts were too high’ and it was never performed. She may have been right about the alto part, but it was the way she said it after I presented her with 40 copies for her choir. Guess what? I didn’t write another thing for them, and no, I’m not telling you which choir it was, but they are from Exmouth in Devon and they were formed in 1997.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1494901 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Timothy Allen. Pop,Rock. 10 pages. Timothy Allen Music Ltd #1071460. Published by Timothy Allen Music Ltd (A0.1494901). This is one of the last songs that Freddie Mercury recorded before he died, and he wrote it whilst looking out at Lake Geneva, where Queen had a recording studio. He knew he didn't have long left, but his reflections in this song aren't melancholy - he writes of the things he can see out of his window, the beauty of the world, the fun that kids are having outside, and the simple joys of winter. The arrangement has some tricky rhythms, as it aims to stay pretty close to what Freddie sang. Aim for a conversational feel, with some freedom in the delivery, and it will become easier than mathematically working out all the cross-rhythms. Enjoy the big fall-offs - they're really fun!