Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.   Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound   Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.   Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.886430 Composed by Timothy R. Matthews. Arranged by Frederic Bacon-Shone. A Cappella,Christian,Christmas,Easter,Sacred. Octavo. 11 pages. Heather Bacon-Shone #2330207. Published by Heather Bacon-Shone (A0.886430). A very accessible and melodic arrangement of the familiar hymn for SATB choir with piano (or organ) accompaniment features several different voicings in the various stanzas, including unison choir, mens' and women's voices, an optional a capella section, and a final verse with descant. The descant part could also be doubled or performed by a solo instrument such as violin, flute, oboe, or horn. The arrangement is easy to sing and play and will make a wonderful addition to the repertoire for any church choir. Liturgical use: with verses focusing on various stages in the life of Christ, from nativity to Second Coming, this hymn is appropriate for commemorating any part of Christ's life, including Advent, Christmas, Palm Sunday, and Ascension Day.Your purchase benefits the Frederic Bacon-Shone Memorial Fund, a 501(c)(3) nonprofit that aims to inspire future generations of students through arts education at K-12 public schools.  Visit us at www.facebook.com/DrBMemorial.

SATB choir divisi, 2-part treble and/or children's choir, congregation, handbells (4 Octaves), brass quintet, piano, and organ - Medium - Digital Download SKU: MQ.50-5311-E Composed by Michael Burkhardt and William Runyan. Church Anniversary. Instrument part. 16 pages. MorningStar Music Publishers - Digital Sheet Music #50-5311-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5311-E). English.This setting of the well-known hymn will quickly become a favorite of choirs and congregations. The arrangement may be performed in its simplest version with piano and choir, or may be expanded to include brass, handbells, and children's choir. The congregation may also be involved and can sing from their hymnal, or using the downloadable congregational part.

Choral SATB Chorus - Digital Download SKU: H1.C5657DP Composed by William Runyan. Arranged by Joseph M. Martin. Piano with Optional Cello, Flute, French Horn, Violin. Hymntune, General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5657DP. Published by Hope Publishing - Digital (H1.C5657DP). Thomas O. Chisholm. Genesis 8:22 - Lamentations 3:22 - Lamentations 3:23 - Lamentations 3:24 - 1 Samuel 15:29 - Hebrews 7:21 - Isaiah 49:7 - James 1:17 - Jeremiah 29:11 - Malachi 3:6 - Psalms 33:4 - Psalms 110:4 - Psalms 111:7 - Psalms 145:13 - Psalms 1.Classic hymn tune William Runyan was an editor for Hope Publishing Company in 1923 when he composed the tune for this beloved hymn to a text by his friend, Thomas Chisholm. The message is a vivid testimony to God's faithfulness, and Joseph Martin's dynamic choral setting is a skillful statement of faith in its own right. The accompaniment calls for a small ensemble of instruments that heighten the impact, but may also be done with simply piano. The Instrumental packet contains a Conductor's Score and parts for: Flute, Oboe, Horn, Violin 1, Violin 2/Viola, Cello & Electric Bass.

Composed by J. Jerome Williams. This edition: scorch. Concert, Sacred. Octavo. 7 pages. Fred Bock Music Company #0. Published by Fred Bock Music Company

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.1199717 Composed by Mario Pearson. 20th Century,Christian,Contest,Festival,Religious. Octavo. 12 pages. Empee music #798719. Published by empee music (A0.1199717). An expressive musical setting of the Peace prayer of St. Francis of Assisi.  With a lush keyboard accompaniment and the choir bringing the texts to life, it will be a moving experience for the performer and listener.  The optional string parts are available for purchase separately.  This composition is part of a larger work Requiem of Peace, by the composer.

Choral SATB choir, C instrument - Digital Download Composed by C. J. Adams. Lent, Holy Week, Good Friday. Octavo. 12 pages. Duration 12 minutes. Hope Publishing - Digital #C5735DP. Published by Hope Publishing - Digital

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.889697 Composed by William Hawley. Contemporary,Sacred. Octavo. 1 pages. William Hawley #3519379. Published by William Hawley (A0.889697). William Hawley's Preces for Cantor and SATB Choir (or Officiant and Congregation), composed in 2010, is here presented on a single page for distribution and use in liturgical performance. This work sets the standard text from the Book of Common Prayer of the Anglican Communion, as follows:Cantor: O Lord, open thou our lips.Choir: And our mouth shall show forth thy praise.Cantor: O God, make speed to save us.Choir: O Lord, make haste to help us.Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost;Choir: As it was in the beginning, is now, and ever shall be, world without end. Amen.Cantor: Praise ye the Lord.Choir: The Lord's Name be praised.The audio clip is of the full work in the composer's virtual instruments demo. The download includes permission to photocopy the score multiple times, as necessary and  without limit, for distribution to the Music Director, Cantor, Priest, Choir, and Congregation for liturgical performance. Duration 2 minutes. ASCAP  http://williamhawley.net

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3850 Composed by E. Mack. Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3850). Hear Me Loved One. Song With Chorus. Words by Miss Maggie Williams. Music by E. Mack. Published 1867 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love. First line reads Ever thee I'll fondly cherish, Yes thy mem'ry will be dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1373121 By David Catherwood. By David Catherwood. 21st Century,Celtic,Christian,Irish,Patriotic,Sacred. 5 pages. Opus 3 Music #957462. Published by Opus 3 Music (A0.1373121). In The Heart's Imagination A new contempoarary setting for SATB voices of the classic text by the English scholar and clergyman Timothy Rees.Also included are parts for flute (or violin) and bass (or cello) These are entirely optional but will enhance the performance when instrumentalists are available.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me� is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3733 Composed by Will S. Hays. Knitting, Windows, Drapery, Portraits, Immigrants, Courtship, Love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3733). Mary! O! Come Back to Me. Song and Chorus. By Will S. Hays. Published 1867 by J.L. Peters in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Knitting, Windows, Drapery, Portraits, Immigrants, Courtship, Love, Sadness. First line reads Stars of the evening shining so bright, smile in thy beauty this soft summer night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.