Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.798192

Composed by Paul Hemmer. Arranged by Paul Hemmer. Broadway,Musical/Show,Pop. Octavo. 8 pages. PJMS MUSIC #4715555. Published by PJMS MUSIC (A0.798192).

This original ragtime style tune is from the regional musical Steamboat Comin' produced originally in 1991 at Five Flags Theater in Dubuque, IA. It features nostalgic lyrics and a second chorus with a clever counter-melody. An additional score with extra parts for Tenor Banjo, String Bass and Drums is available separately. 

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.953617

Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617).

Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard

Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary.

Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you.

Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide.

Duration: about 2:00

Third Edition with revised harp/keyboard part February 2019

Second Edition 31 July 2005

Third Edition 26 Apr 2018

Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.

https://adrienneinglis.com/

By Dope. By Michael Percy, Peter Burns, Stephen Coy, and Tim Lever. Arranged by Silv Pybus. Halloween,Pop. 4 pages. Ellie Pybus #898187. Published by Ellie Pybus

SATB choir - Easy - Digital Download

SKU: LX.45-1107L

An SATB musical for Senior Choir. Composed by Bob Woolley and Paul Taylor. Choral Cantatas. 88 pages. Lorenz Publishing - Digital Sheet Music #e45/1107L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1107L).

UPC: 000308059595.

A follow-up to the popular Saints Alive and Saints Alive in Prime Time, this cleverly named sequel has a similar humorous tone and light, fun melodies. The optimistic text artfully set to easy-to-sing songs brings an uplifting message of staying active and living later years in the likeness and spirit of the Lord. A sure hit with your senior choir, this original work will give the pillars of your church a chance to shine and to be recognized for all they have done and continue to do. Performance time:30-35 minutes.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1246502

Composed by Euday L. Bowman. Arranged by Scott S. Stewart. 20th Century,Jazz,Ragtime,Standards. Octavo. 21 pages. Scott S. Stewart #841168. Published by Scott S. Stewart (A0.1246502).

The infectiously upbeat “12th Street Rag� was composed by Texas composer Euday L. Bowman near the end of the Ragtime era in 1914.  James S. Sumner was commissioned to write ‘typically clever’ lyrics that were added in 1919.  It has, over time, become an enduring standard in jazz repertoire.  This arrangement is scored for 4-part SATB ensemble with piano 4-hand accompaniment, with Sumner’s witty words.  In true Texas (ragtime) style, enjoy this fine piece of Americana in all its glory at an even, leisurely pace.  Performance time: 3:50+-.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1451532

By Fleetwood Mac. By Stevie Nicks. Arranged by Dylan Tr?n. A Cappella,Folk,Pop,Rock,Singer/Songwriter. 7 pages. Dylan Tr?n #1030859. Published by Dylan Tr?n (A0.1451532).

Accessible and moving, this arrangement of Landslide by Fleetwood Mac is fit for professional choir, college choir, community choir, high school choir, acapella groups, vocal pop groups, and more. Dylan Tran uses idiomatic yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.com Fleetwood Mac's Landslide offers a perfect blend of musical beauty and emotional depth, making it an ideal choice for any choir seeking to connect with their audience on a profound level. Landslide isn't just another song – it's a timeless classic that speaks to the universal themes of resilience, self-discovery, and the passage of time. Its introspective lyrics and haunting melody create a captivating atmosphere that invites listeners to reflect on their own experiences and journeys in life. From a musical standpoint, Landslide offers versatility and richness that allow choirs to showcase their vocal talents. Whether it's the soft, delicate harmonies of the verses or the powerful crescendos of the chorus, this song provides ample opportunity for expressive interpretation and dynamic performance. Moreover, Landslide enjoys widespread recognition and popularity, thanks to its status as a staple of Fleetwood Mac's discography. By including this iconic song in your choir's repertoire, you can leverage its existing fan base and attract attention to your performances without sounding like a sales pitch. In conclusion, Landslide by Fleetwood Mac is more than just a song – it's an emotional journey that resonates with audiences of all ages and backgrounds.

SATB choir - Digital Download

SKU: LX.15-1876H

Composed by George Frideric Handel. Arranged by Linda Spevacek. Educational. Octavo. 12 pages. Heritage Music Press #e15/1876H. Published by Heritage Music Press (LX.15-1876H).

UPC: 000308095715.

This masterwork gem is a shortened version of the original and was cleverly adapted so that choirs with limited rehearsal time and various levels of ability could still study and experience this glorious piece of music from the Baroque era.

SATB choir, Piano - Digital Download

SKU: LX.15-1977H

From the oratorio, Saul. Composed by Douglas E. Wagner. Concert. Octavo. 8 pages. Heritage Music Press #e15/1977H. Published by Heritage Music Press (LX.15-1977H).

UPC: 000308100891.

Music In Our Schools Month o Duration: 2:10 Sing joyfully! Let music fill the sky! This triumphal masterwork gem from the Baroque period has been cleverly adapted so that choirs with limited rehearsal time and varying levels of ability can still study and experience this glorious work.

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.632006

By Elvis Presley. By Jerry Leiber and Mike Stoller. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Octavo. 9 pages. Music Arrangement Services Inc. #241085. Published by Music Arrangement Services Inc. (A0.632006).

Originally performed by Elvis Presley. This SATB arrangement has a tango feel opening, allowing for an easy transition. Great as a closer! Song refers to having a party, letting go of inhibitions, and having fun. The clever lyrics also lean this song into the novelty category. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:30.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1500213

By Queen. By Freddie Mercury. Arranged by Kimberley Denis. 20th Century,A Cappella,Contemporary,Jazz,Pop. 12 pages. Purple Door Music #1076293. Published by Purple Door Music (A0.1500213).

Does your choir love singing rock classics? Always wanted to do Bohemain Rhapsody but worried about the violence or the length? Then this arrangement is perfect for your choir! Coming in at 3 minutes in length with no mention of killing, this clever, trimmed down a cappella setting is a perfect pop/jazz feature or an audience pleasing encore. Performance Time: Approx. 3:03.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1023069

Composed by Pauline Boston. Christmas,Contemporary,Folk. Octavo. 5 pages. Pauline Boston #4623825. Published by Pauline Boston (A0.1023069).

This fun song describes the cold weather being experienced up north and the decision to go to Florida for Christmas where they will be together and warm.  The clever lyrics and swinging, upbeat tempo in the chorus make for a different style of secular Christmas song.  Performance time is @ 3 minutes.

Chorus - Digital Download

SKU: AX.00-PO-0002089

No Need to Knock! - SATB, a cappella. Composed by Sally K. Albrecht. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002089. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002089).

UPC: 038081136172.

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: No need to knock, the door is open, just come on in. This choral work has many uses and can be performed in any concert, any time of year. A top-seller! Featured on the new staging DVD/Video On the Stage! (DVD #23037, Video #23129).
A cappella; Movement and Staging.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.835452

Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452).

A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:
- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)
- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.
- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!
- Finger cymbals and a gong. These are regular western instruments.
- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!
- A group of singers (SATB). Nothing particularly challenging but see below.

The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.

In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.

The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.

I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!

https://www.facebook.com/stuartbrownmusic/