Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1302302 By Tino Rossi. By Henri Martinet. Arranged by Justine Desannaux. A Cappella,Christmas,Holiday,Jazz,Traditional. 3 pages. Justine Desannaux #891914. Published by Justine Desannaux (A0.1302302). Cette partition propose une version jazz pour chœur a cappella du traditionnel Petit papa Noël rendu connu par Tino Rossi.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1502160 By Josh Groban. By (p/k/a Raymond Vincy), Henri A.l. Martinet, and Raymond H. Ovanessian. Arranged by Sandra Milliken. 20th Century,Children,Christmas,Holiday. 12 pages. Sandra Milliken #1078057. Published by Sandra Milliken (A0.1502160). Petit Papa Noël (Little Father Christmas) is a popular French Christmas song. It first appeared just after the end of the Second World War when it was recorded by Tino Rossi. It has since become incredibly popular, well-known today by most French children. But the success of the song does not stop at the borders of France. It has been translated into many languages and exported to many countries. Even in English-speaking countries, it is often performed in the original French.  Several well-known artists have recorded covers of Petit Papa Noël, including Nana Mouskouri, Céline Dion, Josh Groban and Roberto Alagna. This arrangement includes lyrics in both French and English, with a guide to the French pronunciation provided in standard IPA (Internation Phonetic Alphabet) format. It is also available in SAB and SSA voicings, with a piano accompaniment.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1002444 Composed by Graham Charles, Graham Charles (Abc Sattler, and Leonie Marion Cambage. Arranged by Elzbieta Ambrose. Contemporary. Octavo. 13 pages. Elizabeth (Elzbieta) Ambrose #6437199. Published by Elizabeth (Elzbieta) Ambrose (A0.1002444). The original name Duetto Buffo di Due Gatti (Comic Duet for Two Cats) composed by Giacomo Rossini is a comedy composition in an opera style. This arrangement is for four voices with piano accompaniment.Piano is a part of an act, starting too loudly and ‘shushed’ by four cats in bar two who are satisfied in bar 3 with mp playing. Bar 4 of the piano accompaniment adds an extra note to please all four cats. Please treat this music like a dialogue of four characters with the high authority from the bass line. The discussion turns to perfect harmony in bar 34 (Andantino) to move to dialogue between three voices against the soprano cat which wants to show of with the final cadence. This could be treated accordingly to soprano’s range and imagination. The given ending is only a suggestion. It can easily end on top ‘C’ or 'F'. The most important is the accuracy and security of each voice. They need to reflect the spirit of the characters. It is interesting how one simple miau can make this music so expressive. It is fun to sing and a treat to listen to. This is a very good choice for a light-hearted number for any concert, from an opera to recital. Four single voices could be doubled if once prefers. It could be challenging for the choir to keep the tight accuracy of each line but not impossible. Definitely a good choice for four secure voices who are eager to entertain.