Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1189686 Composed by Eric Holljes and Ian Holljes. Arranged by Cy Wood. A Cappella,Barbershop,Blues,Contemporary,Country. Octavo. 8 pages. Cy Wood #789305. Published by Cy Wood (A0.1189686). Arranged for four voices, a cappella, this song was featured on Delta Rae’s first album, Carry The Fire, as a pounding, bluegrass-tinged work song. Add stomps, claps, snaps, instrumentation for added effect.

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.1079405 Composed by Eric Holljes and Ian Holljes. Arranged by Patrick Whalen. A Cappella,Jazz,Pop. Octavo. 21 pages. Patrick Whalen #683576. Published by Patrick Whalen (A0.1079405). SATB (divisi) a cappella arrangement of Bottom of the River originally performed by Delta Rae. This arrangement features a treble clef solo. Please reference the original recording if you would like to add a vocal percussion part.

SATB, Solo, SATB Choir, and Piano with optional rhythm section - Intermediate - Digital Download By Chris Tomlin. Arranged by Michael Ware. 13 pages. Published by MusicWare Press

SATB choir (choir divisi) and orchestra or piano - Medium - Digital Download SKU: MQ.6570-E Composed by Gwyneth W. Walker. 13 pages. E. C. Schirmer Music Company - Digital #6570-E. Published by E. C. Schirmer Music Company - Digital (MQ.6570-E). English.Poem by Thomas Merton. The ocean floor, the home of mermaids, “where waters most lock music in,� a dimly-lit room where “lost orchestras play.� This song is characterized by descending lines into the depths of the orchestral and choral ranges. A pair of piccolos open the movement, portraying a school of fish in the ocean.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1144857 Composed by Eric Holljes and Ian Holljes. Arranged by Jan-Hendrik Herrmann. A Cappella. Octavo. 7 pages. Jan-Hendrik Herrmann #745174. Published by Jan-Hendrik Herrmann (A0.1144857). This is an a cappella Arrangement of the powerfull and spooky Delta Rae-Hit. There is a basic body percussion for all singers and a more complex pattern at the end for those who like the challenge.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1095797 Composed by Eric Holljes and Ian Holljes. Arranged by Lia Wiese. A Cappella,Contemporary,Folk. Octavo. 6 pages. Lia Wiese #699764. Published by Lia Wiese (A0.1095797). Bring this energetic, dynamic folk piece originally by the band Delta Rae to your a cappella ensemble! The messy, percussive style of the original is perfectly captured in the moving vocal lines and body percussion of this arrangement.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1155619 Composed by Dorothy Martin, Ian Brendon Scott, Linda Perry, and Mark Jackson. Arranged by Eric Zittel. A Cappella,Contemporary,Pop,Rock,Singer/Songwriter. Octavo. 11 pages. Eric Zittel Arranging #755921. Published by Eric Zittel Arranging (A0.1155619). Arrangement for 5 parts/SSATB voicing with solo. Groovy and readable with excellent moments for harmony and blend to shine through. Email me at ejzittel@gmail.com for part-dominant practice tracks, or check out my website at ezarranging.weebly.com Sample recording is of Oregon City High School's Sound Check.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1093111 Composed by Eric Holljes and Ian Holljes. Arranged by Jeffrey Bowen. Contest,Country,Festival,Folk. Octavo. 12 pages. Music Arrangement Services Inc. #697208. Published by Music Arrangement Services Inc. (A0.1093111). Performed by Delta Rae. This song is about washing or cleansing of evil by water. There are many interpretations, but the song refers to cleansing by water, baptism, dim pathway, wolves (possibly evil possession, drowning to dispel evil, being freed from evil). This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:35.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.583911 By Toto. By David Paich, Mike Porcaro, Robert Kimball, Simon Phillips, and Steven L. Lukather. Arranged by Jeff Tincher. Pop,Rock. Octavo. 98 pages. Jeff Tincher #5042537. Published by Jeff Tincher (A0.583911). I love music with counter-rhythms in it. This song has just that. In the original key from Toto's Falling In Between project, this song is written in 6/4 with combined eight-note and dotted quarter note rhythms. This arrangement includes conga and drumset parts. Included is a full score, SATB, and percussion/drumset parts. Great for any live performance or playing along with the recording !! Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019360 Composed by Kevin Longley. Christian,Easter,Praise & Worship. Octavo. 18 pages. Kevin Longley #6252461. Published by Kevin Longley (A0.1019360). He Lives Today, choral church anthem composed in 2016 The Inspiration The anxiety, fear and anticipation felt by Mary as she approached the tomb of Jesus, only to be replaced by great joy! The Music Composed for choir, soprano soloist, flute and piano. The piece begins with a somber flute solo, depicting Mary's journey to the tomb of the Lord Jesus. When finally reached, the flute solo quietly ends and the glorious choir response begins Our Lord Has Risen! He Lives Today! followed by the directive Go Spread The News!. The soprano soloist then recounts the event at the tomb between Mary and the angel. A repeat of the initial chorus brings the piece to a joyous close Our Lord Has Risen! He Lives Today! Program Notes The piece was written specifically to be used at the beginnings of a church service, or at the end, with the flute solo omitted. Of course it can be used for both!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1276946 Composed by Todd Marchand. Christian,Sacred. Octavo. 5 pages. Con Spirito Music #868640. Published by Con Spirito Music (A0.1276946). Available in both SATB and SAB voicings with organ accompaniment, this anthem with text by Anglican bishop Richard Mant (1776–1848) is ideal for All Saints Day, All Saints Sunday, other commemorations of saints, and appropriate as a general anthem at any time. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping� is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,� the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.� Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,� from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com