Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve.   Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.877124 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Mister Tim. A Cappella,Dance,Pop. Octavo. 12 pages. Vocality Music #3573559. Published by Vocality Music (A0.877124). Groovy little a cappella arrangement of JT's 2016 smash hitSome easily-conquered challenges for developing singersSAATBB+vp+solo, A Cappellasingle full-priced download allows you to make as many copies as you need for your whole ensembleFull demo audio: https://soundcloud.com/vocalitymusic/cant-stop-the-feeling-saatbbDemo audio of many other Mister Tim arrangements: https://soundcloud.com/vocalitymusic/sets/mister-tim-arranging-demo-audioMister Tim is available for hire for custom arrangements

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.877126 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Mister Tim. A Cappella,Dance,Pop. Octavo. 15 pages. Vocality Music #3573563. Published by Vocality Music (A0.877126). Fun arrangement of the 2016 Justin Timberlake hitSome challenging rhythms for experiences singers ready for more advanced partsSSAAATBB+vp A Cappellasingle full-priced download allows you to make as many copies as you need for your whole ensembleFull demo audio: https://soundcloud.com/vocalitymusic/cant-stop-the-feeling-ssaaatbbsoloDemo audio of many other Mister Tim arrangements: https://soundcloud.com/vocalitymusic/sets/mister-tim-arranging-demo-audioMister Tim is available for hire for custom arrangements

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band.  This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's.  The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band.  If you don't have any singers who can take on this part, an actual bass instrument could be substituted.  The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists.  The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus.  This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well.  .